| Paramount Pictures | Release Date: June 11, 1982 | CRITIC SCORE DISTRIBUTION | ||
|
Positive:
4
Mixed:
5
Negative:
2
|
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Critic Reviews
Where this film has a decided edge on its predecessor is in the staging and cutting of the musical sequences. Choreographer and director Patricia Birch has come up with some unusual settings (a bowling alley, a bomb shelter) for some of the scenes, and employs some sharp montage to give most of the songs and dances a fair amount of punch.
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Birch's confidence as a director ebbs and flows throughout -it's odd that she can direct the complicated musical numbers so well and bungle the action scenes so badly. Yet in the end it's hard to resist the movie's bubble-gum romanticism. There's even a dream sequence in which the heroine sings to a vision of her fantasy boyfriend, who appears in heaven in a silver-lame biker's outfit. What can-you say in the face of such sublime silliness but hooray for Hollywood? [14 June 1982, p.88]
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