| Contact Film | Release Date (Streaming): May 22, 2020 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
3
Mixed:
5
Negative:
3
|
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Critic Reviews
Dumont turns the tale into a dialectical spectacle: he stages military musters like Busby Berkeley productions, seethes at the torturers’ rationalizations, delights in hearing his actors declaim the scholars’ sophistries, and thrills in the pugnacious simplicity of Joan’s defiant responses, which reduce her captors’ pride to ridicule.
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IndieWireMay 20, 2020
Dumont regards history as a focal point for national identity, finding France’s leadership rooted in dry pontification and meandering religious fervor. He gives us a complex world so keen on taking itself seriously that it becomes parody, leaving only Joan’s stone-faced expression to point to a higher truth.
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