| Warner Bros. Pictures | Release Date: December 22, 1995 | CRITIC SCORE DISTRIBUTION | ||
|
Positive:
2
Mixed:
9
Negative:
3
|
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Critic Reviews
Grounding the zaniness is the chemistry between its two likable stars. Beneath their crusty eccentricities, Max and John are teen-agers at heart, a Wayne and Garth for the "Modern Maturity" set. As Max, his leathery face beaming with pleasure, might put it: "Holy moley, is this a dumb movie!" But it is also fun.
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Without Lemmon and Matthau, it's doubtful either "Grumpy" movie would be worth watching -- or even thinking about. But, because these two get much of their humor from reactions, the magnificent friction they create, they can say ridiculous things -- or even make up ridiculous lines (which they seem to be doing here) -- and make the scenes play. [22 Dec 1995, p.P]
t's great to see cherished, longtime stars in big roles to which they can bring so much spontaneity and finesse; you wish only that this movie were sturdier and had aimed higher. Judging from the bloopers that unreel during Grumpier Old Men's end credits, the cast had lots of fun making this movie--more fun, it would seem, than it is to watch. [22 Dec 1995, p.18]
It's great to see cherished, longtime stars in big roles to which they can bring so much spontaneity and finesse; you wish only that this movie were sturdier and had aimed higher. Judging from the bloopers that unreel during Grumpier Old Men's end credits, the cast had lots of fun making this movie--more fun, it would seem, than it is to watch.
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Grumpier Old Men certainly isn't relying on its mawkish and hokey story to put warm bodies in the seats. There's no reason to see the picture - a sequel to their 1993 hit, “Grumpy Old Men" - other than to relish the talents of these two veterans, plus Sophia Loren, a newcomer to the series.
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