Everything Put Together
Vitagraph Films | Release Date: November 2, 2001 CRITIC SCORE DISTRIBUTION
63
METASCORE
Generally favorable reviews based on 12 Critic Reviews
Positive:
8
Mixed:
4
Negative:
0
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Critic Reviews

Critic scorePublicationBy date
90
VarietyEmanuel Levy
Riveting, often haunting. Read full review
80
Los Angeles TimesKevin Thomas
The carefully crafted Everything Put Together is unpredictably venturesome, and cinematographer Roberto Schaefer makes virtuoso use of digital video to create the images and movements that play so large a part in the film's success. Read full review
80
L.A. WeeklyChuck Wilson
Mitchell -- gives a harrowing, beautifully conceived performance, the depth and arc of which can't be fully appreciated until the film's final scene. Read full review
75
San Francisco ChronicleEdward Guthmann
A tale of yuppie conformity and domestic angst that quickly turns into a horror film. Read full review
75
Chicago TribuneJohn Petrakis
Takes a couple of curious turns that you will either applaud or hiss at, depending on the type of film you are looking for. Read full review
70
TV Guide MagazineKen Fox
In the end it all comes down to Mitchell. She turns in a truly harrowing performance that will leave you shaking. Read full review
70
The New York TimesStephen Holden
A finely acted expressionistic critique of the suburban baby culture and its joys, fears and fetishes. Read full review
67
Entertainment WeeklyOwen Gleiberman
The movie is ''Rosemary's Suburban Baby'' without a witch in sight. Read full review
50
Village VoiceDennis Lim
Seeks to portray loss as a literal, convulsive nightmare, and it's not above resorting to horror-movie tropes and Grand Guignol trickery. Read full review
50
New York PostLou Lumenick
Unfortunately, director Marc Foster (who co-wrote the screenplay) never allows anyone except Mitchell to play more than a one-dimensional character. Read full review
40
Chicago ReaderLisa Alspector
Instead of a credible main character this 1999 button pusher has lots of showy cinematography and generic dread. Read full review
40
New Times (L.A.)Luke Y. Thompson
Roberto Schaefer's cinematography keeps things visually interesting, but spending an hour and a half with a gloomy, static lunatic hardly makes for a scintillating evening out, no matter how pretty she may be. Read full review
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