Drive
FilmDistrict | Release Date: September 16, 2011
8.2
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Universal acclaim based on 1693 Ratings
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10
CinemaSinsMay 9, 2015
Perhaps Drive is an action movie for those who don't ordinarily like action movies. It's also an action movie for those who crave them like a drug. Employing unusual camera angles and a unique sense of style, director Nicolas Winding RefnPerhaps Drive is an action movie for those who don't ordinarily like action movies. It's also an action movie for those who crave them like a drug. Employing unusual camera angles and a unique sense of style, director Nicolas Winding Refn takes us on a journey that gets us to feel something for the characters while still receiving an adrenaline rush when the speedometer races into the red zone. The car chases in this movie are exciting, but the best thing about Drive is that you don't know what's going to happen. There's a sense that the lead character could end up six feet under, and that adds an element of urgency to this movie that most in the genre are missing.

Ryan Gosling is perhaps an unlikely candidate for an action movie star, not only because he's a good actor (not necessarily a desirable quality for this sort of role) but because his skills are best utilized in dramas and low-key comedies. As it turns out, however, he's a good fit for Drive, in which his inscrutable character, credited only as "Driver," reveals little background and almost never engages in small talk. Is he autistic or merely an introvert? The movie doesn't much care. Often, dialogue is used to build a character, but Driver speaks so infrequently that it falls upon Gosling's mannerisms and facial expressions to develop someone better realized than a cartoonish stick figure. His success elevates Drive. We become invested not only in the man's life but in the chaste, innocent relationship that develops between Driver and his neighbor, Irene, who is played with a Cathy Rigby/girl-next-door sweetness by Carey Mulligan.

The movie opens with an explosive, pulse pounding prologue set to a throbbing score by composer Cliff Martinez. Driver does all sorts of jobs - works at a garage, races, drives movie stunt cars, and provides "transportation" for criminals. Drive opens with a getaway, and shows the meticulous planning that goes into one such operation. It includes a stopwatch, a police band radio, and some badass driving. The eight minute sequence could stand on its own as a short. It's the best part of a movie that is otherwise still very good.

Perhaps because we're so used to seeing Brooks as a sadsack funny guy, we're more sympathetic to his character than we might be if Bernie was played by a more typical wise guy figure. It's effective casting because Brooks is believable. Ron Perlman enjoys chewing a little on his lines; Nino is from the Joe Pesci school of thugs - he shouts a lot and thinks violence isn't just the best way to solve problems; it's the only way. One senses that Bernie has spent half his life cleaning up Nino's messes, as a darkly comedic moment hints.

Taciturn action heroes are nothing new. Arnold Schwarzenegger strode through many films without cracking a smile. The difference here is that Gosling is not muscle-bound and his silences say more than many character's dialogues. You can see his mind working as he chews on a toothpick and the half-smirk speaks volumes. He doesn't carry a gun but is capable of a shocking degree of violence. In fact, the movie includes scenes worthy of Tarantino in terms of what they show and imply.

Refn, who strode to international recognition with Bronson, which featured a stunning performance by Tom Hardy, brings a European sense of style to Drive. From the beginning, it's clear this is not a standard-order action film. It takes its characters as seriously as its chases, shootouts, and fights. Neither aspect is short-changed, and the music and cinematography are used to establish and sustain tone. This is a moody film, with moments of understated, dark humor and bleakness. Most importantly, it shows that movies can generate a testosterone-and-adrenaline cocktail without requiring viewers to undergo a frontal lobotomy to appreciate the result.… Expand
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10
FlickFreaks83Dec 11, 2015
Perhaps Drive is an action movie for those who don't ordinarily like action movies. It's also an action movie for those who crave them like a drug. Employing unusual camera angles and a unique sense of style, director Nicolas Winding RefnPerhaps Drive is an action movie for those who don't ordinarily like action movies. It's also an action movie for those who crave them like a drug. Employing unusual camera angles and a unique sense of style, director Nicolas Winding Refn takes us on a journey that gets us to feel something for the characters while still receiving an adrenaline rush when the speedometer races into the red zone. The car chases in this movie are exciting, but the best thing about Drive is that you don't know what's going to happen. There's a sense that the lead character could end up six feet under, and that adds an element of urgency to this movie that most in the genre are missing.

Ryan Gosling is perhaps an unlikely candidate for an action movie star, not only because he's a good actor (not necessarily a desirable quality for this sort of role) but because his skills are best utilized in dramas and low-key comedies. As it turns out, however, he's a good fit for Drive, in which his inscrutable character, credited only as "Driver," reveals little background and almost never engages in small talk. Is he autistic or merely an introvert? The movie doesn't much care. Often, dialogue is used to build a character, but Driver speaks so infrequently that it falls upon Gosling's mannerisms and facial expressions to develop someone better realized than a cartoonish stick figure. His success elevates Drive. We become invested not only in the man's life but in the chaste, innocent relationship that develops between Driver and his neighbor, Irene, who is played with a Cathy Rigby/girl-next-door sweetness by Carey Mulligan.

The movie opens with an explosive, pulse pounding prologue set to a throbbing score by composer Cliff Martinez. Driver does all sorts of jobs - works at a garage, races, drives movie stunt cars, and provides "transportation" for criminals. Drive opens with a getaway, and shows the meticulous planning that goes into one such operation. It includes a stopwatch, a police band radio, and some badass driving. The eight minute sequence could stand on its own as a short. It's the best part of a movie that is otherwise still very good.

Driver lives in the moment. He's not afraid of dying, perhaps because he never really lives. He falls in love with his neighbor, but she's married to a guy in prison and he's coming home soon. But "soon" is not today, so Driver finds momentary happiness in becoming a surrogate husband and father for a few days. Meanwhile, his friend and boss, Shannon (Bryan Cranston), provides him with getaway vehicles and puts together a deal that will allow him to drive a souped-up car in races. Unfortunately, to get the money for the car, he has to turn to a couple of mob thugs - the refined Bernie (Albert Brooks) and the less-refined Nino (Ron Perlman). You know things aren't going to go well with these two involved.

Perhaps because we're so used to seeing Brooks as a sadsack funny guy, we're more sympathetic to his character than we might be if Bernie was played by a more typical wise guy figure. It's effective casting because Brooks is believable. Ron Perlman enjoys chewing a little on his lines; Nino is from the Joe Pesci school of thugs - he shouts a lot and thinks violence isn't just the best way to solve problems; it's the only way. One senses that Bernie has spent half his life cleaning up Nino's messes, as a darkly comedic moment hints.

Taciturn action heroes are nothing new. Arnold Schwarzenegger strode through many films without cracking a smile. The difference here is that Gosling is not muscle-bound and his silences say more than many character's dialogues. You can see his mind working as he chews on a toothpick and the half-smirk speaks volumes. He doesn't carry a gun but is capable of a shocking degree of violence. In fact, the movie includes scenes worthy of Tarantino in terms of what they show and imply.

Refn, who strode to international recognition with Bronson, which featured a stunning performance by Tom Hardy, brings a European sense of style to Drive. From the beginning, it's clear this is not a standard-order action film. It takes its characters as seriously as its chases, shootouts, and fights. Neither aspect is short-changed, and the music and cinematography are used to establish and sustain tone. This is a moody film, with moments of understated, dark humor and bleakness. Most importantly, it shows that movies can generate a testosterone-and-adrenaline cocktail without requiring viewers to undergo a frontal lobotomy to appreciate the result.… Expand
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9
FlamingBearNov 27, 2015
Drive was a movie that did deserve an Oscar for best soundtrack or editing. It was filled with genre at drama, violence, it was splendid for me, and one more thing to me it was kind of slow but still a great book and movie.
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9
audreythomas25Feb 24, 2016
Drive is surprising in many ways, from its quietly spoken first act through its increasingly violent and unexpected trajectory.

Watch this movie online http://www.watchfree.to/watch-105251-Drive-movie-online-free-putlocker.html
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8
EpicLadySpongeApr 25, 2016
This is my personally favorite. Drive reminds us all we should take the road seriously and never to end up losing lives in my front of view. That's how we should be watching this movie.
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10
sentendMay 1, 2016
The best of 2011. A movie I didn't whole heartedly love after first viewing, but its something that grew on me immensely. Great Soundtrack and action. Methodically paced and directed. May be the most artistic action film ever.
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10
ReelViews94Mar 23, 2016
Perhaps Drive is an action movie for those who don't ordinarily like action movies. It's also an action movie for those who crave them like a drug. Employing unusual camera angles and a unique sense of style, director Nicolas Winding RefnPerhaps Drive is an action movie for those who don't ordinarily like action movies. It's also an action movie for those who crave them like a drug. Employing unusual camera angles and a unique sense of style, director Nicolas Winding Refn takes us on a journey that gets us to feel something for the characters while still receiving an adrenaline rush when the speedometer races into the red zone. The car chases in this movie are exciting, but the best thing about Drive is that you don't know what's going to happen. There's a sense that the lead character could end up six feet under, and that adds an element of urgency to this movie that most in the genre are missing.

Ryan Gosling is perhaps an unlikely candidate for an action movie star, not only because he's a good actor (not necessarily a desirable quality for this sort of role) but because his skills are best utilized in dramas and low-key comedies. As it turns out, however, he's a good fit for Drive, in which his inscrutable character, credited only as "Driver," reveals little background and almost never engages in small talk. Is he autistic or merely an introvert? The movie doesn't much care. Often, dialogue is used to build a character, but Driver speaks so infrequently that it falls upon Gosling's mannerisms and facial expressions to develop someone better realized than a cartoonish stick figure. His success elevates Drive. We become invested not only in the man's life but in the chaste, innocent relationship that develops between Driver and his neighbor, Irene, who is played with a Cathy Rigby/girl-next-door sweetness by Carey Mulligan.

The movie opens with an explosive, pulse pounding prologue set to a throbbing score by composer Cliff Martinez. Driver does all sorts of jobs - works at a garage, races, drives movie stunt cars, and provides "transportation" for criminals. Drive opens with a getaway, and shows the meticulous planning that goes into one such operation. It includes a stopwatch, a police band radio, and some badass driving. The eight minute sequence could stand on its own as a short. It's the best part of a movie that is otherwise still very good.

Driver lives in the moment. He's not afraid of dying, perhaps because he never really lives. He falls in love with his neighbor, but she's married to a guy in prison and he's coming home soon. But "soon" is not today, so Driver finds momentary happiness in becoming a surrogate husband and father for a few days. Meanwhile, his friend and boss, Shannon (Bryan Cranston), provides him with getaway vehicles and puts together a deal that will allow him to drive a souped-up car in races. Unfortunately, to get the money for the car, he has to turn to a couple of mob thugs - the refined Bernie (Albert Brooks) and the less-refined Nino (Ron Perlman). You know things aren't going to go well with these two involved.

Perhaps because we're so used to seeing Brooks as a sadsack funny guy, we're more sympathetic to his character than we might be if Bernie was played by a more typical wise guy figure. It's effective casting because Brooks is believable. Ron Perlman enjoys chewing a little on his lines; Nino is from the Joe Pesci school of thugs - he shouts a lot and thinks violence isn't just the best way to solve problems; it's the only way. One senses that Bernie has spent half his life cleaning up Nino's messes, as a darkly comedic moment hints.

Taciturn action heroes are nothing new. Arnold Schwarzenegger strode through many films without cracking a smile. The difference here is that Gosling is not muscle-bound and his silences say more than many character's dialogues. You can see his mind working as he chews on a toothpick and the half-smirk speaks volumes. He doesn't carry a gun but is capable of a shocking degree of violence. In fact, the movie includes scenes worthy of Tarantino in terms of what they show and imply.

Refn, who strode to international recognition with Bronson, which featured a stunning performance by Tom Hardy, brings a European sense of style to Drive. From the beginning, it's clear this is not a standard-order action film. It takes its characters as seriously as its chases, shootouts, and fights. Neither aspect is short-changed, and the music and cinematography are used to establish and sustain tone. This is a moody film, with moments of understated, dark humor and bleakness. Most importantly, it shows that movies can generate a testosterone-and-adrenaline cocktail without requiring viewers to undergo a frontal lobotomy to appreciate the result.

Such a remarkable film!… Expand
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10
hiimsmartMar 27, 2016
From the beginning, you are plunged into the world of 'the Driver'. You are instantly feel immersed in his world as the opening burglary scene is going down. You're instantly interested in this character who is, what most people would say, isFrom the beginning, you are plunged into the world of 'the Driver'. You are instantly feel immersed in his world as the opening burglary scene is going down. You're instantly interested in this character who is, what most people would say, is the most uninteresting person in a heist group. Usually, the getaway driver is this faceless guy who is either randomly killed while trying to evade cops, or just written off as some stereotype. But damn if I wasn't instantly hooked from that beginning scene.

Ryan Gosling plays the Driver who is a part-time stunt driver, part-time mechanic, and part-time getaway driver. I honestly don't recall if he ever really gets an actual decent amount of sleep in the entirety of this film. He gives off this deceptively cool demeanor that I call deceptively for a damn good reason. He is capable of being quite violent and showcases it throughout the latter half of this movie.

This film has some of the best cinematography I have seen to date and a story that is as interesting as it is emotionally driven. I don't want to really explain too much about this movie, because it is best experienced rather than talked about. This movie deserves to be watched and enjoyed more than once if possible and should be given your full undivided attention. It is one of the best movies I have seen in a while and I feel like it is a modern classic.… Expand
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10
MovieMasterEddyApr 3, 2016
Sophistication behind the wheel!

Star of the moment Ryan Gosling delivers a slow, white-hot burn of a performance in "Drive," a nervy, understated ode to one of Hollywood's most cherished archetypes, the sad-eyed man of few words. TheySophistication behind the wheel!

Star of the moment Ryan Gosling delivers a slow, white-hot burn of a performance in "Drive," a nervy, understated ode to one of Hollywood's most cherished archetypes, the sad-eyed man of few words.

They can be cowboys, hit men or, in this case, loners who drive cars for a living. But no matter how chilly and reserved, the mysteries at their core mesmerize rather than repel.

As a getaway driver known only as Driver, Gosling obviously harks back to similar protagonists played by Ryan O'Neal, Lee Marvin, Robert De Niro and especially Steve McQueen.

But in "Drive," Gosling and director Nicolas Winding Refn neatly manage the hat trick of paying homage to those wheelmen of yore while reinvigorating the genre with style, smarts and flashes of wit. You may still want to fasten your seat belts, but in these capable, seductive hands you're in for a smooth, uncommonly assured ride.

That's made clear in the opening sequence of "Drive," when Gosling's character fetches two thieves from a Los Angeles warehouse. Found out by the police, who begin to pursue them by way of patrol cars and a helicopter, Driver leads the fuzz not on the wheel-screeching, bombastic chase audience might expect, but on a quiet, cat-and-mouse prowl through Los Angeles's nighttime back streets, winding up in the endless proscenium arches of a parking garage.

At once classic and refreshingly new, the sequence establishes Driver's watchful calm and psychic mettle, as well as Refn's indisputable chops as a filmmaker with firm command of tone, rhythm and irresistibly propulsive pacing.

It turns out that Driver's getaway gig is just a sideline; his day job becomes clear in one of the all-time great movie "reveals," which makes "Drive" not just a fast-car action picture but a wry commentary on Hollywood artifice (which will come in handy later when someone covered in blood needs to blend in with a crowd).

Carey Mulligan, as Driver's new neighbor Irene, may be completely miscast as the wife of a low-level criminal named Standard (the terrific Oscar Isaac), but her chemistry with Gosling is entirely believable, not least because Refn chooses to convey it through lyrical sequences of shy glances and wordlessly eloquent gestures.

Far more persuasive, however improbably, is Albert Brooks as Bernie Rose, a seedy criminal middle-manager who like everyone in L.A. tried his hand in the biz, in his case as a producer. "One critic called them European," he wistfully recalls of his movies. Later, in one of the movie's most chilling scenes, he sweet-talks and soothes a hapless victim while he quietly slips a shiv in his arm, effecting a flawless balance between nebbishness and menace.

Refn, a Danish director whose previous films include "Bronson" and "Valhalla Rising," is known for his love of blood, and when the plot of "Drive" quickens he finds plenty of chances to indulge in his penchant for lurid, stylized violence. But even his most **** flourishes are tempered here, not just with the tender love story between Irene and Driver but with Refn's newfound restraint (one pivotal murderous episode occurs entirely in shadow).

After skillfully earning the audience's allegiance, "Drive," which is based on the novel by James Sallis, throws its hero's motives into more troubling ambiguity, with Gosling's grievous angel proving to be capable of startling brutality. Like the scorpion on his jacket, he can't escape his nature, and Refn does a good job of keeping that core moral essence opaque until the explosive end. He's also constructed a perfect showcase for Gosling's hangdog charisma, which has come into its own this year first with "Crazy, Stupid, Love" and next with "The Ides of March."

A poster for the latter has his face morphing with George Clooney's, and the comparison is apt; indeed "Drive" recalls two of Clooney's best and recent movies, "Michael Clayton" and "The American."

Like "Michael Clayton," "Drive" is a hushed, methodical ode to competence, a wistful wish-fulfillment fantasy in an age of mass screw-uppery. Like "The American," it's almost abstract in its willingness to eschew conventional plotting and dialogue for a subtle sound design and crisp, clean imagery.

Most important, like Clooney's best movies, "Drive" features a compulsively watchable cipher at its center. Low-key, sleek and sophisticated, "Drive" provides the visceral pleasures of pulp without sacrificing art. It's cool and smart.… Expand
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9
Antgiog1202Apr 28, 2016
Drive simply blew me away as it was a marvelous film that achieved so much. I was expecting another copycate Fast & Furious movie; but instead I got something entirely different with a more unique and intriguing storyline. The greatest thingDrive simply blew me away as it was a marvelous film that achieved so much. I was expecting another copycate Fast & Furious movie; but instead I got something entirely different with a more unique and intriguing storyline. The greatest thing this movie accomplishes was it's use of film editing and cinematography as it looks beautiful to watch. The way they trasition from one scene to another gave me goosebumps; as well as the outstanding performance by Albert Brooks. He was intimidating to watch and I actaully felt fear looking into the eyes of his character. I thought he was definitely snubbed for the "best supporting actor" category from the Academy Awards!

You wanted another Fast & Furious movie. Instead, you got something a whole lot better!

Rating: 9/10

A+ = 10
A = 9
A- = 8
B+ = 7
B = 6
B- = 5
C+ = 4
C = 3
C- = 2.5
D+ = 2
D = 1.5
D- = 1
F = 0… Expand
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8
JacobSep 17, 2016
Drive provides an experience unlike any other. Throughout little dialogue we see a good man do terrible things to do something good. All to protect the innocent and in the process destroying himself. All the while atmosphere is created andDrive provides an experience unlike any other. Throughout little dialogue we see a good man do terrible things to do something good. All to protect the innocent and in the process destroying himself. All the while atmosphere is created and visuals convey the mood and character quite nicely. This isn’t a film for those expecting some dumb action movie this a film about character and atmosphere and those who appreciate that will love this movie as I did.… Expand
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6
thesantanafanOct 23, 2011
The film misleads you in several ways into thinking that it is to be a movie about driving. Instead, what you get is Gosling driving a little, then getting out and bashing people's heads in(and not in the cool way). You spend the entireThe film misleads you in several ways into thinking that it is to be a movie about driving. Instead, what you get is Gosling driving a little, then getting out and bashing people's heads in(and not in the cool way). You spend the entire duration of the movie waiting for a climax that never comes. The film is very well crafted, but it sacrifices the potential to be enjoyed to make a creative statement that could really only be appreciated in retrospect. A funner movie that better fit its title would have been far more preferable, when the film ends it comes off as disappointing and incomplete. It's obviously that it finds influence in Taxi Driver and aims to be a close parallel to it, a mark that it admittedly hits. The mistake of this film was it's decision to deliberately mislead you into expecting something action packed, or at least with more driving.… Expand
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8
pete409Mar 11, 2012
Very enjoyable movie. I missed it in the theaters, but after all of the good reviews I decided to give it a watch in 1080p. And I was not disappointed at all. The storyline is a bit silly, but the action and camera work was prettyVery enjoyable movie. I missed it in the theaters, but after all of the good reviews I decided to give it a watch in 1080p. And I was not disappointed at all. The storyline is a bit silly, but the action and camera work was pretty fascinating. And I liked how the guy and girl managed to keep it plutonic during the movie. I still have to look up who she is. So damn hot. Anyway, I've lost my train of thought. Also, I don't really like movies like Fast and the Furious, etc.. They are lame. But this isn't just a car movie. Must see.… Expand
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10
Amos982Jan 5, 2012
Drive is without question my favorite movie of the year, and in my opinion the absolute best. Drive perfectly captures Noir cinematics and fits it into a gorgeous hollywood landscape absolutely dripping with nostalgic 80s sensibilities. TheDrive is without question my favorite movie of the year, and in my opinion the absolute best. Drive perfectly captures Noir cinematics and fits it into a gorgeous hollywood landscape absolutely dripping with nostalgic 80s sensibilities. The cinematography is absolutely beautiful as Winding-Refn shoots what is, in my opinion the best car chase of the last few years, as well as injecting every scene with extreme emotion and power through attention to the most minuscule details. Gosling soars as the Driver, and the rest of the cast turns in outstanding performances (Ron Perlman would stand out as the weak link but watching his enormous jaw is just too damn entertaining) It would be remiss not to mention the absolutely stellar soundtrack, Cliff Martinez (Drummer from the first red hot chili peppers album in 1981!) turns in a synthesized sonic landscape that fits the film perfectly. The film truly is art-house, and j30 has it right when he says most of these negative commentators would like it more if it was a hugh jackman action testosterone f***-fest. The film was marketed that way in the U.S which was unfortunate because most of America probably came out hoping to see Fast 6. sucks for them, because tehy simply missed the opportunity to appreciate the most beautiful piece of filmmaking this year, perhaps tree of life and dragon tattoo come close, but Drive beats both in my book.… Expand
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10
beelzie14Jan 23, 2012
Incredible film with Gosling showing why he is one of film's hottest properties right now. His portrayal as a sensitive individual with a mean dark side is perfectly played. His awkward charm is juxtaposed by his visceral temper. Awesome!Incredible film with Gosling showing why he is one of film's hottest properties right now. His portrayal as a sensitive individual with a mean dark side is perfectly played. His awkward charm is juxtaposed by his visceral temper. Awesome!
Carey Mulligan brings a delicate awkwardness to her role which dovetails well with Gosling's quasi-pyscho nature. Although she is mainly in the background, her character is integral to the emotional development of Gosling's character.
This is up there with Pulp Fiction and Natural Born Killers in terms of cult classics. Unforgettable film which will stick in my memory for a long time.… Expand
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10
SpykeJan 31, 2012
Drive is an original story filled with brilliant acting, stunts, gore and just about everything else.

Ryan Gosling is perfect as the mysterious driver and the supporting cast are all fantastic just the same. My favourite film not only ofDrive is an original story filled with brilliant acting, stunts, gore and just about everything else.

Ryan Gosling is perfect as the mysterious driver and the supporting cast are all fantastic just the same.

My favourite film not only of 2011 but ever.… Expand
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10
gasperkJul 14, 2012
Easily one of the best films of 2011. The opening 5 minutes of Drive are simply extraordinary: zero music and virtually no dialogue, just the Driver outrunning the cops after a burglary. If you aren't instantly drawn in by the opening chaseEasily one of the best films of 2011. The opening 5 minutes of Drive are simply extraordinary: zero music and virtually no dialogue, just the Driver outrunning the cops after a burglary. If you aren't instantly drawn in by the opening chase sequence, your favorite movie is most likely Transformers and you do not deserve to see the greatness this film beholds. This raw and realistic film is falsely advertised by its trailers; they make it seem like a hardcore action flick, but it turns out to be an intensely character driven story with very minimal, but effective, dialogue that progresses the story at a continuously entertaining pace. The cinematography is some of the best I've seen in years: it seems effortlessly smooth and endlessly creative. The plot is simple, but Refn's execution is, in part, what makes the film ultimately stand out. Another crucial part to what makes this film so enticing is its ruthless depiction of violence. I KNOW that some (actually, a lot of) people are turned away, or dislike, Drive solely because of its graphic violence. These people are dumb; IT'S A MOVIE (not real). The violence is as realistic as it gets, without being over-exaggerated to the point of blood spraying 10 feet into the air in all directions when someone gets stabbed. There ARE some very graphic scenes, but I feel that it's a reflection of the characters (especially Albert Brook's and Ryan Gosling's characters). Most of the film is actually absent of action/violence, in which i was pleasantly surprised by. It's probably a 75/25 split. Overall, if you have any appreciation of good film, you definitely need to see this film. It's amazing and should win a handful of Oscars.

+1… Expand
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10
MorriBeyOct 22, 2011
Amazing . Its a mixture of the following : Rules of Attraction, Punch drunk love, AI, Wall-e, No country for old men, Vanilla sky, Fight Club and a lovely Electronic soundtrack. Best film so far of this decade.
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10
pulkmeesDec 28, 2011
I don't get, why people hate this movie.It all comes down to expectations.If you already thought before watching it, that is was going to be an actionfest, OF COURSE you are going to get disappointed.If you are person, who constantly likes toI don't get, why people hate this movie.It all comes down to expectations.If you already thought before watching it, that is was going to be an actionfest, OF COURSE you are going to get disappointed.If you are person, who constantly likes to talk to people, you WILL not like this movie.Someone said, that it's hollow.You think watching mindless action isn't ? At least you feel like you care for the people in this movie. You DON'T have to like this movie, but do not f-ing bash it because you THOUGHT you were gonna get a fast paced Michael Bay movie.
FFS, THE DAMN posters already give away what kind of a movie it is.Are you really that narrow minded ?

The actual review:
It is USELESS to review each part individually.All the parts complement each other.I see people here review only the dialogue.OF COURSE it is going to feel long if you take it out of context.It fit perfectly with every other part of the film though.
The only real variables were the actors, who were f-ing terrific.
Ok story could be bad too.IT WASN'T.Can't see how you would see it as unbelievable.Giant robots fighting each other is fine then ? Ok bad example.In most movies people start talking to each other IMMEDIATELY after seeing each other. How the fk is that believable.People don't start becoming friends or lovers in 5 seconds of talking to each other casually.At least in my part of the world.… Expand
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9
markdbNov 20, 2011
Its kind of annoying when people rate so low when they never had patience with the movie and dont understand it. The artistic element of it made the movie really engaging if you let yourself understand the moods it was trying to convey. IIts kind of annoying when people rate so low when they never had patience with the movie and dont understand it. The artistic element of it made the movie really engaging if you let yourself understand the moods it was trying to convey. I dont want to sit through Transformers where there is a ridiculous amount of action at the expense of real feeling; thats a really boring movie, I can fall asleep during that. But Drive is for people who can interpret emotions and the psychology of the events that are in front of them. For that reason, it is not a mainstream movie and ends up going beyond the average movie goer who read things on the surface.… Expand
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10
KriillaNov 18, 2011
This review contains spoilers, click expand to view. This movie is a masterpiece. Mikael nyqvist, harry potter and michael jackson did great acting job in this movie. Linus Engstam was also very good. I like **** and blood. The best part was when the guy stomped the otjer guys head until it transformed into a swimming pool of wine.… Expand
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10
daniFeb 28, 2012
One of the most important things you can do to enjoy this movie, is to be well-rested. I watched this with my husband, and I was tired, and was falling asleep. I thought it was boring and pointless, and left the room. Later, My husbandOne of the most important things you can do to enjoy this movie, is to be well-rested. I watched this with my husband, and I was tired, and was falling asleep. I thought it was boring and pointless, and left the room. Later, My husband insisted it picked up right after I left, and I should give it another try. I watched the next day, and I thought it was amazing. Most of the movie takes place visually. As much is being said by the characters' expressions and body language, as by the dialogue. Some of the complaints I was reading is that this movie is "artsy crap". I would agree that you will like this movie more, if you enjoy movies that have meaning, and make you think.… Expand
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7
FrostyFeb 9, 2012
I think this movie is pretty good, but I felt that it wasn't my type of movie. Not because of the title Drive, but the fat that the movie changed so much that I really couldn't get used to it. I ain't going to add spoilers since I feel moviesI think this movie is pretty good, but I felt that it wasn't my type of movie. Not because of the title Drive, but the fat that the movie changed so much that I really couldn't get used to it. I ain't going to add spoilers since I feel movies are based on a matter of opinion, so I'll let you decide for yourself.… Expand
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7
bl_nkSep 16, 2011
Overrated. While the soundtrack and cinematography were great, the dialogue, particularly between the male and female leads, was consistently awkward and wooden. It also had way too many excessively artsy shots of Gosling lookingOverrated. While the soundtrack and cinematography were great, the dialogue, particularly between the male and female leads, was consistently awkward and wooden. It also had way too many excessively artsy shots of Gosling looking contemplative. Plot-wise, it said and accomplished little. The movie really shines during its driving sequences, and in a few of the action sequences. Overall, it's not bad, but it's not the amazing movie some of the professional critics made it out to be.… Expand
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9
BemaniAKOct 31, 2011
No doubt the best movie of the year, especially for action fans.
Ditching the new-age flowchart action script and moving back to the tried and true methods of creating a balance of tension, suspense and Action that creates emotion throughNo doubt the best movie of the year, especially for action fans.
Ditching the new-age flowchart action script and moving back to the tried and true methods of creating a balance of tension, suspense and Action that creates emotion through pinpoint direction as opposed to making everything as over-the-top as possible.

Mix it with amazing actors, brutal violence, and an amazing 80's throwback soundtrack, and we get a movie that truly deserves to redefine the action genre.
Sadly, it won't overtake the billion-dollar box office boomers that should be properly defined as explosions-with-plot, however, there is a huge opportunity here for a new branch of lower-budget, higher-passion movies that can give real movie fans exactly what they want to see.… Expand
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10
bigbosslunaFeb 6, 2012
Best movie of 2011. Amazing piece of artwork. OST fits perfectly. Cinematography is one of the best of the year. A little slow with some still shots but that's ok because it ads drama. Racing sequences are one of the best in years. Gory film.Best movie of 2011. Amazing piece of artwork. OST fits perfectly. Cinematography is one of the best of the year. A little slow with some still shots but that's ok because it ads drama. Racing sequences are one of the best in years. Gory film. A must see to any race fan.… Expand
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7
m3xcJan 18, 2012
This movie is good, it's got some good acting and Gosling does his part well. The qualms I found with the movie is that it didn't do anything spectacular or out of the ordinary, save for what makes it stand out amongst today's action movies:This movie is good, it's got some good acting and Gosling does his part well. The qualms I found with the movie is that it didn't do anything spectacular or out of the ordinary, save for what makes it stand out amongst today's action movies: It wasn't very reliant upon special effects. The special effects that were there, such as the few scenes of violence and some of the car chase and cars flipping around, were done very realistically and had a definite feel of rawness that make it stand out amongst its peers. Again, as noted, it is a good film: Nothing GREAT and nothing to really write home about. The soundtrack has a very 80's feel to it despite the mise en scene implying that the film takes place in ~90's. There are much better movies, such as Collateral or Le Samourai, so check those out before this one.… Expand
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9
MyffubsJun 26, 2012
Drive is a very well made thriller. It features an excellent cast, great cinematography, and some of the most compelling scenes of recent memory. Ryan Gosling stars as the Driver, who does not seem to have a name. Tellingly he drives. HeDrive is a very well made thriller. It features an excellent cast, great cinematography, and some of the most compelling scenes of recent memory. Ryan Gosling stars as the Driver, who does not seem to have a name. Tellingly he drives. He works as a Hollywood stuntman during the day, moonlighting as a getaway driver for various criminals. Gosling's performance is anchored in the Driver's harsh reality; he deals with life and death situations on a routine basis with no real identity. He slowly opens up when he is getting to know his neighbor (Mulligan) and her son (Leos); he does not talk much, but is genuinely kind. Mulligan's husband (Isaac) returns home from prison and is soon threatened for owed protection money. The Driver decides to offer his help, which is when the film shifts from a slow-building character study to a pulse-pounding thriller. Also involved in the proceedings are Bryan Cranston as the Driver's mentor of sorts, and Albert Brooks and Ron Perlman as two mob bosses. Each actor breathes a unique life into his or her respective character. Most are given surprising amounts of depth. Nicolas Winding Refn's direction deserves praise as well; the film captivates in just about each and every scene. Though the meandering first half clashes with the abrupt ending, Drive ultimately manages to be a satisfying and thrilling experience.… Expand
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10
hoops2448Feb 26, 2012
Who said words were everything. Drive may have a oddly short script with a main character who rarely utters a word but the film itself is filled with enough subtext and heart to allow for such a dynamic lead character. Ryan Gosling plays TheWho said words were everything. Drive may have a oddly short script with a main character who rarely utters a word but the film itself is filled with enough subtext and heart to allow for such a dynamic lead character. Ryan Gosling plays The Driver (as I said in my Priest review some films fall short because they donâ… Expand
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10
StonecutterFeb 3, 2012
Not your some old action flick. Great Great movie. Filmed very well. Ryan gosling was great. The deaths where awesome. Slow in some parts but the acting and story made up for it.
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7
dylancampbellSep 24, 2011
Not what I expected at all going into this movie (the trailer makes it seem like more of an action movie) but I really liked it nonetheless. The performances were solid, the script was well paced, and the cinematography was superb.
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8
HankChinaskiSep 29, 2011
Very very well made movie. The story may not be innovative, it's actually almost cliched, but the cinematography, the editing, and above all, the sound of this movie is so sublime, Ryan Gosling's presence so electric on top of it, that youVery very well made movie. The story may not be innovative, it's actually almost cliched, but the cinematography, the editing, and above all, the sound of this movie is so sublime, Ryan Gosling's presence so electric on top of it, that you wont regret any second.… Expand
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10
BHOPESHOct 2, 2011
free download this movie at www.tenthgalaxy.com .........................................................................................................
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10
quarantined1Oct 2, 2011
movie feels like a still river where you can see the silence taking over you..... its an amazingmovie feels like a still river where you can see the silence taking over you..... its an amazing experience..........................................................................................................................................................................................................… Expand
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10
havslife76Oct 3, 2011
Just an overall great movie and by far my favorite of the year (so far). Fantastic story that is well paced and delivers heart-racing action and suspense. I must admit that the movie takes a little for the action to start up, but once itJust an overall great movie and by far my favorite of the year (so far). Fantastic story that is well paced and delivers heart-racing action and suspense. I must admit that the movie takes a little for the action to start up, but once it starts it rarely lets up. The movie is one of the most violent movies i've seen in a while, but thankfully the glorified violence and gore in some scenes actually feels fitting to the emotions the director wants the audience to feel.But overall, I think this movie should be up for Best Picture (and possibly Best Actor for Gossling).… Expand
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8
DLcriticOct 5, 2011
This review contains spoilers, click expand to view. I really liked this movie. The 80's feelin' music and pink titles were really misleading, but I liked where this movie went. Starts off as a wheel man for hire, then it's a boy meets girl, then I thought it was going to be a Days of Thunder type thing, oh but wait, we're back to wheel man for hire and ends up a really really bloody.… Expand
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9
HashprinceOct 18, 2011
"Hey, you want a toothpick?"
I didn't feel this way for a movie since a long time.
DRIVE is the movie you need to see, the direction of the movie by Nicolas Winding Refn is ultra stylish and wonderful, the music and sounds in the movie"Hey, you want a toothpick?"
I didn't feel this way for a movie since a long time.
DRIVE is the movie you need to see, the direction of the movie by Nicolas Winding Refn is ultra stylish and wonderful, the music and sounds in the movie matches perfectly to the environment, the performance of each actors is great, i love that the main character don't need to talk much, and you get so much more by his expression, his eyes,...
There's so many more things in this movie, the way the story is built, recurrent places where the hero and his princess will share few seconds staring at each other in silent.
This is kind of an unclassical love story about a hero and his princess, and the things he will do to protect her.
This is the movie of the year, a future cult movie fo sho.… Expand
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10
nluckettOct 14, 2011
One of my favorite movies in recent memory. At first blush this felt like a really modern 80's film, from the brooding hero to the typography to the music. But it also has sentiments of modern movie making in the shockingly realistic violenceOne of my favorite movies in recent memory. At first blush this felt like a really modern 80's film, from the brooding hero to the typography to the music. But it also has sentiments of modern movie making in the shockingly realistic violence to the artfully long and dreamy moments between a man and his drive and also between a man and the woman and child he falls in love with. To a small extent you do have to be willing to melt into the world of Drive, but once you do, this is a sublime journey.… Expand
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10
socalsp3Oct 15, 2011
Great movie. Eastwood Spaghetti Western meets Miami Vice meets GTA. Soundtrack was enjoyable as well. For the people who are giving this movie a negative review I would suggest Transformers or some other mindless action flick. This movie isGreat movie. Eastwood Spaghetti Western meets Miami Vice meets GTA. Soundtrack was enjoyable as well. For the people who are giving this movie a negative review I would suggest Transformers or some other mindless action flick. This movie is stylized. You'd have to appreciate the nuances of the film, camera angles, music, the fact that the main character has no name and rarely speaks, to enjoy it between the action sequences. Rent Transformers or some Michael Mann film if the only thing that keeps your attention are explosions going off every 5 minutes.… Expand
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6
EvanduqOct 19, 2011
The strong points of this film included interesting shot compositions and a cast that made for entertaining and memorable characters. The pacing seemed to match Driver's style: from slick and speedy to outright stationary at points, gettingThe strong points of this film included interesting shot compositions and a cast that made for entertaining and memorable characters. The pacing seemed to match Driver's style: from slick and speedy to outright stationary at points, getting away with it in the end but at somewhat of a cost. Scenes seemed like panes from a graphic novel at times. The major off-putting aspect of the film was the bizarre music selection. The tune for the main titles was promising, but during the times when the music swelled after that, I tended to get a bit confused. While it did create a strong emotional tag that was cashed in at the end, College's "A Real Hero" was just a weird musical choice for this flick's showcase song. Other than that, I'd definitely recommend seeing this movie at extended run venues or eventually DVD/VOD rental.… Expand
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10
cushicleOct 22, 2011
Phenomenal movie. Loved every aspect of the movie, the juxtaposition of intense action with extremely subtle facial expressions that tell you more about a character's motivation than a thousand words of dialogue. There is almost nothing IPhenomenal movie. Loved every aspect of the movie, the juxtaposition of intense action with extremely subtle facial expressions that tell you more about a character's motivation than a thousand words of dialogue. There is almost nothing I would change about this film and its easily the best movie I've seen this year, but if you expect a non stop action flick or have a short attention span this might not be for you.… Expand
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8
ActionBasterdNov 3, 2011
Based on book by James Sallis, Drive is not your normal action drama heist film. Director, Nicolas Winding Refn, who directed Valhalla Rising and Bronson, had said that films such as Bullitt and the Day of the Locust influenced Drive. RyanBased on book by James Sallis, Drive is not your normal action drama heist film. Director, Nicolas Winding Refn, who directed Valhalla Rising and Bronson, had said that films such as Bullitt and the Day of the Locust influenced Drive. Ryan Goslingâ… Expand
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9
Cleric22Jan 9, 2012
Movies have to be for everyone all the time or it doesn't count! That's at least the feeling I get from the negative reviews of this movie. Also, you could try something about critics and being over payed or bribed or something. I saw thisMovies have to be for everyone all the time or it doesn't count! That's at least the feeling I get from the negative reviews of this movie. Also, you could try something about critics and being over payed or bribed or something. I saw this movie after all the hype, during its last week in theatres, and I will be buying the blu-ray next week when it comes out.

Stylishly slow, slow, as in the way people actually talk and react to each other. I've got bad news, you're not as funny or witty as you think you are, you're not clever, at least not movie clever. Real life conversations have unexpected beats. Also, guns and violence are scary. People can watch hundreds of people bite it in a Michael Bay film, and its the best they've seen, my kids loved it! When you put one person, with one gun, and you shoot someone its going to be messy. The limited action and chase scenes in this movie accent the terror that is violence, and how it should not be celebrated, nor should the lives that these people have chosen for themselves, and how it affects those around us.… Expand
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10
gartside27Oct 27, 2011
This is a film that I have wanted to see since the first trailer, but have only just seen today, I expected a film that was all about the cars and the chase, like Gone in 60 Seconds, etc. Instead, I got a film that is like nothing I have seenThis is a film that I have wanted to see since the first trailer, but have only just seen today, I expected a film that was all about the cars and the chase, like Gone in 60 Seconds, etc. Instead, I got a film that is like nothing I have seen before. The cars were gorgeous but the cinematography was first class! Some of the camera angles and shots in the film were actually beautiful, and Gosling really plays his character well.
I haven't seen any other Ryan Gosling movies, but after this, I will be keeping an eye out for any other movies with him in.

Loved it… Expand
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8
coldron1Oct 29, 2011
This was an enjoyable film and i am glad i watched it. It meets what i expected of it. Ended with few questions unanswered, but recommend this Film. People complain about how there is not much dialog in it but its not one of those films. IThis was an enjoyable film and i am glad i watched it. It meets what i expected of it. Ended with few questions unanswered, but recommend this Film. People complain about how there is not much dialog in it but its not one of those films. I was quite pleased with this movie. Starts slightly slow but that was okay for me and then got into really good action for the rest of the film.… Expand
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8
gamerscorhuntaFeb 15, 2012
In one of the most unique thrillers to release since the turn of the century, Drive gives Ryan Gosling his much-needed arrival into the grim side of filmmaking. Gosling's performance was spotless, carrying the weight of the ones he caresIn one of the most unique thrillers to release since the turn of the century, Drive gives Ryan Gosling his much-needed arrival into the grim side of filmmaking. Gosling's performance was spotless, carrying the weight of the ones he cares about and his own life against the racing group he once drove for. The first fifty minutes shows a grand amount of character development, and shows us the kind of person that Driver really is. Then, through a freak set of circumstances, he finds himself suddenly fighting against the people he was just working for. This is where the movie lights itself up. The violence is incredibly fun to just watch, but not in a sense you just point and "ooh!" at the screen. Drive's violence is few and far between, yet makes for one of the most gruesome violence in a movie to date. Artistic, unique, and overall a great movie, this is only short of a masterpiece.… Expand
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10
WWCyberXNov 12, 2011
An absolute masterpiece. Was not entirely sure what to expect when I went into the cinema, but was not expecting something as brilliant, gritty and arty as this. Aside from the superb, abstract acting and style of the film, the soundtrack wasAn absolute masterpiece. Was not entirely sure what to expect when I went into the cinema, but was not expecting something as brilliant, gritty and arty as this. Aside from the superb, abstract acting and style of the film, the soundtrack was one of the best features of the film. It blended in with the environments and the story so well, and I purchased it after seeing the film, it was THAT good. I understand that for some people this was not what they were expecting from Drive. But in the end if that's the attitude people take towards it, and they cannot see the true brilliance of the film, they're missing out on one of the best films of the year, if not for a very VERY long time. One of my favourites!… Expand
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9
ImikeNov 11, 2011
One of the best move of the year. Great soundtrack, good acting and very bizarre but likeable atmosphere. I think this is unique film, however the ending was a little bit overkill. Great job.
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10
binhexNov 12, 2011
Fantastic movie that makes reminds me, well, why I love going to the movies. Yes, the film is not what you think it is going to be and rather violent. The director has a great sense of music, more so than I have seen in a movie in a longFantastic movie that makes reminds me, well, why I love going to the movies. Yes, the film is not what you think it is going to be and rather violent. The director has a great sense of music, more so than I have seen in a movie in a long time. Basically, see this if you're tired of going to yet another remake.… Expand
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10
mouse-ratNov 15, 2011
Ryan Gosling is quickly becoming the greatest actor available. Drive is an amazing movie and hands down my favorite of 2011. With that being said it definitely is not for everyone. It can be extremely graphic at times and I've had friendsRyan Gosling is quickly becoming the greatest actor available. Drive is an amazing movie and hands down my favorite of 2011. With that being said it definitely is not for everyone. It can be extremely graphic at times and I've had friends tell me the story didn't go anywhere. Different strokes for different folks. I think their concern was the "Driver" being so quiet and so quick to act violently. The story doesn't hit on his origin or background so it leaves it up to the viewer to come to their own conclusion, which I love. Also, soundtrack is awesome sauce… Expand
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7
TyranianFeb 4, 2020
Pretty cool crime-thriller with great visuals and music. Gosling is a robot but that's okay.
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10
bob_larblarDec 4, 2011
This is the best film I have seen in a few years, for those of you who think this is too 'artsy' and 'uneventful' go and watch some crap like the latest Transformers film. The film oozes style, the cinematography is beautiful, the soundtrackThis is the best film I have seen in a few years, for those of you who think this is too 'artsy' and 'uneventful' go and watch some crap like the latest Transformers film. The film oozes style, the cinematography is beautiful, the soundtrack perfect and the minimal dialogue from the lead character adding to the intrigue and extremity of his violent outbursts. The scene n the elevator was one of the greatest I have ever seen in a film, a very subtle but powerful moment and in one minute encapsulated extremity of Ryan Gosling's character. This film is a lesson to all directors of how to cut out the crap, how a story can be told with out having to spoon feed it to the audience. If you loved Taxi Driver and Scarface then you will love this, I like how the director made a nod to those films without the film becoming clichéd.… Expand
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8
sdcoatesNov 21, 2011
I was expecting a bit "more" from this movie, but it DID stick with me afterward. There is a lot of great things going on in this film; good twists, good action, interesting main character, great music. It's a dark story, with a darkI was expecting a bit "more" from this movie, but it DID stick with me afterward. There is a lot of great things going on in this film; good twists, good action, interesting main character, great music. It's a dark story, with a dark ending. All in all, it was a good film - just short of great.… Expand
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10
IkendaNov 24, 2011
Bullit meets Point Blank meets Grand Theft Auto... From the fast, thrilling, car wrecking chase scene with the Mustang to the laconic, romantic, extra violent no name Ryan Gosling to the few but graphical illustrated death scenes this movieBullit meets Point Blank meets Grand Theft Auto... From the fast, thrilling, car wrecking chase scene with the Mustang to the laconic, romantic, extra violent no name Ryan Gosling to the few but graphical illustrated death scenes this movie could be a tribute to all crime noir films... But thanks to Winding's artistic Melville-style direction that critics loved and casual action lovers hated this film is a film that some day other directors will make tributes for... Masterpiece.… Expand
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8
RobinsNestApr 22, 2012
I do not give high marks just for something different, but this is worth it. Great ambiance, flair and surely provocative character driven film. I was completely engrossed and while unnecessarily violent and some things don't flow it is stillI do not give high marks just for something different, but this is worth it. Great ambiance, flair and surely provocative character driven film. I was completely engrossed and while unnecessarily violent and some things don't flow it is still a must see. Every time I see Mr Gosling I like his work more. He is growing and expanding into all kinds of roles. This is a "I can't wait so see what happens next" film. Usually I like to find someone to root for but the moving line of good / evil and right / wrong work; kept me moving my "root for" line as well. B+ due to violence and a little unsteadiness in the story. With another viewing I can see moving my rating into the "A" category.… Expand
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10
ilive4this14Feb 5, 2012
A spectacular piece modern cinema. A character driven (pun intended), stylish, fast paced thriller that does not disappoint. The writing, tone, atmosphere, and score all work together to create a film of very few words, and yet there isA spectacular piece modern cinema. A character driven (pun intended), stylish, fast paced thriller that does not disappoint. The writing, tone, atmosphere, and score all work together to create a film of very few words, and yet there is nothing lost in translation. Action scenes, specifically the car chases, aren't these ridiculously over the top set pieces that would/could never happen (e.g. Fast and Furious), but rather they are suspenseful, well though out moments that are grippingly fun to watch.
Overall, how this was not nominated for Best Picture and Best Director, I'm not quite sure, but none-the-less, its a great film that should not be missed. - (10/10)

It should be noted that there is some rather graphic violence that is quite unexpected, so you have been forewarned.… Expand
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8
TTW107Feb 9, 2012
The first half of the movie or so is just kinda boring in my opinion but the second half more than enough makes up for it. This is not one too miss from 2011.
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8
AB77Jan 6, 2012
Although extremely slow paced,terrific acting by the entire cast and an awesome soundtrack make it highly enjoyable...................................
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10
DriverJan 13, 2012
The greatest film of 2011. Stunning cinematography, fantastic soundtrack, phenomenal acting and a strong story all blend together to create a mesmerising movie which is worth every second. Ryan Gosling's finest performance for sure.
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7
joehay2Feb 4, 2012
Here is a film that is a combination of Shane and Walter Hill's The Driver. The Driver had a professional driver (Ryan O Neal) who went by the name Driver. He was a loner working the existential streets of his noirish nighttime city. But heHere is a film that is a combination of Shane and Walter Hill's The Driver. The Driver had a professional driver (Ryan O Neal) who went by the name Driver. He was a loner working the existential streets of his noirish nighttime city. But he had minimal interests in other human beings. Here is where Drive amps up the same story. Cue the Michael Mann film Thief, full of rain slicked streets and scumbag gangsters that out hero becomes involved with. Drive gives us the same scenario but jazzes it up with Alan Ladd's knight in shining armor. I like the pastiche and Refin's not totally out of his element in American, though his Danish film series Pusher has more life and humor in them. In The Driver, our hero just wants to test himself, ala Jef in Le Samourai, Melville's incredibly influential noir of the mid 60's . Drive's hero picks up where Ladd and Thief's James Cann left off. His attraction to a woman makes him willing to lose everything. Love will do that to our hero, but unlike the brilliant Le Samourai, the film that broke the mold, Drive's hero's love is all too human. A nice romp through the nighttime streets and another look at a crime ridden film that is absolutely copless.… Expand
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8
MarketingClassFeb 6, 2012
Ya know, it's funny because one of the reasons I love this movie so much is because it feels like an '80s movie. If "Drive" came out in the 1980's, we would still be talking about it today. It would be sitting in our movie shelves next to ourYa know, it's funny because one of the reasons I love this movie so much is because it feels like an '80s movie. If "Drive" came out in the 1980's, we would still be talking about it today. It would be sitting in our movie shelves next to our other favorite '80s action films, a fine spot next to "Lethal Weapon" or "Die Hard." I can imagine a young Tom Cruise or maybe even Patrick Swazye as the lead, a driver who is a stuntman for movies by day and a getaway driver for robbers by night. I can see Mia Sara as the sweet, innocent girl who lives down the hall from the driver, and whom slowly becomes attracted to him. And I sure as hell could see someone like Jack Nicholson playing the mobster out for the Driver. That movie would be awesome, and yes we'd be talking about it today. Alas, "Drive" came out in 2011 and that's okay, we are all the richer for it. For the driver we got Ryan Gosling, for the love interest we got Cary Mulligan and for the mobster we got Albert Brooks. All three actors are honestly more than breath-taking, completely fascinating with all they are given to do. That '80s vibe gives this movie the extra boost of cool. It's got Grand Theft Auto:Vice City style lettering during the credits, it features music which sounds like British New Wave (THE best music of the year) and its style and tone is very appropriate. If you check this movie you'll find something to enjoy.… Expand
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8
djnicefeelFeb 8, 2012
Really well made movie. The cinematography is superb, the music is great. It has a sort of european/indie feel, but in a cool way. The only thing I really disliked was the extreme violence at the end of the movie... I tought it didn't addReally well made movie. The cinematography is superb, the music is great. It has a sort of european/indie feel, but in a cool way. The only thing I really disliked was the extreme violence at the end of the movie... I tought it didn't add anything to the storytelling, and ultimately I was disappointed with the ending as a whole. Nonetheless, it has many strenghts and I recommend seeing it. It's different from most other Hollywood movies.… Expand
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8
suity_saharFeb 9, 2012
The movie is presented as a throwback to the 70's or 80's with the choice of music which as nice .Though not everyone will agree that it actually fits. The acting is good and the chemistry between Ryan Gsling's character and his love interestThe movie is presented as a throwback to the 70's or 80's with the choice of music which as nice .Though not everyone will agree that it actually fits. The acting is good and the chemistry between Ryan Gsling's character and his love interest was well done i think. The movie started by showing a smart car chase scene but never really showed anymore scenes like that . Not even at the end which was bad for me since the movie is called drive there were only two scenes of driving [exciting driving] . But the film was good . it should have been called something else. but it was a good drama to watch. i felt a bit let down on the second half of the film but not sorry i watched it at all. Albert Brooks was good also.… Expand
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10
wookieFeb 17, 2012
One of the best movies in a very long, long time. Subtle, thrilling, funny, violent, with actors brilliantly performing their characters... I love how it has its own pace and the characters aren't completely revealed in a couple of sequences.One of the best movies in a very long, long time. Subtle, thrilling, funny, violent, with actors brilliantly performing their characters... I love how it has its own pace and the characters aren't completely revealed in a couple of sequences. That is a great virtue in my book.
I've seen it 6 times in one month, and that would be impossible and unbearable if the movie was as empty and shallow as some people claim.… Expand
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9
MASHHEADFeb 27, 2012
Drive, what can I say? But great film. Ryan Gosling provided a refreshing stab at the lead, choosing a more subtle role. I felt as if I was being aloud to choose my own lead character, rather than having someone shout "HERE IS THE HERO! HE'SDrive, what can I say? But great film. Ryan Gosling provided a refreshing stab at the lead, choosing a more subtle role. I felt as if I was being aloud to choose my own lead character, rather than having someone shout "HERE IS THE HERO! HE'S HARD, LOVE HIM!!". The cinematography and sound track were smashing, reminded me of Scarface. The violence was in context. For example the likely end result of a boot to the head is, a caved in skull. All in all I thought this was a memorable film that will go down as a future classic.… Expand
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10
fita7Mar 10, 2012
fist of all, i am spanish...and sorry for my english beforehand...
i think this is the one of the best film of the year and one of the most undervalued having recieved only one nominations for oscars...this film has in the group of myfist of all, i am spanish...and sorry for my english beforehand...
i think this is the one of the best film of the year and one of the most undervalued having recieved only one nominations for oscars...this film has in the group of my favorites films...essential film… Expand
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10
themidgardknighMar 13, 2012
The fact that this film fosters such polarizing reviews proves that it is a a masterpiece. Controversy usually means its something people are worth fighting for. Anyways, not everyone is going to get this movie. I honestly think you have toThe fact that this film fosters such polarizing reviews proves that it is a a masterpiece. Controversy usually means its something people are worth fighting for. Anyways, not everyone is going to get this movie. I honestly think you have to have a different appreciation of film than the average movie-goer. Drive is simply amazing.… Expand
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9
AwesomeReviewerMar 26, 2012
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9
deamonhunterMar 29, 2012
Great but slow some times. If you are the person how enjoys movies wich is an action packet car movie than than this is for you and you will love it. It is note only combining a gental love story with action but it builds up tension in theGreat but slow some times. If you are the person how enjoys movies wich is an action packet car movie than than this is for you and you will love it. It is note only combining a gental love story with action but it builds up tension in the perfect way, with the apropiet title. The titel is simple but it still tells the base of the movie in one singel word wich will be my closeing word for now DRIVE.… Expand
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10
valhalllaApr 7, 2012
One of the best movies i in the last months. the use of music & silence, the light and especially the way the story is told is great and mind blowing.
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8
plainbrainsApr 22, 2012
i dont know what compelled me to wait forever to see this movie but whatever it was totally just got schooled after watching this awesome movie. The personality of Ryan Goslings character was very easy to jump in and was an awesome way to geti dont know what compelled me to wait forever to see this movie but whatever it was totally just got schooled after watching this awesome movie. The personality of Ryan Goslings character was very easy to jump in and was an awesome way to get sucked into this movie. cinematography and every aspects of this film made this one in particular jump up the list of my favorite flicks.… Expand
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10
ManiaMukeApr 29, 2012
Amazing. The mise en scène [lighting in particular] were on point. My favorite movie of the year, even beating out Harry Potter and Fast Five. Worth watching; God forbid you prefer Transformers to this.
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8
mira1May 8, 2012
I think you love it or you hate this movie. I really love this movie. Ryan Gosling is a very good actor and I love to look at him. But not just Ryan acts well also Carey Mulligan does. The music is so good I actually already downloaded theI think you love it or you hate this movie. I really love this movie. Ryan Gosling is a very good actor and I love to look at him. But not just Ryan acts well also Carey Mulligan does. The music is so good I actually already downloaded the soundtrack. Not just the music is good also the cinematography is beautiful. They have done it differently.
I didn't really know what would happend next in this movie and i loved that. I hope you guys will see this movie.… Expand
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9
SpangleDec 23, 2016
Forgive me father, for I have sinned. When I saw Drive for the first time in 2013, I had just finished my first film class in high school and was set to graduate from high school in a few weeks. Now, a week and a half removed from finishingForgive me father, for I have sinned. When I saw Drive for the first time in 2013, I had just finished my first film class in high school and was set to graduate from high school in a few weeks. Now, a week and a half removed from finishing college a semester early, it was time to atone for the sins of my youth. Unacquainted with good films at the time aside from the ones I saw in my class, I was ill-prepared for Drive. Finding it too violent and boring, I previously gave this film a 1/10. I know. The first of many rewatches from 2011 (Contagion, Source Code, The Ides of March, and The Artist are crying out for a re-evaluation), my second viewing of Drive was far more rewarding. Slow, elegant, and poetic, Drive is a remarkably brilliant film with great cinematography, a killer score, great dialogue, and great performances.

While I was wrong about this movie originally, I was right that it is incredibly violent. Not for the weak of heart (read: 2013 me), Drive is typical when it comes to Nicolas Winding Refn with its violence. With a violent hatred for people with eyes, Refn takes pleasure in having his films show people get stabbed in the eyes. Here, he also adds in a lot of stabs to the neck and a head being smashed like a watermelon dropped on a sidewalk. Thus, Drive is a hyperviolent film that turns violence into an art form. For example, the scene in the elevator where The Driver (Gosling) moves Irene (Carey Mulligan) out of the way and kisses her as the lights dim, is elegantly crafted and almost mystical in its movement. Juxtaposing the beauty of this movement with the swift violent kicks of The Driver into the would be assailant's face is both jarring and disturbingly gorgeous. Refn is into cheap violence. Instead, his is well shot and purposefully carried out with each swing of a blade or fist carrying significant purpose and elegance.

What certainly complements this gorgeous choreography of violent moments is the synth-filled score from Cliff Martinez and the stunning cinematography. Put together, this trio turns Drive from a violent neo-noir crime film into a dream-like whirlwind of gorgeous images and sounds. The film undeniably formalistic in this sense, often using the hyperreality of Los Angeles to escape the boundaries of reality and transcend into being both a dream and a piece of art. At all times, the viewer it is a film due to the techniques utilized by Refn that do not replicate reality. Instead, the techniques serve the purpose of shining beautiful neon lights over a cruel and wicked world. Accenting this is the dialogue of the film, which is minimalist at best. Poetic and purposeful, the dialogue flows brilliantly even if there are large gaps between deliveries. There is a certain lyricism to conversations here, such as those between The Driver and Irene. Though he speaks very little, The Driver is incredibly well developed. Do not mistake his silent nature for weakness as he is actually a menacing, smart, and calculated figure. His every move is precise and chosen carefully. The only time where he takes risks is with Irene. A well-written relationship, the chemistry between The Driver and Irene works, even if given very little screentime. In the time they are given - namely when they go to the river - the writing allows the duo to be a great couple. Stylistically, Refn highlights the almost holy nature of this relationship repeatedly throughout the film. Often when they are together, such as at the river and in the elevator, the film spills a light from above on them that gives them an almost golden glow. Mirroring the brightness they bring to each other's lives, which are otherwise shrouded in darkness, these are the brightest shots of the film and this is clearly purposeful.

As The Driver, Ryan Gosling is tremendous. Cool, laid back, and intense, Gosling brings his charms and charisma to the film in a subtle way. Though he is quiet and does not use his mouth, his presence exudes something his words could never capture. As Irene, Carey Mulligan is typically brilliant. Though she is not given much to work with - as this is largely Gosling's show - her brief moments on screen are careful and reserved. She is as withdrawn as The Driver, but equally brings a certain passion and innocence to her scenes. The supporting cast, which includes Bryan Cranston, Oscar Isaac, Albert Brooks, and Ron Perlman, are equally great. As gangsters, Brooks and Perlman are cold, malicious, and brutal. However, they are still written with this odd sort of poetry and romanticism for the bruality they can deliver on those that do them wrong.

As with the rest of his neon trilogy, Nicolas Winding Refn gets great pleasure of watching beautiful people do horrific things. Here, Gosling is a mentally unhinged getaway driver whose looks and charisma juxtapose the violence he commits.… Expand
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7
dev92Aug 25, 2012
A very clever film that is perhaps too 'arty' for me to love. It is paced extremely slowly but is saved by Mulligan and Cranston who are superb. Still I enjoyed myself but I can't imagine me every watching this film again.
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8
imjoedavidsonSep 2, 2016
Ryan Gosling carries this film from start to finish. You can't help but wonder what drives him to what he has become. Gosling's mystery will draw you in to the last second.
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8
bfoore90Nov 24, 2019
Ryan Gosling is super intense in this. The film is incredibly violent when it needs to be but it's also incredibly tightly wound and the second half explodes into an entertainingly well made film.
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10
kozumelJan 31, 2022
My personal favorite of all times. The photography, the acting performance, the music, the plot... it just has everything good. Top #1
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3
CanemMar 3, 2014
Very, very slow paced movie and overall very boring to watch. A few good scenes here and there are not enough to save this movie from being tedious to watch.
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10
MattBrady99Sep 30, 2020
Sometimes there's no need for words to be communicated. Just a feeling. Enchanting and magical, but also super cool.

Out of all of the soundtracks, "He Had a Good Time" is by far my favorite. I wish there was more movies like this, but thenSometimes there's no need for words to be communicated. Just a feeling. Enchanting and magical, but also super cool.

Out of all of the soundtracks, "He Had a Good Time" is by far my favorite.

I wish there was more movies like this, but then again, it won't be special anymore.… Expand
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10
kyle20ellisMar 13, 2022
Yes, very likely. Of a very hit-and-miss year so far, I have seen some gems like Tree of Life, Tinker Tailor Soldier Spy(the first two in a way are not for everybody though), Rio and Source Code. And then I saw Drive, which was simplyYes, very likely. Of a very hit-and-miss year so far, I have seen some gems like Tree of Life, Tinker Tailor Soldier Spy(the first two in a way are not for everybody though), Rio and Source Code. And then I saw Drive, which was simply brilliant.

Like I said with some of my favourites this year, Drive is not a movie for all. It is a slow-paced movie, but I did not find it "boring"(a term I hate with a passion, as it is massively overused and hardly ever elaborated upon). For me, just because it is slow-paced, doesn't necessarily mean it is going to be a bad movie, only when other components don't work does it apply to me, which is not the case with Drive.

Besides, Drive isn't even the only slow-paced movie around, so I don't know why people have to make such a big deal of it. There are many other movies(Godfather, 2001, Tree of Life, Brokeback Mountain) that are and deliberately so. I feel also that Drive is paced deliberately, for atmosphere.

The pauses and the "sparse" dialogue to me were just two of many things that made Drive so great. There is such an atmosphere here, one that is very tense and beautiful at the same time. The pauses actually helped to enhance this.

Refn does a fine job directing. From his previous work, this director showed promise, and here he delivers all the stops and gives his best directorial job so far here.

The story starts off electrifyingly, and then slows down again without ever feeling dull, thanks to the unrelenting violence, that is part of the world that is shown here through the eyes of the title character, and adeptly edited car/chase sequences. The dialogue I also have no problem with, it is memorable without falling into cliché territory. The characters are credible, especially the titular character, whose characterisation is perhaps the most complex of the year.

The cinematography is truly excellent, as is the editing, bringing much to the atmosphere and I'd also go as far to say that Drive could very well be the year's most visually stylish film. The colours and scenery are lush on the eyes too. The score is every bit as electrifying as the start of the movie, and manages to raise my adrenaline.

Acting-wise I couldn't fault Drive either. Carey Mulligan and Christina Hendricks's roles mayn't be as well written as Gosling's or Brooks', but these two actresses-particularly Mulligan- manage to bring some much needed credibility to them, elevating the characters to a higher level, and Ron Perlman, Oscar Isaac, Bryan Cranston and in particular Albert Brooks are terrific. Ryan Gosling is simply mesmerising, in his best performance to date. It is a quiet, yet very charismatic and intensely brooding portrayal, reminiscent of Robert DeNiro in Taxi Driver for characterisation and Alan Ladd in Shane in how the role is conveyed.

Last but not least, the elevator scene. Brutal, yet very powerful and moving, I'd say it is a contender for the best scene of 2011. In conclusion, a brilliant film that for fans of films from the 70s and 80s and were expecting a sort of nostalgic throwback in style will appreciate. 10/10 Bethany Cox… Expand
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4
ComandanteCobraAug 22, 2018
Sadly it's a movie that is a little bit full of himself.
It's deserve to be in the Wikipedia definition of "Slow and Boring" even if you are looking for an alternative intellectual triller. Slow story progression, dated photography, darkSadly it's a movie that is a little bit full of himself.
It's deserve to be in the Wikipedia definition of "Slow and Boring" even if you are looking for an alternative intellectual triller. Slow story progression, dated photography, dark scenes, few and prevedible dialogues....Ryan have a very few lines and almost use just one expression in the whole film.
If you are looking for an alternative triller flick with some crude description of violence try Nightcrawler 2014 .… Expand
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9
hugoferreiraAug 29, 2018
Brilliant, raw and powerful. The only on spot film by Nicolas is a masterpiece. Ryan Gosling deliver us a staggering performance with only a few spoken words, sign that he's good enough actor for some higher flights.
Enjoy it.
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10
MasterRileyJun 29, 2017
Drive is a fantastic film that from the very beginning sets a specific mood and atmosphere, and just carries that through until the very end. It is a very unique movie, as the story is told mostly through imagery with little dialogueDrive is a fantastic film that from the very beginning sets a specific mood and atmosphere, and just carries that through until the very end. It is a very unique movie, as the story is told mostly through imagery with little dialogue throughout. The cinematography, lighting, sound design, and performances however come together perfectly. Every single shot and scene is so riveting that I could not stop watching. It tells a familiar story with such a unique sense of style that you cannot help but appreciate it. Ultimately it holds your attention closely throughout the entire movie, something that most other films have a hard time doing.… Expand
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10
mwil236Oct 2, 2016
If you do not like this film, I completely concur with PollosHermanos: "your favorite movie is most likely Transformers" and you are probably a high school boy more impressed by the manufactured appearance of Megan Fox's breasts than theIf you do not like this film, I completely concur with PollosHermanos: "your favorite movie is most likely Transformers" and you are probably a high school boy more impressed by the manufactured appearance of Megan Fox's breasts than the emergence of a modern masterpiece.

There are no flaws in this film. Certainly there are no obvious flaws.

Casting yet again proves to be the cornerstone of film-making, followed closely by writing and direction. Gosling is exceptionally convincing as a brooding, silent but dangerous main. Mulligan is equally in her element as a sheepish girl-next-door, and Cranston is beginning to prove that he must have been doing something right while he played the Dad on Malcolm in the Middle (because he is now a very versatile and tremendous actor - in case you didn't catch that joke). Toss in Ron Perlman as the character he plays in every movie and you've got it.

Idiots will find this movie boring or "artsy." The use of silence and background music to establish mood is tremendous. Gosling delivers each line, of which there are precious few, with perfect inflection and emotion. All of the characters make excellent use of dialogue and Refn makes tremendous use of screen space and camera angle. The jarring contrast of violent portions really involves the audience in the shock of the moment.… Expand
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2
JP32Mar 25, 2020
[Gosling] fights back against any semblance of human emotion. He’s so hung up on being cool, that he forgets the part about acting like an actual human being. I think if director Nicolas Winding Refn had his way, he would have hired a wax[Gosling] fights back against any semblance of human emotion. He’s so hung up on being cool, that he forgets the part about acting like an actual human being. I think if director Nicolas Winding Refn had his way, he would have hired a wax statue of James Dean instead. That might have been an improvement.… Expand
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8
TheArchetypesSep 9, 2016
Drive is a uniquely crafted art-house "action" film that acts as a perfect opposition to the adrenaline-laden Mission Impossibles,Transformers and many more. It follows a quiet stunt/getaway driver (Ryan Gosling) and his conflict withDrive is a uniquely crafted art-house "action" film that acts as a perfect opposition to the adrenaline-laden Mission Impossibles,Transformers and many more. It follows a quiet stunt/getaway driver (Ryan Gosling) and his conflict with dangerous criminals after trying to assist a friend in a robbery. Nicolas Winding Refn's direction is Hyper-stylized; he evokes thought through nuance and creates tension through silence. The editing is bold and the cast did an excellent job, particularly Gosling and Albert Brooks. Its pace may leave some bored, but it will leave others (like myself) intrigued.… Expand
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10
ElmacroNov 29, 2016
Una de las películas mas reciente del genero de neo noir que me ha atrapado por completa es cierto que la premisa de la historia es bastante simplista pero bastante atrapante. Y como es bien sabido esta pelicula esta acompañada de una granUna de las películas mas reciente del genero de neo noir que me ha atrapado por completa es cierto que la premisa de la historia es bastante simplista pero bastante atrapante. Y como es bien sabido esta pelicula esta acompañada de una gran banda sonora.… Expand
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9
eva3si0nOct 8, 2018
Drive shows one of the best movies in a genre neo noir. And the most important, in the movie is not present anything superb. Here simple story, normal life situation and living characters. Watching the movie the feeling is not created that itDrive shows one of the best movies in a genre neo noir. And the most important, in the movie is not present anything superb. Here simple story, normal life situation and living characters. Watching the movie the feeling is not created that it is the movie - art fiction and affected history. The main thing in Drive is that when viewing the movie there is a feeling that it is the real life written on the camera. And it seems can already seem that the ending can spoil the happy end. On even the end of the movie is made perfectly as would be in life. Rein Gosling perfectly won back the main character, it is even difficult for me to provide someone another on this role.… Expand
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9
KeithDowSep 5, 2017
The prominent status of 'Drive' is now firmly entrenched in popular culture. At some point, like with 'The Big Lebowski,' the film transitioned from cult hit to mainstream phenomenon, solidifying the careers of director Nicolas Winding RefnThe prominent status of 'Drive' is now firmly entrenched in popular culture. At some point, like with 'The Big Lebowski,' the film transitioned from cult hit to mainstream phenomenon, solidifying the careers of director Nicolas Winding Refn and actors Ryan Gosling and Carey Mulligan, as well as launching the now-stratospheric career of Oscar Isaac.

'Drive' is essentially known as a car chase flick, yet there are literally only two car chase scenes throughout the entire course of the movie. This speaks to how memorable those sequences are, in addition to how well the rest of the plot supports the overall narrative. Furthermore, 'Drive' is among the purest examples of a filmmaker utilizing the orange-blue color palette. Oranges and blues are expertly feathered into nearly every scene, creating a sharp, delightful visual contrast.… Expand
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8
sanyamAug 11, 2017
It reminds you of the 80s. Sucks you in from the first scene and them=n never lets go. What makes Drive so catchy is its beautiful cinematography, Gosling's and Mulligans great performance and of course it's brilliant soundtracks. The thingIt reminds you of the 80s. Sucks you in from the first scene and them=n never lets go. What makes Drive so catchy is its beautiful cinematography, Gosling's and Mulligans great performance and of course it's brilliant soundtracks. The thing about Drive is it says too much with minimal dialouge. Definitely worth your time.… Expand
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9
Mitya64May 25, 2018
Отличный фильм. Многие ожидали здесь много экшена, но фильм не об этом.
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10
UnholyGhostJul 22, 2018
An absolute masterpiece of a movie it's simply Ryan goslings best film ...filled with great action great acting and it's definitely a film you would want to see
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9
LukehatJul 4, 2017
It engaged me throughout. One unrealistic handbrake turn and then reversing action scene is about the only negative thing I can say about it..........
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9
BeastJ18Apr 22, 2018
Any young filmmaker should watch this movie closely as a masterclass in cinematography, blocking the scene, editing, colour palette and more. A surprisingly classic film.
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9
Dragonfly44Oct 11, 2018
The coolest movie I’ve seen in quite a while. A relatively slow start, but once it gets going it doesn’t slow down

Rating - 93%
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8
KelvinSelimorSep 30, 2022
Drive. I want to drive you through the night, down the hills. A film that, to some extent, is difficult to name films. This is the picture that you look at, and every time it shows you something very unusual. Ryan Gosling did an excellent jobDrive. I want to drive you through the night, down the hills. A film that, to some extent, is difficult to name films. This is the picture that you look at, and every time it shows you something very unusual. Ryan Gosling did an excellent job with his role and gave the viewer a really memorable Driver. The soundtrack was also chosen perfectly, it may not be memorable at all, but without it there will not be that same atmosphere. For some of the R-rated scenes, the director of those very scenes did an excellent job and made them so memorable that for many, many years you will probably remember them (but not repeat them).… Expand
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9
WireCrowOct 21, 2017
When it came out I watched the trailer and it didn't get me interested in the movie, now after years I decided to give it a try and I'm glad I did. It's a really well made movie, Ryan Golsing's interpretation of the main character isWhen it came out I watched the trailer and it didn't get me interested in the movie, now after years I decided to give it a try and I'm glad I did. It's a really well made movie, Ryan Golsing's interpretation of the main character is marvelous and the interpretations of the rest of the cast aren't far behind. The plot is interesting and gets you hooked up from the beginning to the end of the movie, the scenes of explicit violence seem necessary and not used just for shock value, and also I liked the end since at least for me it was unexpected. I want to highlight the wonderful use of the music in certain scenes, a usage that gave those scenes a magical atmosphere, and also I want to highlight the care they put in the shoots and the coloring of each scene, pure art. I totally recommend watching this movie.… Expand
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10
WalterKovacsDec 26, 2017
One of the best directed films of all time. Amazing performances. Every piece of this film is spot on. A true masterpiece. Makes one of my top ten favorite films.
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9
Jaredc324May 17, 2019
Drive might not be the film you expect, but ends up being the very film you never knew you needed. It's a masterpiece that unfolds before your very eyes, and makes you realize a new form of cinematic possibility and inspiration, and that'sDrive might not be the film you expect, but ends up being the very film you never knew you needed. It's a masterpiece that unfolds before your very eyes, and makes you realize a new form of cinematic possibility and inspiration, and that's vision resonates stronger than the idea of the movie itself. A wondrous and mesmerizing experience and one to take notes from.… Expand
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