| Janus Films | Release Date: February 3, 2023 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
20
Mixed:
1
Negative:
0
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Critic Reviews
The film itself is fictional, filmed in a 1.33:1 ratio to mimic the framing of the inspirational photographs. It’s absolutely breathtaking work – the camera helmed by Maria von Hausswolff captures the unassuming beauty of Iceland, but also does not hide its frigid nature, both terrifying and beautiful.
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IndieWireFeb 3, 2023
The problem with this priest — one of them, anyway — may not be an excess of spiritual fervor but rather a dearth of it, a lack of reverence for the beauty that Pálmason’s camera exalts in every magisterial frame. Lucas may be a blind wretch, but the creation through which he stumbles is a source of never-ending awe.
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The Observer (UK)Apr 15, 2023
There’s a strong element of myth and magic at work here too, most notably in the recitation of an eerie dream about mating eels and mass infidelity, and in the sight of the body of a horse rotting over a period of years and returning to the earth. It all adds to the film’s haunting appeal.
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If that first hour or so is where the film resembles debilitating wilderness trek tales such as Kelly Reichardt’s Meek’s Cutoff or Werner Herzog’s Fitzcarraldo (in both content and quality), the claustrophobic second half is where valid comparisons to something like Shūsaku Endō’s Silence – though especially Martin Scorsese’s 2016 screen adaptation – come to the fore; where colonial arrogance and perceived enlightenment make for combustible mix ready to blow at the slightest provocation.
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Movie NationFeb 1, 2023
A two and a half hour Icelandic parable isn’t going to be to every taste. But Pálmason, framing his movie in old still photograph 1.33.1 aspect ratio, immerses us in a place and a time — beautiful, unspoiled and eternal. And he makes us question, as Lucas, Ragnar and others do, the function of faith in such circumstances, and the usefulness of those who insist on proselytizing without listening.
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Godland is every bit as striking and otherworldly as you would expect a story inspired by a collection of long-lost wet plate photographs to be. It’s tailor-made for those who enjoy sitting by the window and watching the snow fall, but less so for those who can’t wait for the grit van to come and melt it all away.
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