Exposed
| Release Date: March 14, 2014 CRITIC SCORE DISTRIBUTION
61
METASCORE
Generally favorable reviews based on 9 Critic Reviews
Positive:
4
Mixed:
5
Negative:
0
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Critic Reviews

Critic scorePublicationBy date
80
Time OutEthan LaCroixMar 11, 2014
The film lacks background and cultural context, a surprising choice considering the rich history of the art form. But the interviewees are so compelling that their stories stand on their own. Read full review
75
RogerEbert.comGlenn KennyMar 14, 2014
A documentary that manages to be jaw-droppingly provocative and genuinely endearing — sometimes at alternating points, and by the end kind of all at once. Read full review
70
The New York TimesJeannette CatsoulisMar 13, 2014
These confrontational comedians — however serious the message, it’s always imparted with liberal dollops of humor — are experts at merging shock and showmanship. Read full review
70
The Hollywood ReporterFrank ScheckMar 13, 2014
Allowing its subjects to bare their souls as much as their bodies, Exposed is as frequently moving as it is entertaining. Read full review
60
The DissolveChris KlimekMar 11, 2014
Exposed is really just a series of intermingling profiles, which is perhaps why its observations eventually begin to feel slightly repetitive. Read full review
60
Village VoiceSherilyn ConnellyMar 11, 2014
Like burlesque itself, Exposed is at its best when it shows rather than tells. Read full review
60
Time Out LondonDave CalhounJan 7, 2014
If you’ve never been to a burlesque show, now you know what you’re missing. The dedication and warmth of the performers are infectious. Read full review
50
New York PostFarran Smith NehmeMar 13, 2014
The filmmaking style is practically nonexistent: interviews and static shots of the performers onstage. They are thoughtful and often funny, especially Mat Fraser, a British man whose arms were damaged by Thalidomide, and Julia Atlas Muz, the off-stage partner with whom he often performs. Read full review
50
Slant MagazineEric HendersonMar 11, 2014
Beyond the forthright identity politics and titillating theatrical misdemeanors, one still comes away wondering about the things that remain concealed. Read full review
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