Harry and Tonto

It’s not easy to make comedies that work as drama, too. But Carney’s acting is so perceptive that it helps this material succeed. Read full review

This is still a great Carney performance and inspired casting by writer/director Paul Mazursky. [16 Sep 2005]

This Paul Mazursky film is not a comedy but is full of humor -- and suspense about how Tonto is going to fit into and come out of the surprises along the way. [30 May 2003]

Warm and thought-provoking portrayal of a journey and a man coping with the onset of age and all that might mean. Read full review

Harry and Tonto is a sweet, sentimental road movie that draws force and relevance from Carney's touching and subtle performance. Read full review

Has a pleasantly freewheeling, European art film feel to it, a welcome reminder of the New Hollywood of the '70s. [04 Sep 2005]

A pleasant film about an old man who rejuvenates himself on a cross-country trek. Script is a series of good human comedy vignettes, with the large supporting cast of many familiar names in virtual cameo roles. Read full review

This film has qualities of feeling and insight that set it apart from most movies about cantankerous coots. [18 Jun 1995, p.6]

Uneven and often clumsy, yet with a distinctive satirical charm, the picture is full of misfits and faddists and social casualties.

Mazursky has escaped Fellini's shadow; when everyone's back from going to 'look for America', he might have something interesting to say. Read full review

Mazursky's difficulty in making the transition from dramatic middle-shots to long shots, with the accompanying impulse to "universalize" his theme, indicates that he has not yet learned to trust his material, or appreciate his own sublime gift of being able to approach the secret of life through comic misunderstanding rather than cosmic understanding. [15 Aug 1974, p.63]

You may find much of this, despite the apparent sincerity, too cutesy and self-satisfied for its own good. Read full review

The narrative of this sympathetic movie wobbles on the edge of sentimentality, though there are only a few sticky moments. But—unlike the novel, which moved swiftly—it has been directed at far too slow a pace, which means that the comic possibilities and the social comment have been diminished. Read full review