Fahrenheit 11/9
GathrFilms | Release Date: September 21, 2018 CRITIC SCORE DISTRIBUTION
69
METASCORE
Generally favorable reviews based on 46 Critic Reviews
Positive:
34
Mixed:
9
Negative:
3
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Critic Reviews

Critic scorePublicationBy date
60
The GuardianPeter BradshawOct 18, 2018
Moore never quite settles on a single, compelling riposte to Trump, never really hones his arguments to a piercing arrowhead of counterattack. Instead, he rambles over almost everything … entertainingly, but confusingly, ending on an image of Parkland School shooting survivor Emma González. Read full review
60
CineVueChristopher MachellSep 10, 2018
His scattershot approach means that the film frequently wanders off topic, in pursuit of a litany of social, economic and political injustices. Read full review
60
Screen DailyTim GriersonSep 8, 2018
As is often the case with Moore’s impassioned documentaries, 11/9 frustrates as much as it rouses, bouncing from topic to topic without fully digging into any of them. As such, it’s a highlight reel of grievances against government, corporations and the status quo that preaches to the choir. Read full review
50
ReelViewsJames BerardinelliSep 24, 2018
In his latest diatribe, Moore throws everything at the viewer including the kitchen sink and hopes something – anything – will stick. Sadly, not much does. Read full review
50
The New YorkerAnthony LaneSep 24, 2018
The film will neither change minds nor soothe embittered hearts, I fear, and an opportunity has been missed. Read full review
50
L.A. WeeklyJason BaileySep 20, 2018
The problem with Fahrenheit 11/9 is that it’s Trump’s Fahrenheit 9/11 rather than Trump’s Roger & Me. Read full review
45
The AtlanticDavid SimsSep 20, 2018
It’s a disjointed, occasionally powerful, often grating grab bag of recent political events, a mess that’s forgivable only because it does reflect the messy state of the world. Read full review
40
The TelegraphTim RobeyOct 23, 2018
Perhaps the unexpected ascendancy of Trump is simply no laughing matter – there are precious few zingers hitting home on this occasion. Or maybe what’s demanded by Moore’s one-man leviathan hunting is a less rusty set of harpoons. Read full review
40
Arizona RepublicKerry LengelSep 20, 2018
This brand of gonzo journalism was effective in Moore’s 1989 debut about Flint and General Motors, “Roger & Me,” but it has long since devolved into self-parody. Read full review
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