| Walt Disney Studios Motion Pictures | Release Date: March 6, 2026 | CRITIC SCORE DISTRIBUTION | ||
|
Positive:
37
Mixed:
9
Negative:
0
|
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Critic Reviews
There are many heavy hitters still to come, but Hoppers feels like the first great animated movie of the year. At a time when our right to protest is under siege, this sci-fi yarn exalts the way an individual’s conviction can plant seeds of change, leading to a stronger sense of community.
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Clever, funny and visually appealing, Daniel Chong’s nutty action comedy zips along, driven by rambunctious energy and a spirited Mark Mothersbaugh score. Its tenacious protagonist is flanked by a cast of amusingly anthropomorphized creatures that will thrill the core audience of kids while keeping the grownups entertained.
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IndieWireMar 2, 2026
Radio TimesMar 2, 2026
LooperMar 2, 2026
If Pixar is now just as formulaic as its Hollywood animation peers, then director Daniel Chong's film is a reminder that a stereotypical crowd-pleaser from this studio is made with enough emotional sincerity and visual inspiration to never feel like cheap product fallen off the factory line.
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Next Best PictureMar 2, 2026
It’s exactly the kind of solid entertainment, with the right mix of laughs and tears, that reminds us of the genius-level storytelling the good folks over there are capable of. It’s precisely what the animation studio needed at this time and fits comfortably alongside some of their upper-tier offerings.
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Its advertising promises goofy hijinks amid an enclave of diverse species whose ecosystem is threatened by humans. The movie, in actuality, is refreshingly mordant about what might really happen if prey and predators were to try banding together: Their efforts would immediately devolve into a despairing, even political quagmire.
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Hoppers is a fun, modest little movie with enough zip and charm to keep kids engaged, and as such, one doesn’t want to criticize it too much. But the memory of what Pixar once was, the behemoth that redefined animation for multiple generations, may still make us wonder where all that energy and originality and artistry went.
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Hoppers director and co-writer Daniel Chong throws a lot of ingredients in the pot here, but I’m not sure they all blend together into a coherent stew. The film has a couple fun gags, an uplifting theme, and a touching subplot about Mabel and her grandmother (Karen Huie). Still, as a story it’s a bit of a jumble, as if someone took a nature doc and hopped it into a mystery movie that was hopped into a broad comedy.
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PolygonMar 5, 2026
Pixar has been alternating between playing things safe with sequels to its hits and taking bigger swings with emotional human stories. Hoppers sits awkwardly between these impulses, recycling emotional moments and plots from other films while eschewing any clear moral or big moments of character growth.
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