How to Lose Friends & Alienate People

Metro-Goldwyn-Mayer (MGM) | Release Date: October 3, 2008

6.6	USER SCORE Generally favorable reviews based on 57 Ratings

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PeterS.Oct 5, 2008

The film isn't brilliant but the critics have been harsh on the film. There are a few problems (I don't know whether I'm meant to like/dislike Simon Pegg and I got bored in the first half) but I left the film feeling satisfied.

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ChadS.Oct 8, 2008

Karen Valby profiles author Nicholas Sparks in the latest issue of "Entertainment Weekly". Since her subject comes across as something of a preening ass, the reader can surmise that "True Believer" is definitely not a puff piece. If Karen Valby profiles author Nicholas Sparks in the latest issue of "Entertainment Weekly". Since her subject comes across as something of a preening ass, the reader can surmise that "True Believer" is definitely not a puff piece. If Sparks' publicist had copy approval, she'd blue pencil the part about the author's asinine notion that only he and Toni Morrison are the only contemporary writers to have their books come out in Cliff Notes. In "How to Lose Friends and Alienate People", Sidney Young(Simon Pegg) works for an "EW"-type magazine that lost its way, just like how legendary music journalist Lester Bangs predicted it would in Cameron Crowe's "Almost Famous", when he warns his young protege about where music(or rather, entertainment) journalism is heading. The vertically-challenged Brit loses his objectivity by making friends with the movie stars. He pursues, and eventually wins the right to be the accessory of a sexy, but vapid starlet named Sophie Maes(Megan Fox). He also writes an article that showers undue praise over a filmmaker he despises(a Guy Ritchie-type, somebody influenced by Quentin Tarantino). With some differences, this film still maintains the basic framework of Billy Wilder's "The Apartment", in which both narratives feature protagonists who fall for a co-worker already attached romantically to their married bosses. In the Wilder film, C.C. Baxter(Jack Lemmon) gets a promotion by playing ball with Mr. Sheldrake(Fred MacMurray), even though the company head breaks the elevator girl's heart(Fran Kubelik, played by Shirley MacLaine). Similarly, Sidney is the beneficiary of a better job, Alison's job(Kirsten Dunst), in fact, after she and her married lover(Alison's boss(Danny Huston), but not the big boss) are fired by Clayton Harding(Jeff Bridges). "How to Lose Friends and Alienate People", albeit knowledgable about celebrity culture, will probably lose and alienate professional women by its retrogressive suggestion that Alison would readily rush into the arms of Simon, who took over her job as Arts Editor without ever giving it a second thought. "La Dolce Vita"(Alison's favorite film), apparently, transformed this professional woman into an elevator girl(both "The Apartment" and the Federico Fellini film came out in 1960), the kind of girl who would read "The Notebook"(yes, it's coming out in Cliff Notes).… Expand

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TheQuietGamerApr 23, 2013

A disappointing movie. I never really found a reason to care about what was going on in this movie, and I'm not sure if it's just the writing or a poor performance from Simon Pegg but the main character just disgusted me. I didn't care aboutA disappointing movie. I never really found a reason to care about what was going on in this movie, and I'm not sure if it's just the writing or a poor performance from Simon Pegg but the main character just disgusted me. I didn't care about any of the characters and laughs were sparse. How to Lose Friends & Alienate People manages to be poor enough to alienate and lose its audience.… Expand

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MichaelDMar 19, 2012

I expected too much from this movie. There was a few one-off gags but overall I was disappointed.

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HalfwelshmanMar 26, 2012

For the most part, How to Lose Friends & Alienate People is a decent enough British comedy film. Based on journalist Toby Young's memoirs, we follow Sideny Young (Simon Pegg) attempting to make it as a big-name journalist for the massivelyFor the most part, How to Lose Friends & Alienate People is a decent enough British comedy film. Based on journalist Toby Young's memoirs, we follow Sideny Young (Simon Pegg) attempting to make it as a big-name journalist for the massively popular Sharps magazine based in New York. The casting is pretty inconsistent - Pegg makes for a thoroughly unlikeable protagonist (perhaps due to the man Sidney is not-so-loosely based on), but you do warm to him eventually, once you've had time to take some pleasure in some of Sidney's failures. Kirsten Dunst makes for a bit of a comedy revelation as Alison Olsen, Sidney's fellow Sharps journalist and love interest, and Gillian Anderson and Miriam Margolyes seem to be relishing their roles as powerful, media-savvy publicist Eleanor Johnson and Mrs Kowalski, Sidney's landlady respectively. Meagan Fox, surprisingly enough, also impresses, at least if, like me, you take her performance as Sophie Maes, a ditsy actress looking to be taken seriously as an aware jab at her own media image. Elsewhere the casting is rather less impressive. Jeff Bridges, playing Sharps editor Clayton Harding, does a rather fine impression of Jeff Bridges. Also, I am yet to see a film where Danny Huston, here playing Sidney's nemesis and immediate superior Lawrence Maddox, puts any effort into a role, but he's got the "skill" of talking a bit too loudly, then a bit too quietly mastered. The film has a few decent jokes, and makes a passing attempt to comment on the plasticity of celebrity and the vindictiveness of journalism, but it's too long, and somehow still manages a rushed, sloppy ending, and unfortunately for a romantic comedy, the romantic element doesn't really work. A few of the jokes miss their mark as well, and the film does resort to Farrelly-grade crudeness now and again. How to Lose Friends & Alienate People does work as a comedy, and actually tries to say something relevant about the modern world, but a few casting, writing and pacing missteps do threaten to ruin your enjoyment of the film. It's worth watching if you've got an evening to kill, and you want a bit of undemanding fun, but it's probably not worth going out of your way to see.… Expand

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