| Warner Bros. Pictures | Release Date: March 31, 2021 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
33
Mixed:
19
Negative:
5
|
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Critic Reviews
You know you’re really only here for the monsters, squaring off and staring one another down, first at sea and later in the streets of Hong Kong. Director Adam Wingard (Blair Witch, The Guest) makes the most of these moments, fleeting as they are: The Hong Kong fight scenes are particularly gratifying, a melee of orchestrated swiping and tail-swishing that jolt the movie out of its doldrums.
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If you want a great monster movie that's actually also about people — how they think and talk and feel when they're more than just screaming kaiju chum in the water — try 2017's Colossal, currently streaming on Hulu. If not, maybe Godzilla vs. Kong's brawling lizard-brain shock and awe is exactly the void you came for.
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Yes, obviously, no one goes to these movies for the deep human characters or for plot machinations or even for the metaphors about the environment and industrialization. Here’s the thing, though — they come in handy to fill in the gaps between the monster battles, and you miss them when they’re not there. And since even those battles are somewhat perfunctory, what are we even doing here?
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If you’re looking for scenes of big, awful creatures fighting each other and knocking over skyscrapers — and for the spectacle of people scurrying below, running from the huge stomping feet — you will find little to dislike in Godzilla vs. Kong. It does its job. It’s a monster movie.
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Director Adam Wingard embraces the towering scale of these showdowns, and a stellar cast that includes Alexander Skarsgard and Rebecca Hall tries to add some gravitas to the proceedings. Unfortunately, the actors fight a losing battle against some impressive special effects to command our attention.
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The PlaylistMar 29, 2021
It’s essential to have characters and a good story around a ‘GvK’ movie because, without it, all your left with is an empty trailer of fight scenes. The irony is this overly involved story detracts from one’s engagement in the movie. Legends may finally collide in this installment, and it’s mildly entertaining in spots, but the whole endeavor is ultimately almost as hollow as the earth’s empty core.
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As an entertainment, Godzilla vs. Kong is as hollow as the Earth upon which its set. Here, the human characters’ irrational decisions do not feel like part of a cohesive statement about our species’ self-absorption, but rather the byproduct of a superficial screenplay that cares only about the excuses needed to get Godzilla and King Kong into several extended (and undeniably impressive) CGI scuffles.
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