| Cinema Guild | Release Date: September 14, 2018 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
17
Mixed:
2
Negative:
0
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Critic Reviews
In an era where films such as "Moonlight" and "If Beale Street Could Talk" have received accolades for their capacity to reimagine expressions of black life on film, Ross contributes to this new canon by staring down the assumption of what type of black lived experiences mass audiences are capable of acknowledging.
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The filmmaker’s poetic logic is inextricable from his consciousness of race and community, and of his function and potential as an artist grappling with his own circumstances and those of the people he’s depicting. “Hale County This Morning, This Evening” is not a long film, but it contains whole worlds.
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A very particular sort of camera is at work in Hale County This Morning, This Evening. It peers from unconventional angles, lingers on images longer than they at first seem to deserve, and generally offers a perspective that is at once unremarkable, given the everyday subject matter, and revealing.
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RogerEbert.comSep 14, 2018
The Film StageAug 29, 2018
At its strongest, the film feels like kin to Kirsten Johnson’s great Cameraperson (2016), a free-associative nonfiction memoir comprised mostly of B-roll and personal footage. Though the subject here isn’t Ross himself (despite a few offscreen aural appearances) but an entire community that, in both micro- and macrocosmic senses, has remained historically unacknowledged and unseen.
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If Ross had embraced anything like a narrative line, would it have taken away from the elemental imagery of his brief, unconventional film? One can’t really tackle life and what it means on both a personal and social level without prying into the people who live it. Ross keeps his distance—and in doing so, keeps Hale County’s potential at an arm’s length.
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