| Universal Pictures | Release Date: November 16, 2018 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
37
Mixed:
13
Negative:
2
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Critic Reviews
Green Book certainly paints a rosy picture of race relations, but ultimately I don’t think its little white lies are a bad thing. Like my father did with me, it’s telling us a story that makes our grandfathers seem better than they probably were. But it does so as an example of how we should be, as an aspirational ideal that maybe we’ll live up to one day even if we didn’t yesterday.
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RogerEbert.comNov 16, 2018
Damned if it doesn’t work beautifully for nearly the entirety of its two hour-plus running time. Green Book is the kind of old-fashioned filmmaking big studios just don’t offer anymore. It’s glossy and zippy, gliding along the surface of deeply emotional, complex issues while dipping down into them just enough to give us a taste of some actual substance.
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Peter Farrelly manages to respect the severity of the characters’ social context while ensuring that Green Book never steps outside its protagonists’ relationship, a delicate balancing act that credibly makes a feel-good, effervescent comedy out of its thorny subject matter without ever sanitizing it.
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IndieWireSep 12, 2018
Two terrific performances and the interplay between the two actors – Mahershala Ali and Viggo Mortensen – are the reasons to see Green Book. Their pas de deux is a master class in acting, and the twosome’s give and take provides good company for the road trip that comprises the heart of this narrative.
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Even with admirable acting, and such a crowd-pleasing, inspirational story, Green Book essentially feels like civil-rights lip-service for a white audience, and given the background to the script, it’s a disappointing portrayal of historical systemic racism, whilst ignoring its continuation in modern-day America.
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There’s not much here you haven’t seen before, and very little that can’t be described as crude, obvious and borderline offensive, even as it tries to be uplifting and affirmative. And yet! There is also something about this movie that prevented me from collapsing into a permanent cringe as I watched it. Or rather, two things: the lead performances.
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There’s something unseemly about singling out this story, about the seemingly narrow scope of racism and how easily it can be undone. Green Book decries those cultural pockets designed to make white people feel good, often at people of color’s expense. But that’s about all it does, too.
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Sure, it’s kind of entertaining to see the studly, studious Mortensen slap on a few pounds and go way out with the fuggeddaboutit talk as he tries to shoot the shit with Ali’s pedantic, closeted virtuoso. It’s the first time I’ve ever seen him ham it up. But the leads mostly are saddled with literal, middle-of-the-road material.
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