| Netflix | Release Date (Streaming): April 25, 2025 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
11
Mixed:
12
Negative:
1
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Critic Reviews
The TelegraphApr 24, 2025
LooperApr 24, 2025
If you watched any of the set pieces in Havoc entirely divorced from their wider context, you might find them thrilling, if a little derivative. Within the film, however, they do very little to raise the blood pressure back up after extended detours in a generic crime conspiracy difficult to get invested in. He's still a talented action director, but this plays a little too safe for my liking.
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Havoc doesn’t lack for recognizable faces for the American market, not with Tom Hardy, Timothy Olyphant and Forest Whitaker front and center. But it’s also not really interested in giving those performers real roles to chew on. Rather, Havoc is primarily a canvas for Evans to paint in bullet holes and viscera, delivering wave after wave of hilariously over-the-top, comic overkill, at least in its back half.
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The movie never feels like an attempt to recapture past glory as much as fit Evans’ style onto a well-trod narrative. It’s a B-actioner elevated thanks to a singular director, and while I know “Gangs of London” has plenty of fans, I hope we won’t have to wait another seven years for Evans’ next action film.
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Can 20 minutes or so of brutally inventive action really prop up a whole movie? In this case, yes. Havoc doesn’t reach the mayhem-as-characterization heights of John Wick or the Asian films that clearly inspire Evans, but it does turn its gnarly spectacle into a kind of absurd redemption for the flatness of its characters.
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IndieWireApr 24, 2025
Rote as Evans’ plot might be, and wasteful as its treatment of certain characters definitely is . . . he has a well-developed ear for ice-cold gangster speak, and he isn’t afraid to make people pay a steep price for their penance. It’s enough to forgive him — and/or the movie gods — for making us wait so long to see him do it again.
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SlashfilmApr 24, 2025
By the time Havoc ended, I felt as exhausted as Hardy's beaten and bruised character. I suppose Evans and company deserve some credit for making an action movie that really leans into the brutality, but there's only so much of that you can put up with before it starts to grow tedious.
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The cheesy screenplay, shallow characters and wince-worthy acting (from all but A-listers Hardy, Whitaker and Olyphant) suggest that Evans might be better suited to specializing in the second unit or action sequences on a major franchise, rather than writing and directing a quasi-dramatic feature.
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ColliderApr 24, 2025
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