Faster, Pussycat! Kill! Kill!
Eve Productions | Release Date: August 6, 1965 CRITIC SCORE DISTRIBUTION
65
METASCORE
Generally favorable reviews based on 8 Critic Reviews
Positive:
6
Mixed:
2
Negative:
0

Critic Reviews

Critic scorePublicationBy date
50
Austin ChronicleMarjorie Baumgarten
The director's distinctive editing style, so commonplace today but so unusual for its time, is scarcely apparent in this movie. Also, Meyer's films tend to share a ribald and genuinely funny sense of humor that here gets usurped by a mean and nasty impulse that tends to block out the humor and exaggeration. Read full review
75
Chicago Sun-TimesRoger Ebert
What attracts audiences is not sex and not really violence, either, but a Pop Art fantasy image of powerful women, filmed with high energy and exaggerated in a way that seems bizarre and unnatural, until you realize Arnold Schwarzenegger, Sylvester Stallone, Jean-Claude Van Damme and Steven Seagal play more or less the same characters. Without the bras, of course. Read full review
63
ReelViewsJames Berardinelli
Pussycat is classic Meyer. The three leads are all topheavy, the action-packed plot is paper-thin, there are loads of double-entendres amidst the cheesy dialogue, and the style is pure low-budget. This is fun stuff, to be sure, but definitely of the "guilty pleasure" sort. Read full review
75
TV Guide MagazineStaff (Not Credited)
Probably the most lighthearted and enjoyable of Meyer's films, Faster, Pussycat was embraced by a new generation during its art-house re-release in 1994; many viewers detected a feminist subtext beneath its extravagantly campy surface. Read full review
70
VarietyStaff (Not Credited)
Faster, Pussycat! Kill! Kill! is a somewhat sordid, quite sexy and very violent murder-kidnap-theft meller which includes elements of rape, lesbianism and sadism, clothed in faddish leather and boots and equipped with sports cars. Some good performances emerge from a one-note script via very good Russ Meyer direction and his outstanding editing. Read full review
80
EmpireKim Newman
With its driving jazz score, hilarious dialogue and overdrive melodramatics, this is the ultimate expression of the American cinema's greatest fetishes: big breasts, fast cars, tight jeans, and sudden death. This is, in its own way, one of the great films of the 60's. Read full review
70
Time OutStaff (Not Credited)
A cheap and efficient comic horror movie, it's funniest when its dialogue and characters' behaviour are at their most non sequitur. Read full review
60
The New York TimesStephen Holden
Although crudely acted, with laughably inept action sequences and a story that makes little sense, it has the feverish pulse of a classic B movie, boldly angular cinematography and a blaringly cheesy jazz soundtrack. Read full review
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