High Plains Drifter
Universal Pictures | Release Date: August 22, 1973 CRITIC SCORE DISTRIBUTION
69
METASCORE
Generally favorable reviews based on 10 Critic Reviews
Positive:
8
Mixed:
2
Negative:
0
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Critic Reviews

Critic scorePublicationBy date
80
EmpireIan Nathan
Brutal story-line which is about as close to an explicit allegory as the western has ever come. Read full review
80
The DissolveNoel Murray
What’s most notable is how Eastwood holds fast to the rebel spirit of the spaghetti Westerns and revisionist New Hollywood Westerns of the previous decade, but packages it in a film that’s slicker and more mainstream-friendly.  Read full review
80
Film ThreatStaff (Not Credited)
Clint Eastwood is the ultimate thinking man’s cinematic killing machine. High Plains Drifter is his spooky, dark, and vicious version of the Sergio Leone Man With No Name Spaghetti Westerns he once starred in, and a moody existential meditation on gunplay, revenge and karma. Payback!  Read full review
80
The TelegraphStaff (Not Credited)
A gothic horror story and revenge thriller, it’s one of the darkest Westerns going. As much a ghost story as anything else, it stars Eastwood as a gunslinging cowboy paid handsomely to protect an idyllic Californian mining town from bandits. Read full review
75
Chicago ReaderDon Druker
Full of delirious color symbolism and macho cruelties, but not without its humor as well. The story is pure dime-store allegory, but the director/star knows his western cliches and uses them like a master. Read full review
75
TV Guide MagazineStaff (Not Credited)
High Plains Drifter is a morality tale carved out of the harsh Western desert and directed with a panache that synthesized the styles of Sergio Leone and Don Siegel, two directors who had worked with Eastwood frequently. The result is one of the best Westerns of the 1970s. Read full review
70
The New York TimesVincent Canby
Part ghost story, part revenge Western, more than a little silly, and often quite entertaining in a way that may make you wonder if you have lost your good sense. The violence of the film (including a couple of murders by bull-whipping) is continual and explicit. It exalts and delights in a kind of pitiless Old Testament wrath. Read full review
70
Time OutStaff (Not Credited)
There's a boldness, confident stylisation, and genuine weirdness to the movie that totally escaped other post-spaghetti American Westerns, with a real sense of exorcism running both through and beyond it. Read full review
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