| Neon | Release Date: July 6, 2022 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
36
Mixed:
3
Negative:
0
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Critic Reviews
The doc is a capsule history lesson on an eons-old natural phenomenon. But it’s also the greatest lava-fueled love story ever told, and the fact that those two elements remain as inseparable as the spouses at the center of it all is a testament to how sublime this stranger-than-fiction masterpiece really is.
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Like the Maysles’ brothers documentaries about Christo and Jean-Claude, which followed the environmental artists and life partners over the course of several decades, Dosa’s movie makes the case that their private bond is inextricable from their public work, and it’s a toss-up as to which is the greater monument.
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If you always had a vague sense of Wes Anderson’s real-life inspirations, watching Fire Of Love is like seeing them suddenly rack into focus. It’s like the Kraffts sprung directly from his psyche. And if Anderson’s twee bullshit never worked on you before, this time it just might, because this eccentric love story with the bittersweet ending is more than just a style choice.
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IndieWireJan 22, 2022
Though marred by an unfortunate title (“Fire of Love” sounds like a disco number from about 1979) and by the wobbly vocals of its narrator, Miranda July, who speaks in a fragile croak, the film is one of the year’s few awe-inspiring documentaries—a visually ravishing record, a bustling adventure, and an engrossing character study that begs to be remade, with actors, as a big-budget Hollywood narrative feature.
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In their last years, the Kraffts spent most of their time studying the killers, hoping to discover patterns that would enable people living in the path of destruction to escape. They risked their lives to do this, and the movie argues that their sacrifice wasn’t in vain. More than that, it preserves their work and their idiosyncratic, unforgettable human presence.
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The archival footage is exciting enough, but editors Erin Casper and Jocelyne Chaput, who co-wrote the script with producer Shane Boris, make judicious use of split-screen, circular stencils and other visual effects, varying the rhythm just enough to make this world seem even more magical.
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The Observer (UK)Aug 1, 2022
The Kraffts, who first bonded over their love of Mount Etna, remain as committed to the cause of understanding volcanic hazards and triggers as they are to one another. Their story makes for this year’s best documentary to date, and a film that demands to be seen on the largest possible screen.
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The Seer And The Unseen director Sara Dosa has fashioned this documentary with modesty and sensitivity, in some ways as awed by the strange beauty and destructive power of the volcanos as she is by the nonchalant willingness of the Kraffts to put themselves at risk in the name of science.
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It is a considerable amount of material to shape a narrative from, and Dosa and her editors artfully interlace their dangerous and often life-threatening adventures with letters and diary entries that reveal the couple’s more intimate bonds, enriched by a Francocentric soundtrack and subdued narration by Miranda July. What emerges is a portrait of two people who were equally and obsessively single-minded in their life’s pursuit.
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Movie NationJul 12, 2022
As beautiful and intimate as Fire of Love often is, the sometimes grating, flat and precious narration makes one long for this material to have been folded into Herzog’s superior “Into the Inferno.” Romantic “obsession” is kind of his thing, and there’s not enough new here to warrant expanding on it.
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