| | Release Date: TBA | CRITIC SCORE DISTRIBUTION | ||
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Positive:
4
Mixed:
7
Negative:
0
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Critic Reviews
Soderbergh has done an ace job of illustrating “The Last Interview” by turning it into a dreamy archival collage, accompanying John’s words (and Yoko’s too) with hundreds of photographs I had never seen before. (He also uses a handful of fantasy images created by AI; if they’d been devised with older technology, no one would care, and no one should care now.)
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NMEMay 22, 2026
Rarely seen photos of Lennon and Ono reveal a charming, playful side to the couple. However Soderbergh has also used generative AI to create surreal images to illustrate 10 per cent of the film, which feels like a misstep because the poorly conceived pictures (streets flooded with oil, crying babies) are a world away from the tender story of loss and grief at the heart of this documentary.
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For anybody who’s read the other interviews John and Yoko did around that time, there’s nothing terribly revelatory about the conversation in “John Lennon: The Last Interview.” But the immediacy that comes from hearing him talk about it can be thrilling, and Soderbergh’s and Nancy Main’s judicious editing fits plenty of the 165-minute interview into a 97-minute film.
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