| Walt Disney Studios Motion Pictures | Release Date: August 1, 2014 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
48
Mixed:
4
Negative:
1
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Critic Reviews
Marvel’s rambunctious entry into the space opera genre—and the cornerstone of its “Cosmic Marvel” roster of characters and storylines—so perfectly embodies what the preceding months of hype and hope foretold that even its weak points (and it has its share) feel almost like unavoidable imperfections—broken eggs for a pretty satisfying omelet.
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"Guardians” stands apart because it’s somehow truer to a comic book’s essence than any Marvel or DC-derived picture you can name. Which is to say it’s pulpy, kind of cheesy and giddily exaggerated (and aware of it) in a way that, say, the “Thors,” the “Captain Americas” and Christopher Nolan’s Batman movies are not.
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The PlaylistJul 24, 2014
Gunn’s careful to keep the focus on the central five, but certainly proves himself capable of the bigger canvas. The film really pops visually, with an admirably bright color palette (DP Ben Davis doing excellent work), and though there are occasionally some geography issues, the action is mostly satisfying.
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Gunn, a B-movie enthusiast who got his start at Troma, has found a way to bring funkiness and humanity to a galaxy-spanning blockbuster, one filled with dogfights and floating fortresses, but also with heroes quick with a quip, fast on the draw, and more than a little beaten up by the universe.
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The TelegraphJul 24, 2014
The fun of it – and Guardians of the Galaxy specialises in fun, served by the sugar-sprinkled ice-cream-scoopload – is in seeing this odd quintet bluster through space battles and alien brawls that would have defeated anyone smarter and better-equipped. Just as the team makes do with the junk they find around them, the film feels like a mound of gems culled from decades of pop-culture scavenging.
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Guardians of the Galaxy is an outlier: a space opera in a largely earthbound movie cycle (excepting the occasional red-eye to another dimension in the Thor pictures), candy-colored and bopping where the other Marvel movies are muted and imposing, and the funniest one to date, without a doubt.
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It’s a high-spirited, swashbuckling lark driven by cartoonish special effects and an ingenious double-layered nostalgia that allows it to become a virtual mixtape of ‘70s hits that predate its intended audience: “Hooked on a Feeling,” “The Piña Colada Song,” “Fooled Around and Fell in Love,” etc.
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