Tribeca Film | Release Date: October 28, 2011
6.5
USER SCORE
Generally favorable reviews based on 6 Ratings
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Mixed:
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5
joelmpaOct 20, 2012
Starts off absorbing, band interactions are interesting. But second half is a bore and utterly predictable. Should have let Breslin solo, rather than spend so much time on Nivola's dreary narcissistic monotones. Shue's role could have beenStarts off absorbing, band interactions are interesting. But second half is a bore and utterly predictable. Should have let Breslin solo, rather than spend so much time on Nivola's dreary narcissistic monotones. Shue's role could have been developed more, especially her relationship to her daughter. Instead, the ending just doesn't ring true. Expand
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8
LowbrowCinemaOct 5, 2014
Seeing movies back to back on a plane is always interesting. The context can totally shift the tone of a film. Watched JANIE JONES, a lovely small indie that just feels so right and so right now, capturing the ebb and flow of contemporarySeeing movies back to back on a plane is always interesting. The context can totally shift the tone of a film. Watched JANIE JONES, a lovely small indie that just feels so right and so right now, capturing the ebb and flow of contemporary life. The film doesn't break any new territory but as a character study it surprises in so many ways. Both Abigail Breslin and Alessandro Nivola are pitch perfect and even every small role from Elizabeth Shue to one of my favorites Peter Stormare, just rings right. An eloquent complex work that really surprised me! Expand
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