| Magnolia Pictures | Release Date: April 29, 2015 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
25
Mixed:
0
Negative:
0
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Critic Reviews
For those looking for regrets or profundity, Iris doesn’t dig particularly deep in that regard. But if you want merely to revel in the life of a singular figure who approaches her look and her life very much on her own terms, you’ll be charmed and delighted — and maybe even inspired to try something risky next time you get dressed up.
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RogerEbert.comApr 29, 2015
Al Maysles, a great fixture in the New York film scene and an influence on several generations of documentary filmmakers, was a keen, understanding observer of human nature and behavior from the 1950s up until his death last month at age 88. Iris and another recently completed film, “In Transit,” will stand as testaments to his unique talents and contributions to the documentary form.
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This is the penultimate film of Albert Maysles, who died on March 5, and Iris has a bit in common with “Grey Gardens,” his masterpiece. Apfel, unlike the Edies of that movie, is sane — so much so that the movie’s main flaw is lack of conflict. Iris’ marriage to Carl, who turned 100 during filming, is incredibly sweet.
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Iris isn’t groundbreaking doc filmmaking, but it’s amiable and jovial in a way rarely seen in the field, which tends more toward drama, trauma, and forwarding big causes. Maysles doesn’t seem to have an agenda, beyond capturing Apfel as she is in this moment, as a complete, highly specific, and thoroughly charming character.
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