| Paramount Pictures | Release Date: November 5, 2014 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
35
Mixed:
10
Negative:
1
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Critic Reviews
Nolan’s 168-minute odyssey through the space-time continuum is stuffed with stuff of bewildering wrongness. Eager for grandeur, I went in hoping for the very best from a filmmaker with his own vision of the theatrical medium’s potential. The last thing I expected was a space adventure burdened by turgid discussions of abstruse physics, a wavering tone, visual effects of variable quality and a time-traveling structure that turns on bloodless abstractions.
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Nolan takes big chances with his actors, his action scenes, and his pacing -- you'll feel all 169 minutes in your backside -- and the payoffs come slowly and sometimes not at all. It's frustrating because there's so much to look at, so much money well spent in every frame, but Interstellar wears out its audience long before it ends.
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While it’s technically eye-popping and intricately structured, Interstellar is at its most fascinating when it struggles hard to communicate those things we human beings call “emotions”. Instead, we get something like a freeze-dried approximation of Steven Spielberg at his most sentimental.
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Interstellar often seems afraid to let any development go unpacked and uncommented upon, except for a handful of points that dive into the action and expect viewers to catch up. The film is at its best in these moments, when it’s unafraid of challenging storytelling, particularly since Interstellar never has trouble finding visuals to match its heady concepts.
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A knockout one minute, a punch-drunk crazy film the next, Interstellar is a highly stimulating mess. Emotionally it's also a mess, and that's what makes it worth its 165 minutes — minutes made possible by co-writer and director Christopher Nolan's prior global success with his brooding, increasingly nasty "Batman" films, and with the commercially viable head-trip that was "Inception."
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McClatchy-Tribune News ServiceNov 4, 2014
Whatever its length and melodramatic third-act touches, Interstellar is a space opera truly deserving of that label, overreaching and thought-provoking, heart-tugging and pulse-pounding. It’s the sort of film that should send every other sci-fi filmmaker back to the drawing board, the way Stanley Kubrick did, a long time ago in a millennium far away.
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Black holes, relativity, singularity, the fifth dimension! The talk is grand. There’s a problem, however. Delivered in rushed colloquial style, much of this fabulous arcana, central to the plot, is hard to understand, and some of it is hard to hear. The composer Hans Zimmer produces monstrous swells of organ music that occasionally smother the words like lava. The actors seem overmatched by the production.
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Interstellar, his (Nolan) sci-fi spectaculorama helixed around a father-daughter love story, is a gamble like no other in his career. It's his longest film, his headiest, his most personal. And, in its square-peg-in-a-round-wormhole stab at being the weepy motion-picture event of the year, it's also his sappiest.
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Whatever his strengths may be, Nolan lacks the human touch. His movies are numbingly sexless, and by that I don’t mean they need sex scenes or nudity -- those things are rarely really about sex anyway. But in all of Nolan’s films, human connection is such a noble idea that it’s beyond the grasp of flesh-and-blood people.
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The GuardianOct 27, 2014
It’s a glorious spectacle, but a slight drama, with few characters and too-rare flashes of humour. It wants to awe us into submission, to concede our insignificance in the face of such grand-scale art. It achieves that with ease. Yet on his way to making an epic, Nolan forgot to let us have fun.
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The PlaylistOct 27, 2014
Promising outer-space majesty and deep-thought topics like some modern variation on Stanley Kubrick's “2001: A Space Odyssey,” Interstellar instead plays like a confused mix of daringly unique space-travel footage like you’ve never seen and droningly familiar emotional and plot beats that you’ve seen all too many times before.
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IndieWireOct 27, 2014
Brainy and exciting at the same time, Interstellar invalidates the need for mindless Hollywood product. No matter its shortcomings, the movie achieves an impressive balancing act. It turns the mysteries of the universe into a cinematic playground, but for every profound or visually arresting moment, it also encourages you to to think.
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