| Twentieth Century Fox Film Corporation | Release Date: September 22, 2017 | CRITIC SCORE DISTRIBUTION | ||
|
Positive:
13
Mixed:
20
Negative:
11
|
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Critic Reviews
Kingsman: The Golden Circle is as cheeky, cartoonish, and crazy as its predecessor, but it’s also commendably unafraid to demolish what had come before it if it’s in service of the story. The new dynamic between Eggsy and his team is great, and the Statesman prove amusing counterparts to these gentlemen spies from across the pond.
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Like its predecessor, everything about the stylized Kingsman: The Golden Circle teeters just a little over the top: the elegant international production values, the perfectly tailored Savile Row attire, the hyperviolent action sequences, the depiction of something more than just an innocent hint of sex.
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The PlaylistSep 18, 2017
Vaughn’s film is overflowing with big set pieces, but all those epic action sequences amount to a running time clocking nearly two and a half hours – and not much else. Like fireworks, they’re awe-inspiring while you’re watching, but there’s little left to marvel at after the show’s over.
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Just like the first movie, the film’s politics are all over the place in a way that should be fun but ends up feeling distracting. Yet it’s hard to hate this movie too much. It has a weird generosity toward its audience. It keeps giving and giving and giving, until you’re overstuffed. It’s a Thanksgiving feast movie, where you’re vaguely impressed at all of the effort, even if the individual elements leave something to be desired.
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Dumber and less stylish than its predecessor, Kingsman: The Secret Service, the cartoonish secret-agent pastiche Kingsman: The Golden Circle is also even more of an incoherent right-wing text, an exaggeration of the James Bond movies’ violence, fashion sense, and sex that keeps trying to pass off its ham-fisted conservative attitudes as smirking nihilism.
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Unfortunately, overkill is the order of the day — and it takes a toll. There are too many supporting characters, too much exposition, too many gadgets, too many “Matrix”-inspired, slow-motion fight sequences, too many plot holes instead of twists and too ham-handed a political message about the war on drugs.
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