| Universal Pictures | Release Date: March 10, 2017 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
29
Mixed:
19
Negative:
2
|
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Critic Reviews
This highly entertaining return of one of the cinema's most enduring giant beasts moves like crazy — the film feels more like 90 minutes than two hours — and achieves an ideal balance between wild action, throwaway humor, genre refreshment and, perhaps most impressively, a nonchalant awareness of its own modest importance in the bigger scheme of things.
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Kong: Skull Island isn’t a remake or a reboot or a re-anything. It’s just a Saturday matinee creature feature with a smart, unpretentious script, a handful of solid supporting players, and a digital Kong who feels big enough and real enough to provoke the necessary awe. This is all to the movie’s credit.
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Hiddleston and Larson are especially let down by the script, which wants to be jokey in the way that something like Predator was, but can’t pull it off. The same lack of care goes into the period-specific song choices that have as much imagination as a Time-Life Songs of the ‘70s set.
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The thing that breaks the back of this movie, and makes the second half so much less prodigious than the first, is a simple matter of geography. Once the combatants are split up and scattered around the island (Packard here, Chapman there, Conrad and Marlow stuck in their own heart of darkness), the story loses focus and even starts to drag.
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Caution should always be taken when branding any film about an 80-foot ape "illogical", but such is the gross stupidity of the film's movable feast - and the abominable dialogue spewing from their mouths - that you'll likely thank the primate deity himself every time one is crushed, impaled or bisected.
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The GuardianMar 2, 2017
This fantastically muddled and exasperatingly dull quasi-update of the King Kong story looks like a zestless mashup of Jurassic Park, Apocalypse Now and a few exotic visual borrowings from Miss Saigon. It gets nowhere near the elemental power of the original King Kong or indeed Peter Jackson’s game remake; it’s something Ed Wood Jr might have made with a trillion dollars to do what he liked if he’d been given a trillion dollars – but minus the fun.
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