| A24 | Release Date: May 9, 2025 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
34
Mixed:
8
Negative:
1
|
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Critic Reviews
The PlaylistMay 15, 2025
Friendship is awe-inspiringly twisted by the end, a jaw-droppingly comical tale of tragedy, even. But it is masterfully rendered; the rare movie seemingly built from a sketch series turned into a genuinely riotously amusing and f*cked movie that still has the sense to comment on the dark and totally warped corners of the human condition.
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Friendship feels custom calibrated to give Robinson the best possible debut as a cinematic leading man. It’s not just a vehicle for one comedian, though; it’s a timely commentary that, in its own way, slightly deflates the pop sociology notion of the male loneliness epidemic—an idea that basically excuses the anti-social behavior of men who won’t or can’t try to make friends with each other.
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IndieWireSep 14, 2024
It’s easy to imagine how a version of this film might have descended into vaguely connected sketches (and still would have been one of the funniest pure comedies in forever despite its shapelessness), but there’s a clear and rewarding intentionality to DeYoung’s plotting, and it pays off with a finale that — better than almost any scene before it — perfectly threads the needle between all of the movie’s competing energies.
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Friendship arguably is a horror movie, evident in more than just its score and high wire tension between characters. The excruciating act of being vulnerable with another human being and the sweaty discomfort of realising a new friend is a bit off are mundane but relatable terrors, after all.
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If Robinson’s style of humor puts you off already, rest assured that Friendship doesn’t break his existing comic bold. But for those shirt brothers in the Tim Robinson cult already, the Dan Flashes buyers and zipline pullers among us, Friendship offers next-level cringe packaged in something far more Kaufmanesque than his usual fare.
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Yes, Friendship does feel in many ways like an expanded I Think You Should Leave sketch built on bizarro absurdism and a waterfall of exacerbating circumstances. To his credit, though, DeYoung – a TV director making his feature debut – does take advantage of the opportunity in some satisfying ways.
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