Hitchcock
Fox Searchlight Pictures | Release Date: November 23, 2012 CRITIC SCORE DISTRIBUTION
55
METASCORE
Mixed or average reviews based on 40 Critic Reviews
Positive:
20
Mixed:
16
Negative:
4
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Critic Reviews

Critic scorePublicationBy date
100
ObserverRex ReedNov 20, 2012
This is one of the best movies of 2012. With rich performances, a riveting and articulate screenplay, meticulous direction and enough grounded emotional intensity to keep your pulse pounding, Hitchcock grabs you by the lapels like a suspense classic by Hitch himself - a knockout from start to finish. Read full review
83
Entertainment WeeklyOwen GleibermanNov 20, 2012
It's a perfect summation of why he was the ultimate filmmaker. Read full review
80
Boxoffice MagazinePete HammondNov 18, 2012
A "Good Evening" indeed at the movies. Read full review
80
The Hollywood ReporterTodd McCarthyNov 12, 2012
This narrative directing debut by Sacha Gervasi remains absorbing and aptly droll despite a few dramatic ups and downs and, led by large performances by Anthony Hopkins and Helen Mirren. Read full review
75
Charlotte ObserverLawrence ToppmanDec 6, 2012
Mirren simply is, and she takes Hitchcock up a notch with every look and line. Read full review
75
Tampa Bay TimesSteve PersallDec 5, 2012
A movie as fun as it is flawed. Read full review
75
Philadelphia InquirerSteven ReaNov 29, 2012
Jessica Biel is Vera Miles, the star who had the nerve to get pregnant when Hitchcock wanted her for "Vertigo." He feels betrayed, and she feels relieved, consigned to a supporting role in Psycho as Marion's sister. And Toni Collette, in glasses and a dark wig, is Hitchcock's long-suffering secretary, Peggy. Both Biel and Collette are very good, engaging. Read full review
75
San Francisco ChronicleMick LaSalleNov 23, 2012
Hitchcock isn't ambitious or complicated. It's simple, does what it sets out to do, and gets out before anyone even thinks about checking the time. More movies should be made in its image. Read full review
75
New York PostKyle SmithNov 21, 2012
When Hopkins' Hitch directs the audience by waving his hands like a symphony conductor - it's a nice callback to a Hannibal Lecter highlight - it's one of the best scenes of the year: a delightfully personal way to show how the story of "Psycho" concluded. Read full review
75
Chicago Sun-TimesRoger EbertNov 20, 2012
Hitchcock tells the story not so much as the making of the film, but as the behind-the-scenes relationship of Alma and Hitch. This is a disappointment, since I imagine most movie fans will expect more info about the film's production history. Read full review
75
Rolling StonePeter TraversNov 20, 2012
Hopkins and Mirren are acting pros in stellar form. There's no way you want to miss the pleasure of their company in a movie that offers a sparkling and unexpectedly poignant look at how to sustain a career and a marriage. Read full review
75
ReelViewsJames BerardinelliNov 20, 2012
Anthony Hopkins is probably a shoe-in for an Oscar nomination. Read full review
75
IndieWireEric KohnNov 12, 2012
Hitchcock largely succeeds at pulling back the veil on his off-camera personality. To a larger degree, it reveals the level of influence of his devoted wife and screenwriter Alma (Helen Mirren) on both his personal life and career. Read full review
70
Arizona RepublicBill GoodykoontzNov 23, 2012
Hitchcock is, well, fun. More fun than good, really. It feels weird to call it a disappointment, because it is entertaining. But you can't help feeling a little shortchanged on the deep-thinking front. Read full review
70
TimeMary PolsNov 20, 2012
It's a feel-good frolic, which is fine for anyone who prefers their Hitchcock history tidied up, absent the megalomania, the condescending cruelty and tendency to sexual harassment that caused his post-Psycho blonde discovery Tippi Hedren to declare him "a mean, mean man." Read full review
67
Portland OregonianMarc MohanDec 6, 2012
There's fun to be had in the re-creation of indelible screen moments, including several with Scarlett Johansson as Janet Leigh and James D'Arcy as Anthony Perkins. Read full review
63
St. Louis Post-DispatchJoe WilliamsNov 30, 2012
Hitchcock is an amusing lark, but the clumsy way it dissects the director is for the birds. Read full review
63
Chicago TribuneMichael PhillipsNov 26, 2012
I prefer [HBO's Hitchcock biopic] "The Girl," not because of its salaciousness but because it gets at something underneath the great (truly, great) director's skin. Read full review
63
USA TodayClaudia PuigNov 23, 2012
Though the film is titled Hitchcock and ostensibly centers on the legendary director, we get a better sense of the women around him than the enigmatic filmmaker. Read full review
63
The Globe and Mail (Toronto)Rick GroenNov 23, 2012
Hitchcock unspools at that deliciously silly juncture where biography meets fallacy. Translation: Any director who could crank out Psycho must be a crackpot himself. Read full review
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