Everybody's Everything
Gunpowder & Sky | Release Date: November 15, 2019 CRITIC SCORE DISTRIBUTION
71
METASCORE
Generally favorable reviews based on 10 Critic Reviews
Positive:
10
Mixed:
0
Negative:
0
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Critic Reviews

Critic scorePublicationBy date
83
The Film StageJohn FinkMar 25, 2019
It’s a film full of highs and lows, sorrow and recollection, fun and political ideology–a mess, but one that feels authentic and accurate. Read full review
83
The PlaylistRyan OliverMar 13, 2019
“Everybody’s Everything” is a loving tribute for fans as well as those unfamiliar. And for the latter, the doc truly creates a sense of humanity, awe, and undeniable raw talent that it makes it easy to why his music connected with so many people in such a quick amount time. Read full review
75
ConsequenceDan CaffreyMar 13, 2019
Unsurprisingly, Everybody’s Everything feels most conventional during its talking-head interviews, an aesthetic shared with almost every other music documentary out there. ... But when the film shows rather than telling, it’s clear that there are no easy answers for this kind of tragedy. Read full review
75
IndieWireDavid EhrlichMar 13, 2019
Much like its subject, the film is beautiful, compelling, hard to watch, and spread too thin to stay with us for long. Read full review
70
Rolling StoneDavid FearNov 19, 2019
Yes, it’s grim and gloomy — and like Lil Peep’s music, there’s also a sense of catharsis in all of this. More than anything, Jones and Silyan seem to be fashioning a postmortem that plays like his greatest hits, in which wounded wooziness somehow gives way to exhilaration and a warped sense of uplift. Read full review
70
TheWrapMonica CastilloNov 14, 2019
If the documentary starts to feel like a blur, that’s exactly how a member of Lil Peep’s entourage describes the experience of living beside someone who rose and fell so quickly. Read full review
70
The New York TimesKen JaworowskiNov 14, 2019
An engaging account of Peep’s life and the alt-music scene. Read full review
70
Los Angeles TimesKimber MyersNov 14, 2019
Devotees will appreciate a different look at their fallen idol, while those who aren’t familiar with his music might find the film a bit long at nearly two hours but will see what the appeal was to those who loved him. Read full review
70
VarietyAndrew BarkerMar 22, 2019
The only perspective that’s missing here is that of Peep himself, and that hole at the center of the narrative gives the film a haunting impact. Read full review
70
New York Magazine (Vulture)Emily YoshidaMar 13, 2019
The film ... is more emotional than definitive; stopping just short of bestowing sainthood on the artist, but still aiming for something a little more cosmic than reportorial. This is not a “what really happened” exposé of his death, nor is it an academic postmortem on Peep’s musical or cultural legacy. It’s most effective as a character study. Read full review
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