| Universal Pictures | Release Date: August 5, 2022 | CRITIC SCORE DISTRIBUTION | ||
|
Positive:
5
Mixed:
8
Negative:
5
|
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Critic Reviews
IndieWireAug 4, 2022
Every performer conveys sincere enthusiasm to be on screen with other Filipino actors, but their joy is squandered by a cartoonish story that squanders its honest core. Easter Sunday will likely please Koy’s fanbase and possibly anyone eager to find grandma-and-kid-friendly entertainment, but everyone else might find it lacking.
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Easter Sunday earns points for its cultural bona fides, its loving portrait of the community it celebrates and its almost entirely Filipino and Asian-American casting. And Koy reveals himself to be a likable screen presence deserving of more starring roles. But it falls hopelessly flat in its comedic aspirations, more closely resembling the sort of bland network sitcom to which its main character aspires.
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Hints of Koy’s stage charm burst through occasionally in Easter Sunday — mostly because he’s also playing a comedian trying to hit the big time, so stand-up-like bits are built in (or crammed in) — but as directed by Jay Chandrasekhar (“Super Troopers”), who also has a small role as an agent, this feature opportunity is a woefully run-of-the-mill, laugh-challenged attempt to translate Koy’s comedy to the big screen.
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SlashfilmAug 4, 2022
Every joke in Easter Sunday lands with a thud, every emotional beat falls flat. It has the sense of humor of a bad TikTok video, and the emotional resonance of that TikTok commercial playing right now where wide-eyed people declare, "I learned it from TikTok!" Visually, it looks like a network TV reject or that one Netflix movie that you put on in the background while doing laundry.
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