Foxtrot

Filmcoopi Zürich | Release Date: December 8, 2017

7.2	USER SCORE Generally favorable reviews based on 43 Ratings

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imdoingmypartJun 4, 2018

We have seen films about grief before; the basic subject matter is nothing new. In fact, the ideas of military allegiance and its affects on family left behind are starting to feel rather familiar. Many viewers, including myself, fear a filmWe have seen films about grief before; the basic subject matter is nothing new. In fact, the ideas of military allegiance and its affects on family left behind are starting to feel rather familiar. Many viewers, including myself, fear a film that will waste its time on worn out ideas. Make no mistake: Foxtrot is not a worn out film.

Foxtrot follows a family, mainly a husband and wife, in Israel who have just received news of their son's death in military conflict. Neither parent can handle the news as the mother passes out and the father emotionally implodes. Military personnel are accommodating and professional but, most importantly, cold and distant. No one can blame them since they are simply doing their jobs and do not relate to the hopelessness that their former coworker's family is now experiencing. From there the story further unravels, and we learn about the cause-and-effect nature of life's events and how simple choices can both create beauty and also destroy everything that a person has in life. Through such events, the film does not offer much judgment but rather lets the characters' lives play their course.

The marvel of Foxtrot is partially in its creative shots and unpredictable story, as well as its moments of unexpected hilarity, but, most importantly, in the unspoken dialogue between characters. Many films feel the need to fill space with dialogue, which can unfortunately clutter the soundscape and cause the audience to drift further and further away from the characters to whom they are supposed to relate. Foxtrot takes a much more simple approach and allows the viewer to see the characters for who they are without having to be told every detail. We learn more from the characters' expressions and physical emotions than we could ever learn from a scripted conversation. That is not to say that the dialogue in Foxtrot is unimportant; on the contrary, the dialogue only carries weight because it is used so delicately. The film can be both loud and quiet, often in juxtaposing scenes, and each dynamic complements the other more and more as the story engulfs the viewer.

This film is incomplete until the final scene, which made me realize that I have not seen such a sophisticated jigsaw puzzle of a film in some time. Too many films finish in the second act and simply meander on screen for a completely unnecessary finale. Foxtrot spends each minute sparingly, though this fact may not be apparent to the audience until the conclusion. All of the emotions, decisions, and questions fit together in a gloriously small yet powerful finale, but only those patient enough to let Foxtrot work its magic will earn one of the most rewarding film experiences of 2018 so far.… Expand

1 of 1 users found this helpful10

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CMCMar 21, 2018

The movie is a serious effort to make a serious film that addresses big life issues in a creative and artful manner. It largely succeeds, but I was not that engaged while watching it nor did I think about it that much afterwards. I felt noThe movie is a serious effort to make a serious film that addresses big life issues in a creative and artful manner. It largely succeeds, but I was not that engaged while watching it nor did I think about it that much afterwards. I felt no real empathy with any of the characters. The main message is that we are all caught up in fate, life is not necessarily fair, and we have to decide how we manage to live with that reality. A worthy message and effort, just not so rewarding to watch.… Expand

1 of 2 users found this helpful11

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swingMar 2, 2018

Very good acting, what there was of it. But, the slowest moving movie I've ever seen. Yes, there are some reflections on life, and death, but they take place at the pace of real life. Sorry, we wasted two hours.

1 of 3 users found this helpful12

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bolsa22Mar 4, 2018

BORING!!! Nothing of this movie was really ground breaking, there was one scene that it was really amazing that was played by the actor Lior Ashkenazi, hes probably the best part of the movie, but everything else makes me sleep for noBORING!!! Nothing of this movie was really ground breaking, there was one scene that it was really amazing that was played by the actor Lior Ashkenazi, hes probably the best part of the movie, but everything else makes me sleep for no reason, i didn't found this movie really funny, sad and suspenseful, i just called this movie a bad directed movie, it was well scripted, but bad directed, so I've said before and ill say it again, BORING!!!… Expand

1 of 5 users found this helpful14

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netflicAug 28, 2022

Exceptionally well made piece of anti-Israeli propaganda. Which is not surprising from a director Samuel Moaz who made "Lebanon". I only wish this talent could be used for a better cause.

0 of 2 users found this helpful02

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Brent_MarchantMar 31, 2018

An intriguing premise that, regrettably, is rather clumsily structured at times, with overly long pregnant pauses and an overabundance of vague allusions to revelations obviously yet to come, many of which easily could have been worked intoAn intriguing premise that, regrettably, is rather clumsily structured at times, with overly long pregnant pauses and an overabundance of vague allusions to revelations obviously yet to come, many of which easily could have been worked into the narrative earlier on to promote more compelling (and more temporally economical) storytelling. While the film tends to get better the further one gets into it, the picture also has an unfortunate tendency to backslide into its own shortcomings just when it starts to find its legs. A noble attempt at doing something meaningful and important whose choreography, unfortunately, ends up with the story often tripping over its own feet.… Expand

0 of 1 users found this helpful01

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JLuis_001Sep 16, 2021

This film surprised and amazed me. At first it appears to be simple and ordinary, but it soon reveals itself as a heartbreaking conceptualization of loss and grief.

A great and forceful film by director Samuel Maoz.

0 of 0 users found this helpful00

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Bertaut1Mar 15, 2019

A fascinating political allegory

Part satirical allegory, part surrealist indictment, Foxtrot finds writer/director Samuel Maoz working with similar themes as he did in Lebanon (2009), especially the ridiculous nature of war and theA fascinating political allegory

Part satirical allegory, part surrealist indictment, Foxtrot finds writer/director Samuel Maoz working with similar themes as he did in Lebanon (2009), especially the ridiculous nature of war and the meaninglessness of giving one's life in the service of one's country. However, whereas Lebanon was set entirely in a Centurion tank, Foxtrot expands Moaz's thematic concerns to take in the grief and anguish of those who have lost children to military service. Much like Lebanon, Foxtrot is an intensely political film, and much like Lebanon, it has met with controversy in Israel, where it has been accused of slandering the Israel Defense Forces (IDF). As aesthetically impressive as it is politically divisive, the film is a savage condemnation of both a national psyche and a military mindset that trades on the most binary of them-versus-us dichotomies.

Divided into three distinct sections, the film tells the story of Michael Feldman (a superb Lior Ashkenazi), who learns that his son Jonathan, a conscript in the IDF, has been killed "in the line of duty", only to learn several hours later that a mistake had been made and Jonathan is alive and well. The film then jumps several days back to a forlorn desert checkpoint on Israel's northern border (codename Foxtrot) manned by a group of wet-behind-the-ears soldiers, including Jonathan (Yonaton Shiray). The most action the group see is raising the barrier to let a camel amble through and checking the IDs of the few Palestinians who pass by. Without spoiling anything, the third section, which is kind of an extended coda, then returns to the Feldman apartment six months after the opening scenes.

In Foxtrot, Maoz uses allegory to deconstruct Israeli national myths. Interrogating what he sees as a culture of denial born from a reluctance to deal with the morality and sustainability of being an occupying force, the film gets a lot of mileage out of the metaphor of the foxtrot - a dance where no matter where you go, if you follow the steps correctly, you end up back at the starting point. Maoz is suggesting that without taking great care, countries will repeat the errors of the past, ending up exactly where they once were. Speaking to the Globe and Mail, Maoz explains, "Foxtrot deals with the open wound or bleeding soul of Israeli society. We dance the foxtrot; each generation tries to dance it differently but we all end up at the same starting point."

In a more concrete sense, in a scene at Foxtrot, the film examines the casual sadism and unspoken racism that can arise from serving in the armed forces of a country perpetually at war. Making a Palestinian couple stand in the pouring rain whilst their antiquated computer checks the couple's IDs, the soldiers don't care that they couple are dressed for a formal night, or that by the time they are cleared, their clothes are destroyed, as is her hair, and makeup. The scene is brilliantly staged, agonisingly realistic, and takes place in real-time, with Maoz concentrating on the couple looking at one another across the roof of the car, conveying agonised helplessness, compromised innocence, and, most saliently, abject humiliation. It's a masterclass in dialogue-free storytelling, and deeply political storytelling at that.

Aesthetically, Maoz shoots each of the three sections differently; the first is restrictive, trapping us in the confined headspace of the Feldmans, with the intense emotionality constantly threatening to boil over; the vast wide-open vistas of the second part contrast sharply with the confinement of the first, with the entire section threaded through with surrealism; the third section is darker than the others (in a literal sense), with a stark visual design that emphasises only those elements that are important to the scene. The Feldman apartment itself is extremely angular, and although it's very spacious, cinematographer Giora Bejach shoots it in such a way as to appear oppressively box-like.

Foxtrot won't be for everyone. Some will take issue with the pacing (which, it has to be said, is extremely languid), some with the allegorical nature of the story, some with the film's politics. For everyone else, however, this is a brilliantly realised tragedy, dealing with the randomness of pain and loss in a country refusing to recognise its past. Critiquing the xenophobic mindset that has crept into the Israeli zeitgeist, Maoz has been accused of making an "anti-Israel narrative." On the contrary, he is pleading with his country to change its ways, or it will repeat the errors of history. This is the act of a man who loves his country deeply, but who can see its flaws.… Expand

0 of 0 users found this helpful00

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