Duel

The existential allegories are pretty blunt—star Dennis Weaver’s character, a symbol for all mankind, is literally named Mann—but the filmmaking is electric, an early testament to Spielberg’s prowess. Read full review

No movie car ride quite matches the horrific pursuit of salesman Dennis Weaver by that implacable smoke-belching truck in Spielberg's made-for-TV classic. [12 Apr 2002, p.C1]

A made-for-TV movie that proved so remarkable it received a theatrical release (first in Europe, then 10 years later in the US), Spielberg's calling card is as distinctive a piece of visual storytelling as you're ever likely to see. Read full review

This is a film stripped back to its bare essentials, and Spielberg thrives in having to get creative to make each moment feel as fresh and energised as the last. Read full review

Spielberg reveals his budding genius as he builds suspense in an excruciating series of scenes and seeming non-events. To the credit of the direction, the cinematography and Weaver's acting, you start to believe the truck has a sinister life of its own. Your imagination runs away with you because virtually all you can see is the truck grille in Weaver's rear-view mirror. [21 Jan 1993, p.28]

This simple premise -- a killer truck stalks a driver -- becomes the basis for an exceptionally fraught and well- made suspense film. Read full review

As a marriage of theme (the pace of modern life makes enemies of potential friends and renders everyone faceless) and technique, Duel is a compelling thriller that crystallizes Spielberg’s early promise and, as a result, is often seen as one of the best TV movies the medium has ever offered. Read full review

A slim Richard Matheson story that Spielberg padded into a 90-minute feature by artfully assembling a string of insert shots. Read full review

It takes less than a minute of watching Duel, Steven Spielberg's feature-length debut, to realize you're in the hands of a master director. Read full review

Mr. Spielberg's 1971 television film Duel took advantage of the very narrowness of its premise, building excitement from the most minimal ingredients and the simplest of situations. Read full review

A haunting study of middle-class paranoia scripted by seasoned horror author Richard Matheson, it established Spielberg in Europe as a name to be reckoned with before he'd been heard of in the States. [03 Oct 2004, p.83]

This expertly sustained 1971 suspense classic established Steven Spielberg's reputation as a director. [23 Dec 1993, p.E7]

What's clearer about Duel now is its rawness and bleakness as a picture of American life and troubled American little-man masculinity. [19 Mar 2005]

Simply a rivetingly murderous game of cat and mouse that keeps you on the edge of your seat. Read full review

An exquisite piece of streamlined suspense and action that clearly demonstrates that the 24-year-old filmmaker was already in full control of his vision. Read full review