| Paramount Pictures | Release Date: October 11, 2019 | CRITIC SCORE DISTRIBUTION | ||
|
Positive:
11
Mixed:
21
Negative:
17
|
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Critic Reviews
The Film StageOct 11, 2019
An original property, with a veteran marquee idol, in the hands of an accomplished auteur whose name isn’t Nolan, utilizing technological breakthroughs, Gemini Man isn’t just a novelty, it’s a miracle. It’s a Big Bang–a confluence of the right elements and conditions perfectly situated to create something that can flourish, but may never happen again.
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Lee has already made another movie in high frame rate, and seems to have a solid handle on how to use it to his advantage. “HFR” makes water and cityscapes look spectacular, and Gemini Man has plenty of both. And it makes action scenes even more visceral, especially ones that utilize long takes to allow for a lot of movement through the frame towards and away from the camera. There’s a long take of Smith’s character riding a motorcycle in Colombia that will go down in history as one of the coolest bike stunts ever.
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Little of the film is new or innovative and, although director Ang Lee can boast some interesting choreography with one of the fight scenes (something involving the use of a motorcycle as a martial arts weapon), his inventiveness doesn’t extend to the tired storyline, which feels like recycled pulp material.
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