| Neon | Release Date: January 27, 2023 | CRITIC SCORE DISTRIBUTION | ||
|
Positive:
35
Mixed:
10
Negative:
1
|
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Critic Reviews
The Film StageJan 25, 2023
The abstracted, bright-colored flourishes and chamber-thriller structure––not to mention its punctuated moments of extreme carnage––provide a crimson foundation for the writer-director’s third and latest feature, Infinity Pool, a blistering big swing that matches its unique premise and privileged-class takedown with his very specific violent, pornographic palette.
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There’s just more under the hood than your typical imitators: the antic disposition of the idle rich, the way infinite money can absolve the rich of any accountability, and the ever-predatory nature of colonial tourism. Wrap it up in a package this wild, shocking, and perverse, and it makes for a delightful bloody mess that you’ll want to go back to.
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There are moments in Infinity Pool where it’s a test of wills to keep your eyes fixed on the screen, but beyond all the gruesome violence, Cronenberg’s screenplay is filled with sharply honed observations about culture and class differences, and some wickedly satisfying twists and turns. This is a film that is bat-bleep crazy but knows exactly what it is doing.
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There are so many elements that seduce and beguile – including the rusted-out Brutalism of the Li Tolqan prison where the cloning procedure takes place, and Goth’s supremely unhinged work as James’s seductress, a performance more Looney Tunes than human – that the entire thing swallows you whole. There is no more delightful way to drown.
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The Film VerdictJul 10, 2023
The latest sci-fi horror fable from Canadian writer-director Brandon Cronenberg is his most deliciously dark, richly allegorical nightmare vision to date. A bleakly satirical, sexually graphic, hallucinatory thriller about wealthy tourists resorting to debauched savagery in a fictional foreign country,
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If the overall plot is a little two-dimensional, a little ‘tell me something I don’t know’ in its mining of upper-middle-class callousness, it’s hard to fault the magnetic craft of this exquisitely unpleasant picture, like a broiling jacuzzi of hallucinatory sex and violence that you might briefly dip a toe into, if you dare.
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So often, you can feel filmmakers straining themselves to come up with more extreme ways of shocking and awing you. With this writer-director, you get the sensation that such hallucinogenic, nerve-scrambling sensationalism comes naturally. You wouldn’t say that his agent provocateur touch is subtle. But it is expert.
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SlashfilmJan 22, 2023
Cronenberg creates an atmosphere of nauseating dread through it all as things grow increasingly deranged. No fooling: this is not an easy movie to watch. It gets under your skin and makes your flesh crawl. It infects you. You'll probably want to take a shower after the credits roll, and then take another shower just to be sure you're extra clean.
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Probably the most notable thing Infinity Pool does is solidify Mia Goth’s position as the undisputed scream queen of arthouse horror. Goth could never be accused of not “going for it,” and just like in Pearl, she consistently steals scenes in freaky and unexpected ways, sans visible eyebrows. It’s not quite enough to make Infinity Pool anything approaching great, but it’s enough to make it watchable.
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ColliderJan 22, 2023
Cronenberg still is one of the most intriguing horror filmmakers working today, and when Infinity Pool is working, it's unlike anything that you've ever seen. But when comparing Cronenberg's approaches in this to something like Possessor, it becomes clear that it's better when there's a method to Cronenberg’s madness.
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The GuardianJan 25, 2023
IndieWireJan 22, 2023
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