| Roadshow Films | Release Date: September 3, 1993 | CRITIC SCORE DISTRIBUTION | ||
|
Positive:
6
Mixed:
8
Negative:
4
|
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Critic Reviews
Nothing about the outcome of "Fortress" will surprise anyone, but getting to that point entails some nerve-racking excitement and even a few laughs. A raft of top-flight special effects add visual and conceptual interest to the proceedings - that Gordon wisely limits to 90 minutes - while an actor named Jeffrey Combs (in the role of a gonzo computer whiz named D-Day) does a crackerjack job in support. [10 Sept 1993, p.L22]
While confined to the futuristic prison interiors, the film works reasonably well; but once Lambert springs his wife from the women's section and escapes, the limitations of budget and narrative imagination start to show. As it moves away from the ensemble feel of the early scenes, this quickly degenerates into a part explosive, part sentimental star vehicle.
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Fortress isn't terrible science fiction, but it's pretty bad. Hampered by a poorly- constructed storyline, the movie never gets on track. Instead of entering the rarefied atmosphere inhabited by such films as Aliens and the original Terminator, it falls in line with the likes of Freejack and Alien 3. Not the best company to be in, but it could be worse. Watch 1992's Split Second and you'll understand how bad things can get in this genre. After that experience, Fortress will look like high art.
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You don't walk into Fortress expecting much, and the fact that it entertains as well as it does comes as a surprise. There's plenty of violence and gore here -- Gordon hasn't forgotten his Re-Animator roots -- and the plot offers enough curves and twists to make you overlook the movie's limitations. [7 Sept 1993, p.D6]
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