Est - Ouest

Sony Pictures Classics | Release Date: April 7, 2000

CRITIC SCORE DISTRIBUTION

61	METASCORE Generally favorable reviews based on 27 Critic Reviews

Positive:

Mixed:

Negative:

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Critic Reviews

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Lawrence Toppman

Picks up steam from the ominous opening scene and ends as a quietly suspenseful thriller. Read full review

Jonathan Foreman

The movie that deserved to win the Oscar for foreign-language film, and one of the best movies ever made about life behind the Iron Curtain.

Jami Bernard

Feels like an old-fashioned movie in the way it deals with bold sacrifices made in the name of love, while its setting and chary view of the era's political machinations mark it as distinctly modern. Read full review

G. Allen Johnson

A grand, old-fashioned movie of spies and Communist repression.

William Arnold

Has the sensibility of a Hollywood "woman's picture" of the '40s -- the weepie saga of a married woman trapped in an untenable situation. Read full review

Dana Stevens

Wargnier's sumptuous, moving new film, captures both the hope of the returning Russians and their brutal betrayal. Read full review

Kevin Thomas

Takes the most somber of predicaments, and makes it involving, romantic and ultimately intensely suspenseful. Read full review

Ann Hornaday

One of the unique virtues of the cinema is its ability to bring history to life with engrossing detail and gripping immediacy; East-West does this.

Diana Abu-Jaber

With its fiery tone and fierce intensity, East-West offers a profile of a country suspended in fear as well as of one woman's indomitable passion for freedom.

Michael Wilmington

Has great themes and great actors.

TV Guide MagazineStephen Miller

It's Deneuve, in little more than a cameo, who commands your attention and doesn't release you until she's good and ready. Read full review

Richard Schickel

This complex, heartbreaking film recounts the brutal struggle of one couple to survive. Read full review

Michael O'Sullivan

The two-hour film never feels a minute too long. Read full review

Roger Ebert

The movie as a whole lacks the conviction of a real story. It is more like a lush morality play, too leisurely in its storytelling, too sure of its morality. Read full review

Jay Carr

Isn't always easy to sit through, but it repays patience. It's an honorable film, and it earns its undertow of poignancy derived from.

Mr. ShowbizMichael Atkinson

Packed with melodrama, and often it works in the passionate, easy-to-watch manner of an old-fashioned "woman's film."

Leslie Camhi

Wargnier has assembled a stellar French and Russian cast, but all that talent can't overcome his heavy-handed screenplay. Read full review

Derek Elley

Too often caught between trying to be a sweeping period drama and intimate love story at the same time, with a script that's never fully satisfying on either count. Read full review

Lisa Schwarzbaum

Wargnier directs his French historical drama, a foreign film Oscar nominee, in a way that allows little perspective on the extent of Stalinist cruelty; even when terrible things happen, they do so sedately. Read full review

Bob Graham

It is well-made in an old-fashioned way, and its straight-arrow lack of cynicism may be old- fashioned as well. Read full review

Marjorie Baumgarten

Although it's interesting and well-performed, East-West never locates its crux: It's all over the map. Read full review

David Sterritt

Wargnier chooses a sweeping title and a sweeping topic, then turns everything into half-baked melodrama, heavy on over-the-top emotion but light on subtlety and ideas. Read full review

Ernest Hardy

By the time the movie ends, having traversed numerous plot twists and character revelations, the viewer is emotionally drained in a bittersweet sort of way. Read full review

Peter Travers

Director Regis Warginer ("Indochine") lets his film degenerate into a turgid melodrama.

Lisa Alspector

Stodgy storytelling and a hyperbolic score reduce their experiences to melodrama. Read full review

Film.comPeter Brunette

Wargnier is also a lousy storyteller who seems not to understand how to shape a narrative.

Dallas ObserverAndy Klein

The film looks great, but Wargnier is so heavy-handed in his portrayal of postwar Russia that it casts suspicions on the film's reliability as history. Read full review