Hoard
Vertigo Releasing | Release Date: September 6, 2024 CRITIC SCORE DISTRIBUTION
75
METASCORE
Generally favorable reviews based on 8 Critic Reviews
Positive:
5
Mixed:
3
Negative:
0
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Critic Reviews

Critic scorePublicationBy date
100
Little White LiesDavid JenkinsMay 17, 2024
It’s a film that heads to the shadowy spots that most filmmakers on this sceptred isle don’t even know exist; every frame exuding both a breathless confidence and a warped visual literacy which suggests a director on a mission to do anything to make an audience feel something – which is completely refreshing to behold. Read full review
80
The New York TimesJeannette CatsoulisSep 5, 2024
Though at times squirmingly unpleasant, Hoard is never a drag. The insolence of the filmmaking and the artlessness of the leads energize a plot of stunning recklessness and unexpected humor. Read full review
80
The TelegraphRobbie CollinMay 17, 2024
Getting along with Hoard requires playing along with it too. But it’s easier to warm to than you might imagine, thanks to how well it captures the half-dazed tone and flow of early 1990s teenage life. Read full review
80
Time OutSophie Monks KaufmanSep 19, 2023
Luna Carmoon’s debut feature about the daughter of a hoarder comes home bearing prizes, after premiering at the Venice Film Festival, announcing a young British talent capable of blending realism with surrealism to create a vivid personal language that defies simple interpretations. Read full review
75
IndieWireJosh Slater-WilliamsJun 5, 2024
The sometimes-rapid shifts in tone, even within the same scene, are aided to tremendous effect by the magnetic, fearless performance from Saura Lightfoot Leon. Read full review
60
The Observer (UK)Wendy IdeMay 18, 2024
Carmoon’s depiction of trauma, grief and mental health in crisis as a kind of putrid, repellent stench that clings to the skin, stings the eyeballs and turns the stomach makes for a queasily insalubrious viewing experience. Hoard is a film I admire, but struggle to like. Read full review
60
EmpireIana MurrayMay 15, 2024
Luna Carmoon’s grimy study of loss might ultimately be too strange for its own good. Nevertheless, this debut boldly announces the arrival of one of Britain’s most promising new filmmakers. Read full review
50
ColliderEmma KielyOct 9, 2023
Carmoon establishes a plot that could have been great, but becomes too caught up in the visuals of it all, and the script pays the price. Read full review
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