| Neon | Release Date: February 20, 2026 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
25
Mixed:
2
Negative:
0
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Critic Reviews
Calling the movie an archival doc or concert film might be accurate but somehow seems almost reductive. Much more than that, it’s a transcendent theatrical experience, an exhilarating party, a giddying visual and sonic blitz that will be an elixir to the Elvis faithful and an unparalleled primer for those who have never quite grasped what all the hysteria was about.
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The most beautiful thing about EPiC: Elvis Presley in Concert is that in connecting us so intimately to the man and showing him in all his complexity, Luhrmann cuts through the baggage we bring and gives us a fresh look at one of the most fascinating and accomplished musicians who has ever lived.
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Next Best PictureSep 24, 2025
Certain to energize longtime fans and generate new ones for generations to come, EPiC: Elvis Presley in Concert is a masterwork of montage. It’s a definitive doc that gives the sense of how the artist changed popular music, but also about how at his core he was a man with a powerful voice and a zealous need to entertain.
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The IndependentFeb 19, 2026
That Luhrmann trades in razzle-dazzle certainly helps: he capitalises on his subject’s fondness for garish sunglasses, giant sideburns, and an arsenal of jumpsuits filigreed with gems and boasting outlandish collars. The two men’s shared appetite for gilded excess and perpetual motion makes this tribute, even more than the biopic, seem like a kinship of strutting peacocks.
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The director has described his film as a poem, but its rhythms feel more abstract, like recalling the best concert of your life in a dream. Brilliantly forgoing nostalgia to frame Elvis in the present, Luhrmann offers the closest experience of a live Elvis show that we may ever see. And like the Vegas residency, EPiC deserves a standing ovation when Luhrmann’s curtain falls.
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EPiC is Elvis through the Baz lens, where big and bold is always preferable to straightforward and where going over-the-top is never considered a bad thing. If it’s not revelatory for people who’ve seen the existing films from the era, it’s the most imaginative, generous and entertaining look at a time in which Elvis’ comeback still had real life to it.
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