| Universal Pictures | Release Date: August 1, 2019 | CRITIC SCORE DISTRIBUTION | ||
|
Positive:
30
Mixed:
21
Negative:
3
|
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Critic Reviews
I laughed a great deal at the bad-boy banter during Fast & Furious Presents: Hobbs & Shaw. I also thought the action stood up alongside anything else in the franchise. But the thing I enjoyed the most about this riotously ridiculous movie is that way it functions as a near-brilliant exercise in cinematic parallelism.
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You may enter a film like this one believing you had some grasp of how gravity works, or the human threshold for pain, or what constitutes a good movie, but the experience is so exhilaratingly mind-altering, so radically untethered from terra firma, you basically have to readjust your basic understanding of everything you know to be true and just go with the flow.
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The two leads' highly competitive shtick is more amusing than not — the insults fly hot and heavy — as are the outrageously adverse predicaments over which they invariably manage to gain an upper hand. Director Leitch figuratively winks at the audience and elbows it in the ribs as he has his characters break the laws of physics time and time again as they confront a thoroughly preposterous lineup of physical dilemmas one after another.
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It’s the kind of new-macho action picture that wears its cornball heart on its sleeve — one where the misfit leads learning to work together is literally, mechanically, the way to defeat the bad guy. It may not have Dom and the gang, but Hobbs & Shaw is as self-indulgently silly and giddily earnest as its fellow Fast brethren.
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The PlaylistJul 31, 2019
RogerEbert.comJul 31, 2019
It’s only in the final third when the fight choreography gets a little too incoherent that you realize you don’t give a damn about anything that’s happening, and you start to wish Hobbs and Shaw were given a story with a little more meat on its bones. But by then you probably won’t care.
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Hobbs & Shaw is a ridiculous movie, and sometimes it’s in the best way. I laughed at the audacity of its stunts, while shaking my head a little bit at their silliness. But I also despaired a little bit when I checked the time at what felt like it might be the climax and discovered there was still an hour to go.
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When director David Leitch (Atomic Blonde, Deadpool 2) eases up a bit on the self-satisfied action beats – Hobbs and Shaw spent almost every fight sequence jockeying for literal or metaphorical position – the film finds exciting ways to lean into Johnson’s larger-than-life physique.
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Somewhere around the midpoint of Hobbs & Shaw, the action sequences become so elaborate that they start to weigh the movie down; it becomes less a lean machine than an unwieldy, chubby sausage. And even if you feel certain there’s no such thing as too much action, you surely know when you’ve had too much sausage.
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Movie NationJul 31, 2019
But through all the excess, the schmaltz, the digitally-augmented fights and the practically all-digital car chases and stunts, the marvelous cast keep “Hobbs & Shaw” from totally stalling out. Call it a bad movie you can’t help but laugh at, and with, and get the extra large popcorn. You’re going to need it.
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