| Sony Pictures Releasing | Release Date: August 9, 2024 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
15
Mixed:
23
Negative:
4
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Critic Reviews
Aug 7, 2024
When I say it’s a soap opera, I mean that as praise. Based on Colleen Hoover’s 2016 novel (the script is by Christy Hall) and directed by Justin Baldoni (who is one of the film’s costars), it’s an avid and emotional movie that pulls you right along. If you go in not knowing what it’s about, and are therefore all the more surprised by where it goes, it may be even more effective.
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Aug 9, 2024
Though “It Ends With Us” ultimately lands in the zone of social commentary, the experience is mainly one of witnessing life as experienced by one woman over the course of years. And it’s worth the journey because of Lively and her simultaneous and contradictory mix of pleasantness and cold discernment.
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Aug 7, 2024
A lot of boxes are ticked here—a protagonist who runs a flower shop, a love interest who is a chef, the ridiculous character names, Lively’s impeccable-but-quirky wardrobe and hair, a Taylor Swift song that plays at the exact right emotional moment—and It Ends With Us could have easily felt completely contrived. It’s a credit to Baldoni, Lively and their collaborators that it doesn’t.
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Aug 8, 2024
It Ends with Us handles the issue of domestic violence with admirable sensitivity and noble intentions, but with a far too long running time of 130 minutes and a plot that depends on not one, not two, but three major coincidences, it isn’t as impactful or resonant as it could have been.
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The Observer (UK)Aug 22, 2024
The GuardianAug 7, 2024
The life lessons being taught here about self-acceptance, self-love and self-worth might be a little pat and some of the darker elements could have afforded a tad more darkness, but It Ends with Us leads with heart first, everything else later. It’s a film of huge, sometimes hugely unsubtle, emotion but it has an effectively forceful sweep to it.
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Aug 7, 2024
It’s slick and eager to elide the moral messiness of the material with its lightly empowering messaging, but also competently executed with a starry performance at its center. That recipe almost makes you nostalgic for what it’s selling: The old-school, middle-of-the-road tearjerker, the Starbucks latte of movies. It’s not going to blow your mind, it might taste a little burnt at times, but occasionally it does the trick.
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IndieWireAug 7, 2024
Aug 7, 2024
Movies can’t just be efficient feeling-delivery systems; they have to work on us in subtler ways. It Ends With Us makes all its points, all right, but in a way that’s more edifying than moving. And despite the prettiness of its Boston setting, it isn’t as visually alluring as it should be.
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The IndependentAug 7, 2024
It Ends with Us is capable of poignancy. Yet it’s also entirely ill-equipped to square such sensitive material up against scenes of diamanté boots being sensually rolled down, an out-of place but very funny Jenny Slate rocking up in a string of Carrie Bradshaw-worthy outfits, or Lively simply revelling in that deep, half-laughing voice that made her an icon of casual cool on TV’s Gossip Girl. This film’s good intentions feel misplaced.
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LooperAug 7, 2024
Between characters who have no depth to them, cliched dialogue, and a strange approach towards the dynamics between an abuser and their victim, it's hard to recommend "It Ends with Us" to anyone but the most diehard Colleen Hoover fans. Pour one out for Blake Lively and Jenny Slate, who both deserve so much better.
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