| Netflix | Release Date: September 29, 2023 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
39
Mixed:
7
Negative:
1
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Critic Reviews
I’m not sure the story’s resolution entirely serves what comes before it; it’s not predictable, exactly, and it avoids turning into a different sort of genre just for thrills, yet Domont’s writing and direction are both skillful enough to make me want a few extra minutes in the final round.
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If Fair Play spends the better part of two hours tracing this newly lopsided romance to its logical, unhappy conclusion, the blow-by-blow machinations are still a chilly wonder to behold. What gives the movie its driving tension isn’t just the glaring imbalance between Emily and Luke as employees, but a deeper incompatibility between the personal and professional imperatives they’ve chosen.
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The GuardianJan 22, 2023
It’s a film of many, many high-volume arguments but Dynevor and Ehrenreich remarkably avoid even the slightest sign of histrionic excess, expertly carrying over their sexual chemistry to the couple’s more horrible moments – a pair you buy in moments of love as much as you do in moments of hate.
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Domont’s compellingly drawn portrait of entitlement, impotence and the amplified conservative values of the bros casting the bones of capitalism is a violent delight, filled with tough scenes. Yet, its unpredictable ending is such a triumphantly visceral showdown that the impossible is achieved: The excruciating intensity is completely worth powering through.
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Fair Play has been hailed for reviving the long-dormant-but-often-missed erotic thriller. While there are bits of that in Domont’s film, Fair Play is neither especially erotic nor much of a thriller. What it is, though, is often gripping battle of the sexes set in a toxic, misogynist corporate world where power and sex are inextricably linked currencies.
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Fair Play is a tidy, engaging thriller. It asks questions about the male ego and some of the difficulties faced by women ascending the ladder of power in a traditionally male-dominated field. But, although the movie has a message, it isn’t about the message. Instead, this is a tragic love story that devolves into something darker and, although it doesn’t qualify as a white-knuckle sort of movie, it exerts a magnetism that’s difficult to turn away from.
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The film drags to some degree in the middle, but that’s because Domont isn’t afraid to wallow in the messiness of watching this relationship fall apart almost in real time. This is also the sort of movie that makes the viewer very, very grateful to see in the credits that an intimacy coordinator was involved, especially as things get darker towards the end.
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Fair Play was acquired by Netflix following a bidding war at Sundance. It’s a fitting home for Chloe Domont’s debut feature, which pivots around a star-making turn from Bridgerton’s Dynevor, with a keen line in eroticised gaslighting that will sit nicely beside three seasons of stalker soap, You. Brian McOmber’s angular score adds to the anxiety.
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Dynevor and Ehrenreich are both very easy on the eyes, and when the story allows — which is not that often — they do have chemistry together. Their final scenes crackle with a darker and more disturbing energy as well. But Fair Play’s middle section gives neither of them very much to do beyond a repetitive series of clashes.
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