Drive
FilmDistrict | Release Date: September 16, 2011
8.2
USER SCORE
Universal acclaim based on 1693 Ratings
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Positive:
1,439
Mixed:
133
Negative:
121
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8
drlowdonJun 9, 2013
Stunt performer and part-time getaway driver a man known only as ‘The Driver’ (Gosling) finds himself falling for his cute next door neighbour Irene. Soon he is forced to protect her by helping her ex-con husband pull off a robbery. Of courseStunt performer and part-time getaway driver a man known only as ‘The Driver’ (Gosling) finds himself falling for his cute next door neighbour Irene. Soon he is forced to protect her by helping her ex-con husband pull off a robbery. Of course things fail to go according to plan and ‘Driver’ finds himself in deep with notorious local gangsters.

From the slick opening scene Drive maintains a well measured narrative pace that only serves to make the movies scenes of action and (graphic) violence all the more powerful. Gosling’s restrained performance alongside ever reliable performers such as Bryan Cranston, Christina Hendricks and Ron Pearlman also further serve to make an effortlessly cool and fantastically watchable film.… Expand
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8
mrxdaveOct 4, 2011
I agree that this movie seems to polarize people. If you don't mind a slower, arty-er movie...with a great 80's feel, and plenty of twists & turns....then you'll love it. If you are expecting tons of action and over-the-top dialogue, then youI agree that this movie seems to polarize people. If you don't mind a slower, arty-er movie...with a great 80's feel, and plenty of twists & turns....then you'll love it. If you are expecting tons of action and over-the-top dialogue, then you are probably going to hate it. I personally loved it. Even so, it's not a "perfect" movie - simply very good.… Expand
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10
RichBlackSep 24, 2011
Irene: What do you do?
The Driver: I drive, for movies.
Irene: Is that dangerous? The Driver: It's only part time. Refn turns his career into a profession, when directing one gut wrenching cinematic experience. Drive is a great way to saveIrene: What do you do?
The Driver: I drive, for movies.
Irene: Is that dangerous?
The Driver: It's only part time. Refn turns his career into a profession, when directing one gut wrenching cinematic experience. Drive is a great way to save 2011's reputation from awful films, filled up with awesome car chases and gory action that will make you jump out of your seat, starting with the very beginning.

A placid looking man works at two things, stunt driving for movies, and escorting robbers in heists. One day his friend Shannon introduces him to Bernie Rose, who wants him for his stock car design. Meanwhile he meets his next-door neighbor Irene, and can't help but fall in love with her. But after helping out Irene and her son, the Driver soon finds out that her husband, Standard, was returning from prison. Soon after arriving, He witnesses Standard being beat up by thugs from his prison, and says that he owes them 10,000 dollars shortly or they'll get to his son and wife. The Driver assuring that he won't let that happen, helps him get that money by doing a heist with him. But then everything goes wrong, leaving it up to the driver to look for the boss of these thugs and make sure Irene and her son are safe.

The score gives the movie a "new age" kind of look to it, but it was so creative, and perfectly matched up with the film, especially "Nightcall" by kavinsky, and "A Real Hero" by College. It also makes me look back at Hobo with a Shotgun, being gory and having that eighties resemblance, even though they're nothing alike. Nicolas Winding Refn is new to me (not seeing his earlier work), but when seeing this, there's no doubt in my mind that this guy can make it to the top.

Ryan Gosling is at his best so far, giving his lead role as the Driver. Albert does an amazing performance also, playing Bernie Rose, and creates the gruesome and grisly turns throughout the movie. All the other actors were also magnificent, such as Ron Perlman (Nino), Carey Mulligan (Irene), Bryan Cranston (Shannon), and Oscar Isaac (Standard). The Part that surprised me the most was probably in his apartment with Blanche, which sets off an amazing and unsettling switch to it. Everything was so mesmerizing that I couldn't even turn away, because every second was worth watching.… Expand
0 of 3 users found this helpful03
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7
Knicksfan7Oct 1, 2011
Ryan gosling is the next superstar actor, hes the young Brad pitt right now, hes got the looks, the muscles, and the acting talent. Hes now proved he can play the comedic role, the action star, and dramatic. Drive was a good film, quiet andRyan gosling is the next superstar actor, hes the young Brad pitt right now, hes got the looks, the muscles, and the acting talent. Hes now proved he can play the comedic role, the action star, and dramatic. Drive was a good film, quiet and silent for about 85% of the duration, but it was good. A bit of a drag at times, a little too quiet but Ryan gosling was superb again. The occasional action was good, pretty bloody at times, and can be a bit disturbing for someone who dislikes bloody scenes or someone with a weak stomach. Overall a good film, decent story, great acting, 7/10… Expand
0 of 3 users found this helpful03
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7
BullNgOct 8, 2011
Only if there was a little more action in this movie, it would've been a really great movie. But the dude, Ryan Gosling deserve an Oscar nomination, at least !
0 of 2 users found this helpful02
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10
Gloomy_nesSep 24, 2011
I cannot believe that some people give this movie a 1 or 0, how mindless and full of **** can you be to NOT understand the art and feelings this movie evokes? How can you even say that you fell asleep during this movie? That just means you'reI cannot believe that some people give this movie a 1 or 0, how mindless and full of **** can you be to NOT understand the art and feelings this movie evokes? How can you even say that you fell asleep during this movie? That just means you're an idiot, Im sorry but some of the same people who find this movie boring are the same who enjoy Transformers so much ad support Hollywood throwing out so many mindless movies for idiots who suck it up.… Expand
0 of 2 users found this helpful02
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9
iamtheoneneoSep 30, 2011
great movie, not for everyone i agree and i think the trailer is perhaps misleading BUT it still doesnt stop this movie being a real work of art and something to feast your eyes over.
Yes its slow, yes its gory when action does happen but thegreat movie, not for everyone i agree and i think the trailer is perhaps misleading BUT it still doesnt stop this movie being a real work of art and something to feast your eyes over.
Yes its slow, yes its gory when action does happen but the plot is interesting, the cast do a great job and the atmosphere is dripping throughout.
reminds me alot of collateral for some reason.....quite michael mann esc i guess! Go see but dont expecting it to plod along at 100mph , more like 10mph.… Expand
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10
musicmann1967Sep 25, 2011
Fantastic film.. Definitely caught me by surprise.. At first Goslings silent persona routine seemed a little bit retarded to me.. (my fault, not his).. Then it all snapped into place for me and it was a slam bang, over the top ride. I loveFantastic film.. Definitely caught me by surprise.. At first Goslings silent persona routine seemed a little bit retarded to me.. (my fault, not his).. Then it all snapped into place for me and it was a slam bang, over the top ride. I love these kind of movies. Very very stylized and left of center.… Expand
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5
BelmsherJan 20, 2012
It's a bit messy and over-produced, with a lot of technically amazing resources wasted on some pseudo-artistry thing... which, on the other hand, works out quite well in some levels.
0 of 1 users found this helpful01
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9
avatar16Oct 10, 2011
Avec toute la pub faite autour, on ne pouvait rater ce Drive, surtout avec cette palme de la mise en scène. Que les choses soient claires : Drive n'est pas un film comme les autres. Certes, le scénario peutAvec toute la pub faite autour, on ne pouvait rater ce Drive, surtout avec cette palme de la mise en scène. Que les choses soient claires : Drive n'est pas un film comme les autres. Certes, le scénario peut s'avérer classique pour certains. Mais le film excelle par ses acteurs (Ryan Gosling, stupéfiant) et surtout par sa mise en scène (la récompense et bien méritée). Le problème vient quand même de la mise en scène : une histoire qui inspire le punch, filmée avec lenteur, ce qui est original et inhabituel. Et c'est là que Drive perdra ou gagnera des fans, malgré/grâce à des scènes puissantes visuellement. Personnellement, j'y adhère. Mais je comprends ceux qui y sont réticents. Mais mon avis reste le même : Drive est un très bon film qui ne laisse en aucun cas différent.… Expand
0 of 3 users found this helpful03
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9
Las7Sep 22, 2011
I thought it was a very good movie, a lot of really fantastic portraits and emotions relayed through great acting and brilliant camera work . It was very disappointing that it wasn't marketing correctly, once again other people within theI thought it was a very good movie, a lot of really fantastic portraits and emotions relayed through great acting and brilliant camera work . It was very disappointing that it wasn't marketing correctly, once again other people within the cinema ruined the experience for me. This is not Transporter so for the love of god don't go to see this movie if you are expecting something similar.

If you feel that sometimes less is more and enjoy movies which focus on developing realistic charters and show realistic relationships between them this is the movie for you. The violence was a footnote for me a plot device in a way, wasn't too bothered by it.

The supporting cast really were fantastic, I believe one of them would be a front runner in this year's Award Season - I'm not sure about Gosling, the "Driver" was in a lot of ways simply a driving force for the fates of these people all stuck in different situations out of which there is no easy getaway. He remained "nameless" through out the film which really accents over the real story I believe the movie told. To all the supporting cast he was a figure of omnipotence, giving what each craved or deserved but his actions brought grave ramifications.

For me at least this movie lived up to the hype but I don't believe it's Gosling's best work - but that's the way the role is scripted. A definite contender for movie of the year… Expand
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9
FIlmsareawesomeSep 27, 2011
Awesome Movie, I just loved the story of the whole film. Thank God they cast Ryan Gosling and Carey Mulligan, they were pretty much fantastic. The Soundtrack was insanely amazing, everything was awesome, i just really liked the film, goodAwesome Movie, I just loved the story of the whole film. Thank God they cast Ryan Gosling and Carey Mulligan, they were pretty much fantastic. The Soundtrack was insanely amazing, everything was awesome, i just really liked the film, good performances, shows the most important things in every scene, the action keeps it entertaining and it makes you wish for more, and Carey Mulligan is so damn adorable. One of the best films of this year.… Expand
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10
nicechiantiOct 7, 2011
A gripping story told with knowing pace and style... This film renewed my cinemagoing energy which had waned over previous months. Outstanding - I loved every minute of it!
0 of 2 users found this helpful02
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2
robbsreviewSep 26, 2011
Terrible acting, gratuitous violence and very few chase scenes. The script must have been put together by a committee and directed by an amateur. This movie didn't deserve a 79 Metacritic score. It deserved 7.9.
0 of 5 users found this helpful05
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1
jc15Feb 6, 2012
The plot never develops. The first 20 mins of the movie ryan says about 10 words. I just can't say I enjoyed this film. It wasn't the worst movie ever, but I will not watch it again. The female lead was quite good though
0 of 1 users found this helpful01
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9
todayorOct 3, 2011
An action movie that manages to be both unique and stylized, callous and gentle. If you want to see something typical, and/or you enjoy the thorough oeuvre of Michael Bay, I suggest you spend your money elsewhere. However, if you enjoy aAn action movie that manages to be both unique and stylized, callous and gentle. If you want to see something typical, and/or you enjoy the thorough oeuvre of Michael Bay, I suggest you spend your money elsewhere. However, if you enjoy a meticulously created film- go right ahead.… Expand
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9
Veritas34May 15, 2012
This movie was great. I love how it was directed and the story that was show was very well written. Gossling played his character top notch. If your are expecting an all out action packed movie this isn't it. This is a story driven movie.This movie was great. I love how it was directed and the story that was show was very well written. Gossling played his character top notch. If your are expecting an all out action packed movie this isn't it. This is a story driven movie. Well worth the watch. This has made it into my top 5 favorite movies.… Expand
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6
ClariseSamuelsFeb 12, 2012
The lure of this film is the magical prowess of a man who can drive a car with such skill that he is a like a Roman charioteer whipping his horses and ferociously advancing into a battle. But instead of horses, Ryan Gosling has horsepower,The lure of this film is the magical prowess of a man who can drive a car with such skill that he is a like a Roman charioteer whipping his horses and ferociously advancing into a battle. But instead of horses, Ryan Gosling has horsepower, and in spite of the brutal cinematic violence, this film has turned Ryan Gosling into a first-class superstar and sex symbol. He plays this character with understated perfection--he is calm, unflappable, and fiercely focused; he is a predator who is ready to swoop down on his enemies, and he never carries a gun. He just drives. But in spite of the fact that he is gainfully employed as both a garage mechanic and a Hollywood stuntman, Gosling's character is inexplicably attracted to the dark underworld of crime, and he has a third job as a getaway driver. The violent crime scenes are almost too hard to watch, and except for the opening scene and one later scene, the police are strangely absent as the driver or the "kid" goes on a killing rampage to protect the woman he has accidentally fallen in love with. He becomes more murderous than the most hardened mobsters, and their underestimation of who he is and what he can do means that they are doomed. But as perfect as Gosling is in this role, the film goes awry with an overload of violence that leads the viewer nowhere. The ending is inconclusive, leaving many loose ends that can never be tied up and failing to deliver a philosophy or a clear finale. Like the kid, this film just wants to drive. Nowhere. But it's great to watch Ryan Gosling in brilliant control of this vehicle.… Expand
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10
nixon31Oct 8, 2011
Its been a long time since I was blown away by a film. This flick has so much more than I expected. I watched it alone and enjoyed every bit of it. The music really makes the movie.
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10
SonyaOct 10, 2011
This review contains spoilers, click expand to view. You don't need to hear grandiloquent dialogues, you don't need to see those tons od special effects, see sex scenes. This movie contains magnitude od emotions, Gosling's unspoken words still occupy your mind. You feel like in a gloomy dream, which not necessarily ends well.. The movie is marvelous. One of the best I've seen lately.… Expand
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10
Bruce9000Nov 5, 2011
Really enjoyed this movie. The opening scene was brilliant and hooked me in straight away. Loved the choice of music thoughtout and the strategic use of silence. Meandered a little bit in the middle, but came home strong. Well acted and theReally enjoyed this movie. The opening scene was brilliant and hooked me in straight away. Loved the choice of music thoughtout and the strategic use of silence. Meandered a little bit in the middle, but came home strong. Well acted and the story was engaging. Really well directed too.… Expand
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8
FilmDilettanteOct 26, 2011
Fast cars, an anti-hero, mobsters, and a love story. Is Drive a date movie? Could be, if you can overlook some brutal violence and a little blood. Otherwise there is enough white knuckle action and romantic yearning to keep you and your dateFast cars, an anti-hero, mobsters, and a love story. Is Drive a date movie? Could be, if you can overlook some brutal violence and a little blood. Otherwise there is enough white knuckle action and romantic yearning to keep you and your date entwined throughout the movie.

Ryan Gosling plays a nameless stunt driver called only "the driver" or "the kid" (referred to hereafter as "Driver") who got his start working for Shannon (Bryan Cranston), a garage owner and supplier of stunt cars to Hollywood studios. Shannon also assists Driver as a capable getaway driver for robberies and heists, but despite this extracurricular income, Shannon and Driver still need funding from mob-connected Bernie Rose (Albert Brooks) to buy a stock car. Based on Driver's superior driving ability, Rose agrees to sponsor the venture despite the skepticism of his business associate Nino (Ron Perlman), a mobster fronted by a pizza parlor. Apart from this, we know little about Driver except that he lives a solitary existence fixing carburetors in his apartment down the hall from Irene (Carey Mulligan). Because Irene's husband is in prison, she is coping on her own with raising a son and keeping food on the table. Driver is happy to come to the rescue of our damsel in distress while keeping a gentlemanly distance, but soon it is clear they are attracted to one another. Just as this relationship begins to gather momentum, Irene learns that her husband (Oscar Isaac) is being released from prison in a week, and then the real trouble begins.

Despite the compelling driving and fight sequences, this is one of Gosling's more understated performances since Lars and the Real Girl. He speaks little, keeping an enigmatic, tight-lipped smile throughout most of the film. He thaws only for Irene and her son, and it is then we see Driver is lonely and wistful for love and domesticity. However, Driver is a man of contradictions, and despite his double life as a criminal, he displays honor as he backs away in the spirit of Lancelot, watching his Guinevere from afar, and coming to the rescue of her ill-fated husband when it appears to be the only path to assure Irene's safety from his prison connections. In the end, however, Driver must make the ultimate sacrifice to save her.

Among these good performances is also an appearance as a heist accomplice by Christina Hendricks of Mad Men, but but even with interesting characters, intriguing plot twists, gripping fight scenes and exciting car chases, Driver occasionally threatens to veer off into the contrived. Director Nicholas Winding Refn manages to get it back on track and keep us in our seats. It also helps to remember this is a screenplay based on a neo-noir work of pulp fiction by James Sallis, and you will forgive all if you watch it in that spirit. For these reasons, I can easily rate Drive an eight.

This review also appeared at www.filmdilettante.com.… Expand
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4
squiggs82Oct 24, 2011
Valhalla Rising again. Nicolas Winding Refn has made a second film using a lack of dialogue. I understand the use to make a film without speaking to the audience, but if you want to make a good film, at least have a great story instead ofValhalla Rising again. Nicolas Winding Refn has made a second film using a lack of dialogue. I understand the use to make a film without speaking to the audience, but if you want to make a good film, at least have a great story instead of trying to make artsy pictures. You need to pull people into a story with more than just the visual medium.… Expand
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9
moviekretikOct 28, 2011
Film Noir meets Hammer Hardened Hero Maker meets Gangster Heavy Metal - as exploit of one of the reviewer in the imdb.com. Believe me when i say this.......it is the coolest damn action flick i've seen in quiet some time. It's not your basicFilm Noir meets Hammer Hardened Hero Maker meets Gangster Heavy Metal - as exploit of one of the reviewer in the imdb.com. Believe me when i say this.......it is the coolest damn action flick i've seen in quiet some time. It's not your basic shoot em' picture. It has this slight 'noire' edge to it that makes it shine much brighter than the rest.

The film is an electric mixture of beautiful, lingering cinematography, a pulsating soundtrack, lean dialogue and short bursts of graphic, bloody violence. It's tense and involving- almost impossible not to get immersed in. Nicolas Winding Refn is a Director to definitely keep a tab on.

Definitely the best of 2011 so far!… Expand
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1
Edda1801Nov 3, 2011
I give it 1 point for the first 5 minutes. The remainder of the movie is a disappointment; it has ridiculously long pauses which become unintentionally funny/stupid and it then follows this up with gruesome fight scenes that are not enjoyableI give it 1 point for the first 5 minutes. The remainder of the movie is a disappointment; it has ridiculously long pauses which become unintentionally funny/stupid and it then follows this up with gruesome fight scenes that are not enjoyable or entertaining. I wouldn't recommend this movie to anyone. AWFUL.… Expand
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4
CrimewaveOct 30, 2011
People are freaking out about this movie like theyâ
0 of 4 users found this helpful04
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9
Qad24Nov 4, 2011
Director should expect many Oscar nominations: Best Cinematography, Best Sound and maybe even Best Picture. Who Knows?Well what can i say? Its one of the best movie I have ever seen so go see it .....
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6
B3ckettNov 8, 2011
It's a fresh look, definately. But that's all 'Drive' is to me. Well... that plus the music.
Gosling's acting isn't that astonishing to me (althrough I like his other performances), the plot is inconsistent and overally I find this movieIt's a fresh look, definately. But that's all 'Drive' is to me. Well... that plus the music.
Gosling's acting isn't that astonishing to me (althrough I like his other performances), the plot is inconsistent and overally I find this movie somewhere in the middle, with a few interesting moments.
I kept on sitting and waiting for the movie to start. And then the credits rolled...

The problem I had with 'Drive', along with many other movies is that the trailer tells the whole story. There's nothing more to unfold than what we can see before sitting in the theatre. And that's just not enough for me.… Expand
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9
RenegadeNormanNov 16, 2011
If you see a trailer for this film and expect it to be another pile of Hollywood action crap, you are already wasting your time. "Drive" is more noir and art house than a Hollywood movie. Ryan Gosling's character isn't a BAMF you wanna' be,If you see a trailer for this film and expect it to be another pile of Hollywood action crap, you are already wasting your time. "Drive" is more noir and art house than a Hollywood movie. Ryan Gosling's character isn't a BAMF you wanna' be, but more of a complex character that is hard to figure out if you ever got to know him in real life. Go see this film if you want something that is both different and intelligent. The highlights include the acting, the synthpop/electro soundtrack, and it's B-movie violence (which isn't for everyone if you don't like graphic violence)… Expand
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10
iAGRNov 16, 2011
Great movie! Especially when I got to see it free - pfft, I would never pay to see a movie unless it's absolutely necessary. Shoutout to Piratebay! As for the movie, it was amazing. The plot, the acting, just everything. What annoyed me wasGreat movie! Especially when I got to see it free - pfft, I would never pay to see a movie unless it's absolutely necessary. Shoutout to Piratebay! As for the movie, it was amazing. The plot, the acting, just everything. What annoyed me was how slowly the movie progressed, it doesn't kick off until half-a-way or so, but still worthy of watching.… Expand
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10
StevenFMar 20, 2013
Drive ditches the dramatic flash and the over the top action for a smooth, small but fine piece of cinema that surprised me after it ended, leaving a smile ear to ear.
Ryan Gosling stars in a very unique lead role, this guy barely says aDrive ditches the dramatic flash and the over the top action for a smooth, small but fine piece of cinema that surprised me after it ended, leaving a smile ear to ear.
Ryan Gosling stars in a very unique lead role, this guy barely says a word the entire film, seriously, like five or six sentences this man speaks, but its his actions which, in this case, speak louder than words.
Gosling plays an unnamed driver, who is a Hollywood stunt driver by day, and a hired getaway driver by night. He leads a very lonesome and care free life, that id until he meets Irene (Carey Mulligan) who lives in the same apartment block as him, he soon takes on a job from Irene's convicted husband, Standard, after a man Standard owes money to threatens Irene and her son.
Bryan Cranston clocks in a small yet very different (from Walter White) role as mechanic Shannon, who the driver works for, he sets the driver up with a job offering his services to Bernie (Albert Brooks) and Nino (Ron Perlman), mob bosses.
Drive will not appeal to everyones style or taste, but it is certainly a different sort of film that is difficult not to appreciate, slow paced, yes, but with good reason, why should it go out and copy all the the action flicks with no brain, this film has plenty of brain and thought-provoking scenarios, the first scene involving a getaway, most films would go with the high speed car chase along the highway, Drive, on the other hand, deals in the low key affair of evading where possible, flicking the lights off and pulling in behind another parked car etc.
The film makes no attempt to bel flashy and go for glitz, and this is truly a welcome change to a familiar concept, Gosling is a cold yet calculating anti-hero, never attempting to break form his routine life, he is simplistic in his delivery but willing to get his hands dirty when the time comes.
There are moments in the film that are just silence, and silence is golden, as these scenes truly outline the capability of of these young stars, Irene never seems to be truly sure of the driver, yet trusts him at every turn, and Shannon sees him as a son, again never really knowing just what he is capable of, it plays with the human insecurity of trusts, and hits it head on with the unnerving stare of the driver.
A grounded yet sophisticated crime film, with all the realism and gritty scenarios of LA, Drive is certainly one of the most underrated films to appear in the last several years, and is a truly powerful story of power and love.… Expand
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9
JollyG87Dec 15, 2011
This movie hit me upside the head on so many different levels. I'm still not sure where to begin. Perhaps I should start talking about the beautiful cinematography, or maybe the shocking bursts of violence that wonderfully compliment theThis movie hit me upside the head on so many different levels. I'm still not sure where to begin. Perhaps I should start talking about the beautiful cinematography, or maybe the shocking bursts of violence that wonderfully compliment the movie's quieter moments. But then what about Gosling's performance, and the way the script paints a blank canvas for him to work his magic? The man has very little dialogue, but with a simple look and nod we know everything we need to about him. Yeah, we'll start there. The movie rests on Gosling. He makes for a compelling "Mad Max" sort of character where he's soft spoken, but piss him off and he's a man capable of extreme violence. Albert Brooks is also terrific against type as a stone cold gangster. But really what made me love this movie was its unique style. I've never seen anything like it. The music was refreshingly unique and the way the movie shifts from a gentle calm to an extreme level of brutality is a work of art and frankly, it's sheer movie making magic. This is a film I will never forget for years to come.… Expand
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8
DiegoSanRoblesDec 16, 2011
This is a lean & mean action thriller, nostalgic for cinemaâ
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5
cinavenomMar 12, 2012
I give this movie some credit for being unique. I applaud the director for trying to do something that hasn't been done, but that is all that this movie has to be praised for. The acting was dull and dry, which is a surprise because GoslingI give this movie some credit for being unique. I applaud the director for trying to do something that hasn't been done, but that is all that this movie has to be praised for. The acting was dull and dry, which is a surprise because Gosling is usually pretty solid. The character development is virtually non existent and on top of that the characters that exist are quite boring. The plot jumps from spot to spot and leaves a lot open. The editing and cinematography was very bland and uninteresting. At times the soundtrack fit and sounded good along side the film but could have most certainly be better. This film is mediocre at best.… Expand
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6
metzlerJan 2, 2012
Not sure who was paying off the critics who said this movie had style. From the purple title fonts to the music, this film was more a ripoff of 80's cheese than something original. The plot was mediocre and stolen from at least a coupleNot sure who was paying off the critics who said this movie had style. From the purple title fonts to the music, this film was more a ripoff of 80's cheese than something original. The plot was mediocre and stolen from at least a couple movies already made with Jason Statham. I can only explain Ron Perlman in Hollywood by the Jewishness of his last name as he seems to make movies into B movies with his very presence. Gossling's character is peculiar enough to make the movie watchable and shares so few words with Mulligan's character that if Drive 2 ever were to get made I'm sure we'd learn that their both aliens that actually communicate with their minds. Brian Cranston from the incredible Breaking Bad series does his part as a likable character, but as with the rest of the characters seems underdeveloped. The action won't make you spill your popcorn. It's an ok movie, but certainly not worthy of the very good reviews it has gotten by critics.… Expand
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7
bcoolFeb 21, 2012
this movie is definitely one of the better films in 2011, but I really think it's overhyped. The violence is good, but the romantic subplot is so unbelievable and annoying. The whole movie is too mannered, too calculated to look cool.
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8
akb_rOct 19, 2012
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6
Creeper5150Feb 3, 2012
This review contains spoilers, click expand to view. I just finished watching this film, about an hour ago. I was excited to view this film for the 1st time, because it was so highly acclaimed by many, many critics. Unfortunately, it didn't lived up to the raves & praises that the critics gave the film. 1st off is Ryan Gosling's character, a very dull, soul less shell of a human being. Who's only real talent in life, is to stunt drive at high velocity. He's a Hollywood movie stunt man by day & a heist wheel man by night. His connection to these world is his "mentor." (played by Breaking Bad's Bryan Cranston) One day Ryan Gosling meets his next door neighbor (played by Carey Mulligan) who he immediately falls in love with. Little did he know, this little lady was married & her husband was gonna arrive home from prison within a week. When the husband arrives, things seem to dull out again & go back to normal. Until one night when Ryan was pulling into his garage, to go home after work. He see's his neighbor's husband on the floor bleeding profoundly from the beating he received, from the two guys walking towards their car. It turns out, his neighbor's hubby owed the mob 20,000 large, they also threatened to kill his wife & kid if he (the husband) didn't rob a pawn shop by Friday. So, because Ryan Gosling was in love with his neighbor, he agreed to help him (the husband) with the heist. The plot is pretty thin, not too mention the film is very, very slow. The action happens quite rapidly, when it happens. That it doesn't compensate at all, for the film's slow pace. Not to mention, the ending was a total let down. I really, really wanted to like this film. Too bad it didn't move me, the way "Kill Bill" did or "Layer Cake" or "The Professional". All I can tell you is that this, could of been so much more.… Expand
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1
MrMerkenFeb 3, 2012
This review contains spoilers, click expand to view. I registered with Metacritic just to review this messy movie. I almost went to see it at the theater, but decided to wait until it came out on Redbox instead to save a few bucks. Now, I want my $1 back! I agree with most of the other negative reviewers. I was relieved to see that some people weren't snowballed by the 'professional' critics reviews. This movie was such a disappointment! Even the opening sequence - which some of the negative reviewers liked - was totally unbelievable. I'm sorry, but I don't care how good of a driver this guy is, he could not elude all of those police cars and helicopters just by pulling over and turning off the car lights! Ryan Gosling is a decent actor, but his 'too cool for the room' personality got old very quick. And the scenes with the little boy - "do you want a toothpick?" - I mean, c'mon!

But the biggest mistake of this movie, for me, anyway, was how the main character suddenly becomes this vile, heartless killing machine. Spoiler alert, but do we really want to care about some guy who continues to bash in a guy's skull by stomping on his head over and over again? And was it just me, or did it seem a bit far-fetched as he walks around the San Fernando Valley wearing a blood-stained jacket and nobody seemed to notice? And it was downright comical when he decided to disguise himself by wearing that movie prop mask, and still wear that goofy jacket, as if it wouldn't be recognized by all the two-bit thugs he had already dealt with. Unbelievably bad stuff. Any talk about this movie missing some Oscar nods are beyond my comprehension.… Expand
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4
Mike5215Feb 16, 2012
This review contains spoilers, click expand to view. A silly story is a silly story no matter how many technical flourishes a director uses to dress it up. Cool premise though... the guy is a gifted driver. Unfortunately we learn this mostly through exposition "You should see this kid drive!" The actual stunt driving is pretty tame, and whenever some really crazy stunt driver type stuff is on the screen, it's superfluous. For example, pulling a 180 to put his car nose to nose with a pursuer (forcing him to then drive backwards) creates no actual advantage. It actually makes his position worse. Granted, after the backwards bit, the bad guys wreck, but not in a way that would have been forseeable...it just works out that way. The plot... bad mob guys want their stolen money back has been done to death and done better. I get what the director was going for, with the slow, deliberate pacing juxtaposed against unexpected gory bursts. The Coen brothers have much more fun with it, and are much better at it.… Expand
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2
SkimanFeb 29, 2012
This movie was not good. There is no dialogue. And for a movie called Drive. I would think there is more driving involved. Worst movie I have seen all year.
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8
SuperMetaBoyMar 10, 2012
A lack of character development and a predictable yet difficult to follow plot spoil an otherwise beautifully shot noir thriller. This isn't your typical action flick - the tempo is slow and, despite the title suggesting otherwise, there areA lack of character development and a predictable yet difficult to follow plot spoil an otherwise beautifully shot noir thriller. This isn't your typical action flick - the tempo is slow and, despite the title suggesting otherwise, there are very few actual car chase scenes - but stick with it and you'll find it difficult not to become enamoured by it.… Expand
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10
jzmeApr 30, 2013
An amazing, beautiful, dreamlike movie. So good that it pinned me down to my seat and got me captivated the whole time. Personally, everything was perfect, from the music tracks, script, story line, acting & ending. It's like a roller coasterAn amazing, beautiful, dreamlike movie. So good that it pinned me down to my seat and got me captivated the whole time. Personally, everything was perfect, from the music tracks, script, story line, acting & ending. It's like a roller coaster ride, you get anxious, scared, shocked, sad, touched and happy all at once. What a journey! Ryan Gosling and the rest of the casts were simply amazing. They were just so real and into characters. I believed everything that's happened. A non cliche, different & outstanding movie. A must watch for all!… Expand
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10
beingryanjudeAug 25, 2014
A unique demonstration of entertainment through art, thrills and a whole lot of killer acting. Drive is an epic emotional tale that manages to take its audience on a ride much more memorable than most. Aside from exemplary direction fromA unique demonstration of entertainment through art, thrills and a whole lot of killer acting. Drive is an epic emotional tale that manages to take its audience on a ride much more memorable than most. Aside from exemplary direction from Nicolas Winding Refn, Ryan Gosling finds himself at his best as well.… Expand
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2
csw12Mar 24, 2012
Drive might seem cool and high tech but strip away all of that and you get the first half of the movie a total bore and the seconf half some of the most brutal images ever put on screen.
0 of 3 users found this helpful03
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10
A_NorthernerMar 27, 2012
I had high hopes for Ryan Gosling's performance on the basis of a possible (yet not forthcoming) Oscar nod and it did not disappoint. The powerfully understated performance as the loner who finds happiness with the family next door isI had high hopes for Ryan Gosling's performance on the basis of a possible (yet not forthcoming) Oscar nod and it did not disappoint. The powerfully understated performance as the loner who finds happiness with the family next door is fantastically delivered. A man who seems to consider the necessity of each and every word he speaks, the scenes where Gosling and Carey Mulligans relationship develops through the briefest of exchanges and longest of stares are particularly mesmerising with director Nicholas Refn stretching the scenes of the silence to the absolute limit before with the viewer feeling awkward. Refn manages illustrate the intimacy between the characters without the need for a lazy gratuitous sex scene, a scene which would have been considered mandatory in other films.
The driver (Gosling) begins to come out of his shell as the film progresses and initially hints at his violent capabilities when provoked by a former criminal associate with a loud mouth. This character becomes more prevalent as he strives to protect Irene from danger brought on through his own actions of goodwill.

The film is stylish and has a retro feel to it, assisted with the excellent of soundtrack of synth-heavy electro-pop. Yes, the actual car action pieces are few and far between, but in the end the driving only serves as the backdrop to the central story of the film. The film is builds up suspense in places, and maintains this through the finals scenes to the ending. Excellent.… Expand
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10
DezuuuJul 31, 2013
Incredibly stylish, brilliant acting and a strong plot. Unique, yet recognizable. It has some very memorable scenes and a great soundtrack, and is truly the best film of 2011.
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4
robearApr 7, 2012
Disappointing and overated movie not for adults.The main character is portrayed as a hero yet he is a criminal with little to say and showing no emotion. Not a good role model for those who may enjoy the driving scenes.
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9
AutiTakahashiApr 23, 2013
One scene that defines the stylish and disciplined vigor of "Drive" transpires inside a slim, narrow elevator. Our heroes enter the elevator; the doors slam shut. By the time they open again, we have been taken through a hint of suspense, aOne scene that defines the stylish and disciplined vigor of "Drive" transpires inside a slim, narrow elevator. Our heroes enter the elevator; the doors slam shut. By the time they open again, we have been taken through a hint of suspense, a moment of intimacy, and finally, a burst of ultra-violence. That the movie was able to depict and contain three different moods in a limited space and time astounds me. This is the rare kind of movie that fully values its existence, using every second of its running time for its benefit.

"Drive" stars Ryan Gosling, the Oscar-nominated actor who was given more international appreciation in his previous work as Jacob Palmer in "Crazy, Stupid, Love". Here, a name eludes him as promotions only refer to his character as "Driver". The inquisitive effect of a screen name like Driver reminds us of Edward Norton's character in Fight Club, who was only identified in the credits as "Narrator". Both evoke the same aura of ambiguity, although the Gosling character is more subtle and composed.

Driver's professional and personal life is centered around cars. He occupies the role of a stunt driver for the movies. He also works as a mechanic, fixing cars when he's not flipping them on set. Beyond that, he also participates in robberies by agreeing to be the getaway driver. Driving seems to keep Driver occupied. He hardly ever speaks. Ask him a question, and his words halt after the answer is given. There are not more than two instances in the entire film where he speaks three sentences in a row. His quiet nature strays away from conventional personalities and takes us to a person so perplexing, even his fellow characters join the audience in trying to understand him.

Read more here: http://localmoviereview.com/drive-movie-review/… Expand
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9
moviebuff_420May 12, 2012
Stylish,Violent,Fast Paced and Entertaining.With a great cast and Stunning performance by Ryan Gosling this movie lives up to expectations. A classic crime Thriller movie reminding of old hero type characters and villain. Carey Mulligan is soStylish,Violent,Fast Paced and Entertaining.With a great cast and Stunning performance by Ryan Gosling this movie lives up to expectations. A classic crime Thriller movie reminding of old hero type characters and villain. Carey Mulligan is so charming,Bryan Cranston is great ,Ron Perlman is good as always but the best in Supporting role is Albert Brooks with his heart wrenching performance. one of the best action movie of 2011.… Expand
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10
EmptyFilmStockMay 25, 2012
So, letâ
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10
iKevinJun 2, 2012
Driving, a cult film and majestic, so I can categorize this piece of art is perfect, action, mystery, music, everything ... Nicolas, you've got a very good movie, never forget this, and everything is very, very exciting!
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9
5hassayJul 9, 2012
(I've rated this on more of a personal level, and this review is written as such.) An emotional, quiet but surprising movie. A slow movie for a large part, but instead of being a downside, it is rather integral to the overall experience.(I've rated this on more of a personal level, and this review is written as such.) An emotional, quiet but surprising movie. A slow movie for a large part, but instead of being a downside, it is rather integral to the overall experience. Acting was convincing. The soundtrack was beautiful and emotionally moving. The viewer is left emotionally touched after watching. The overall story is fairly entertaining, but isn't too special, but the movie really shows itself on an "emotional" level. Again, the soundtrack plays a large part. Lastly, the viewer likely will either like it or dislike it.… Expand
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10
axelkochDec 29, 2012
A perfect motion picture. It's not about a serial killer, it's about a mysterious man who gets involved into a crime that makes him to a (very brutal) serial killer. This guy seems abstracted, somewhat even retarded, but Ryan Gosling playsA perfect motion picture. It's not about a serial killer, it's about a mysterious man who gets involved into a crime that makes him to a (very brutal) serial killer. This guy seems abstracted, somewhat even retarded, but Ryan Gosling plays him condignly human. These moments when he stares into blankness are stunning, just because of the beautiful cinematography and the awesome soundtrack (this is one of the best movie scores of all time, for what it's worth). Drive captivates you ab initio and doesn't even stop after the movie is finished. It makes you think about beguilement and the craziness of people and that gets exhibited radically explicit. But on the other hand the movie isn't specialized on character sketches or telling long rigmaroles, it only shows you what is absolutely necessary. Oscar nominations for cinematography, production design, score, original song and maybe also editing would have been just. And not to forget the acting, which is also great and absolutely fits the film. I personally love Drive and I can't find anything that disappoints me with this movie.… Expand
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6
travispipesAug 13, 2012
The actors are good, the soundtrack is better, and the cinematography is masterful. The movie sets its self up very nicely but slowly becomes a dull thriller. The gore is so over the top, distracting, and unnecessary. The solemnity of theThe actors are good, the soundtrack is better, and the cinematography is masterful. The movie sets its self up very nicely but slowly becomes a dull thriller. The gore is so over the top, distracting, and unnecessary. The solemnity of the performances vanish every time Refn extends a scene into jarringly violent territory. Ryan Gosling is great and I really want to see more work from Refn for the most part but for right now I'm very disappointed in this movie. Violence has never affected my enjoyment for a movie as much as it did in Drive.… Expand
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10
OneSamTwoCupsApr 25, 2013
Commonly mistaken as a testosterone-driven film by the trailer, Drive is a beautifully crafted art house film that creates a genre of it's own. Although it takes place in modern day, Drive gives off a very strong 80s vibe. The soundtrack, theCommonly mistaken as a testosterone-driven film by the trailer, Drive is a beautifully crafted art house film that creates a genre of it's own. Although it takes place in modern day, Drive gives off a very strong 80s vibe. The soundtrack, the cinematography, and Ryan Gosling make this one of the best movies to ever come out in the last ten years. Drive is definitely a movie most art and film students will be studying in the near future. Be careful though, if you expect a Transporter style movie, you will come up short.… Expand
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10
Jailhouse_McGeeJan 30, 2013
"Drive" is style over substance, but it's great style! The plot is not to complex, but the cinematography, camera, score, atmosphere, pacing and actors are absolutely fantastic. Every scene is so intense, you practically feel the movie."Drive" is style over substance, but it's great style! The plot is not to complex, but the cinematography, camera, score, atmosphere, pacing and actors are absolutely fantastic. Every scene is so intense, you practically feel the movie. "Drive" is perfectly edited and paced, building up tension out of thin air. If it escalates, it really escalates, and makes you jump out of your seat. A stylish, dense, violent crime drama you just have to see. The second the credits rolled, I wanted to watch it again.… Expand
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6
Jack97Jan 1, 2014
It's not the action film the trailer promised but that's not really bad as Drive has smoothly timed violence, great performances and an amazing soundtrack. People might be put off by the pacing though.
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9
JamesCannonFeb 3, 2015
One of the best movies of the decade so far. Rehn director of the pusher trilogy, takes his grittiness and combines it with techno pop flare to create this bloody neon dream scape. Take its cue from another great movie about a man on theOne of the best movies of the decade so far. Rehn director of the pusher trilogy, takes his grittiness and combines it with techno pop flare to create this bloody neon dream scape. Take its cue from another great movie about a man on the edge of the law, Thief, this movie says so much with out saying much. From the perfect beginning sequence to the movie to the great Albert Brooks as the villain, this movie has so many great ideas its amazing. While I will admit it isnt perfect. Im still not a huge Gosling fan and Perlmen's character never really gels right, but this movie is a beast. 9 out of 10… Expand
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10
QwertyPJMJan 5, 2015
Effortlessly cool with some of the best directing in the last 10 years, Drive is a film to go back to again and again. Similar to the also excellent 'Nightcrawler', in this film LA is normal during the day, yet seedy and dirty at night.Effortlessly cool with some of the best directing in the last 10 years, Drive is a film to go back to again and again. Similar to the also excellent 'Nightcrawler', in this film LA is normal during the day, yet seedy and dirty at night. Potentially the most stylised film I've watched, Drive drags you through a story of betrayal, greed and love that grabs attention throughout. The tension throughout is palpable and is constantly rising, with a main character in 'The Driver' is who expertly portrayed by Ryan Gosling in his best ever role. A true delight.… Expand
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8
Compi24Nov 28, 2012
"Drive" proves to be a brutal drama, featuring a great performance from Ryan Gosling and carrying a uniquely slick and quiet, yet fierce atmosphere.
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7
Nesbitt10Jan 2, 2013
"Drive" seamlessly shifts from first into fourth gear, just a bit slow out of the gate, and never quite kicks into fifth. "Drive" is the story of a Hollywood stunt driver (Ryan Gosling) by day, who offers his specialized abilities as a"Drive" seamlessly shifts from first into fourth gear, just a bit slow out of the gate, and never quite kicks into fifth. "Drive" is the story of a Hollywood stunt driver (Ryan Gosling) by day, who offers his specialized abilities as a getaway driver-for-hire in the criminal underworld by night. He finds himself a target after agreeing to aid the husband of his beautiful neighbor, Irene (Carey Mulligan). When the job falls apart, the only way he can keep Irene and her son alive is to do what he does best-Drive.
"Drive" is a fine action/thriller film that is light on the storyline and dialog (which isn't necessarily a bad thing), and heavy on highly-stylized action scenes with intense moments of violence. Ryan Gosling is fantastic as usual, but I cannot get past Albert Brooks part as a complete miscast. Perhaps expectations were too high going into the viewing, because outside of Ryan's performance, I just don't think there is anything really special here.… Expand
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9
worleyjamersDec 6, 2012
Stylish and unique! One of the absolute best films of 2011. Robbed in virtually every category at the Oscars last year. A cult film that's sure to be a modern classic in time.
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9
WiesyJan 18, 2013
This movie is one of the best movies of 2011 i've ever seen. There is a good story and very good cast.
I give drive a nine because I found the beginning very slowly, But it is a nice movie :-)
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10
CmeNOWsoFLYiiDec 15, 2012
No complications, simple & been done plenty of times. The basic plot is the same as loads of films yet this stands head over heals better than them all. It's beautiful yet violent, Gsling in magnificent & has proved himself to be one ofNo complications, simple & been done plenty of times. The basic plot is the same as loads of films yet this stands head over heals better than them all. It's beautiful yet violent, Gsling in magnificent & has proved himself to be one of Hollywoods best & brightest & could eventually be in the same league as De Niro & co. this film is a classic & one of my all time favourites.… Expand
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9
b-radDec 20, 2012
Drive pulls off a successful blend of intense violence and an artistic style of filmmaking. Not your average action flick.
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9
llapollollDec 17, 2012
Conciseness is often a form of skill, and "Drive" is the epitome of that. Take a movie like the Godfather, cut it in half, make it more coherent and artistic and this is what you get. "Drive" is the greatest crime movie ever made, it hangs onConciseness is often a form of skill, and "Drive" is the epitome of that. Take a movie like the Godfather, cut it in half, make it more coherent and artistic and this is what you get. "Drive" is the greatest crime movie ever made, it hangs on the edge of presenting a story so black and white, yet contains elements conveying the complexity of the characters. Too much use of dialogue makes a film seem scripted, and an obviously structured piece of media, "Drive" removes those cliches, and in offering much less, gives so much more. The lack of speaking allows you to fill in the pieces using common sense as the characters are so empathetic and so human. The casting itself mirrors that of the dialogue, no A-list celebrities are used, but we see familiar talented faces; this gives us the same sense of distancing that the dialogue gave us, but just enough there's a previous connection built to help us relate. One could go on and on about the soundtrack as well, the best I've heard in almost any movie. While almost being an action movie, "Drive" busts out stunts and intense action scenes to change the pace, however it's not blatant mainstream action at all, violence is far and few between, but so hard hitting it makes your stomach queasy, reminding you of the brutality people can live in real life. The simplicity of the movie is its strongest quality; and it doesn't need to be marked as "artsy" or "European", "Drive" is a breath of fresh air being a like a basic painting that allows your imagination to interpret it your own way like true art does.… Expand
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9
TuozeApr 3, 2013
One of the best movies I have watched. It offers everything from romance to car chases and brutal violence. I mean how much can you ask from motion picture? I have watched this two times now.
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8
sanyrubJan 18, 2013
Do you know that feeling when you barely know anything about the film you are going to watch because nobody has told you anything and because from the trailer you don´t know what to expect, if greatness or mediocrity... and then theDo you know that feeling when you barely know anything about the film you are going to watch because nobody has told you anything and because from the trailer you don´t know what to expect, if greatness or mediocrity... and then the result is an excellent film? Do you know that feeling? This is what happens with Drive. From the first minute I knew I was going to like it. With just the first 10 minutes (some car scenes and the credits) I was in. I loved it. Perfect pace. Great performances. Funny how these films with quiet characters say more than many other films with lots of dialogue. Ryan Gosling is perfect in the film. I give it a 8/10… Expand
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10
nowayout233Jan 22, 2013
ryan´s performance is the best. In my opinion this is the best thriller drama of 2011. the movie is slow but it's exciting and tense and the chemistry between Carey and Ryan is the best
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10
CtheTavApr 8, 2013
This film oozes 80's from the very beginning with great music and titles setting the tone of the film and telling you this is gonna be a great looking film. The direction is amazing in every way the romance seems genuine, there is clearThis film oozes 80's from the very beginning with great music and titles setting the tone of the film and telling you this is gonna be a great looking film. The direction is amazing in every way the romance seems genuine, there is clear tension on screen when the plot calls for it. The driving scenes wouldn't look out of place in a hollywood blockbuster and the physical scenes are brutally graphic with fantastic use of slow motion in each used to great effect. I felt the direction and the driver character are intertwined; very reserved for the most part then losing control for brief periods of time. The entire film is just great not needing to have constant exposition or explanation and simply having characters share a look instead. The story is devilishly simple yet so enthralling whilst not necessarily having to speed the plot along to the resolution too fast.
Rating 10 out of 10
It is in this films nature to be fantastic… Expand
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10
crookomasterApr 9, 2013
'Drive' puts aside fairy-tale plots, and excessive CGI and in-turn replaces them with 'real' characters, and a real-life, believable story; and still succeeds. Accompanied by an incredible soundtrack, 'Drive' is a movie as close to perfect,'Drive' puts aside fairy-tale plots, and excessive CGI and in-turn replaces them with 'real' characters, and a real-life, believable story; and still succeeds. Accompanied by an incredible soundtrack, 'Drive' is a movie as close to perfect, that you are ever likely to see.… Expand
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9
MadIvanoApr 25, 2013
One of the stylistically greatest films of all time. The cinematography, colors, theme and music fit together to create a picture that could be easilly summed up in one word: Mirage. With the style being the movies biggest asset and the manyOne of the stylistically greatest films of all time. The cinematography, colors, theme and music fit together to create a picture that could be easilly summed up in one word: Mirage. With the style being the movies biggest asset and the many memorable scenes the biggest flaw are the characters. None of them are given much focus exscept for Ryan Goslings character. We are supposed to interpret them ourselves but it feels like they simply fall short and could have been given more screen time. Also worth mentioning is the Tarantino-esque violence, it's simply awesome to watch.… Expand
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10
MrThehammer171May 7, 2015
everything about this movie is fantastic the acting, the story, the way its played out, the score, everything about this movie is just perfect they couldn't have done it any better I cant wait to see christphers next work
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8
UtopianStuffMay 28, 2013
Drive is an extremely artsy semi noir movie that entertains to no end. I loved the move, its plot was amazing and its actors were flawless. The only thing I can take away from this movie is its ultra violence which at points seemsDrive is an extremely artsy semi noir movie that entertains to no end. I loved the move, its plot was amazing and its actors were flawless. The only thing I can take away from this movie is its ultra violence which at points seems unessassary. But all in all, the movie is exciting as hell and a truly amazing thrill ride. If you don't like violent movies however, you may want to pass on this one. I loved it!… Expand
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10
Take-it-from-meMay 28, 2013
I have noticed (and take it from me, I have been listening) that the people who dislike this film prefer movies such as 'the fast and furious' or even the usual stallone or van damn movie. They deem those movies to be true action flicks. II have noticed (and take it from me, I have been listening) that the people who dislike this film prefer movies such as 'the fast and furious' or even the usual stallone or van damn movie. They deem those movies to be true action flicks. I disagree. This film is paced to leave each hit painful and the soundtrack keeps the watcher engulfed in the world of the driver. A great film, I have seen it enough times to be sure it deserves a ten.… Expand
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10
ORCSandDRAGONSJul 10, 2013
This film is a classic for me already. Gosling is superb here and he doesn't even speak that much throughout the whole movie. He makes an impact with emotion not words. The opening scene has to be one of the best I've seen in a movie in aThis film is a classic for me already. Gosling is superb here and he doesn't even speak that much throughout the whole movie. He makes an impact with emotion not words. The opening scene has to be one of the best I've seen in a movie in a LONG time. The soundtrack is also great. Overall this movie has something magical about it and that kind of magic is missing from most films today.… Expand
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9
flavJul 13, 2013
The movie is silent however shows intense scenes throughout it without many words. Ryan Gosling, Bryan Cranston, and the grandpa from weeds is in it, i forgot his name lol Great Movie!
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9
askewglassesAug 28, 2013
This review contains spoilers, click expand to view. I first heard about this movie at the beginning of 2012 and have wanted to see it ever since. And after seeing it, my expectations were fulfilled entirely. The romance between the driver and his neighbour is rather touching, and it really made wish for a happy ending. The driving scenes are just as good as they get, high speeds, crashes, it's got everything. But what I didn't quite expect was how this movie could go from touching to disturbing in an instant. But that just makes it that much more of an interesting film. The music was also very good and made it feel as it was almost an 80s action or crime movie. A touching, gory, action-packed movie that I believes deserves more credit than its earned.… Expand
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10
lazatoyMay 7, 2016
Drive is one of the most interesting films I've ever seen.
It could be an action film, since it has the premise, but, instead, the director and writer do the right things to avoid that outcome, crafting one deep, and sometimes brutalDrive is one of the most interesting films I've ever seen.
It could be an action film, since it has the premise, but, instead, the director and writer do the right things to avoid that outcome, crafting one deep, and sometimes brutal experience throughout.

I think about the best part of this movie is that it's devoid of any filler, because everything has a meaning, and can be interpreted in many different ways. I also don't think it hurts to mention the cinematography here is excellent, the acting is perfect (esp. from Gosling), and the writing that this film relies on is brilliantly written.

Is it for everyone? No, but I can still see a lot of people having a somewhat enjoyable time. If you're an action buff, you will need to set your expectations right, because this movie is mostly devoid of any action!
Also, if you're one of the people that say this movie isn't very "good" because there was no action, please, please, re-watch it.… Expand
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8
epiclucaAug 21, 2014
Whilst this movie is gripping from start to finish, the almost unbearable silence of Ryan Gosling's character does bring the movie down. He's mysterious, he gets the job done and speaks no word of it, but sometimes movies need dialogue. WithWhilst this movie is gripping from start to finish, the almost unbearable silence of Ryan Gosling's character does bring the movie down. He's mysterious, he gets the job done and speaks no word of it, but sometimes movies need dialogue. With boring character names such as "Standard" and "Irene" and a straightforward plot, there isn't much for them to talk about. However with a fantastic soundtrack and tantalizingly gory fight scenes, the movie is enjoyable to watch.… Expand
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9
johnnymnecNov 30, 2014
This movie was among the best I have ever seen. Not because it develops a carefully crafted story around a man with no name, have some good action scenes here and there or the acting is great. It has all this but most importantly, theThis movie was among the best I have ever seen. Not because it develops a carefully crafted story around a man with no name, have some good action scenes here and there or the acting is great. It has all this but most importantly, the atmosphere is fantastic. The representation of darker Los Angeles, great soundtrack in the background combined with glaring visuals makes it an instant classic.… Expand
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10
fiora95Jan 10, 2014
"You have five minutes. " Gosling is simply the best nowadays, in cinema. This movie is good made. The story is witty and brilliant one. Very very nice film. Everybody has to watch it. Everybody has to wath Drive!!
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9
googolendtimesMay 2, 2014
"Drive", from Danish director Nicolas Winding Refn, feels like a love letter to film noir and crime thrillers of years past. It is an unabashedly entertaining thrill ride, free of pretensions. Refn displays an astonishing talent behind the"Drive", from Danish director Nicolas Winding Refn, feels like a love letter to film noir and crime thrillers of years past. It is an unabashedly entertaining thrill ride, free of pretensions. Refn displays an astonishing talent behind the camera. The way in which he executes violence is brilliant; the film features more than its fair share of noirish gore, both audaciously stylized and subdued. There is enough substance to match the style. Ryan Gosling, Carey Mulligan and Albert Brooks give high grade performances; Gosling proffers his character with a uniquely laconic charisma, Mulligan is softly poignant and Brooks is a chilling evocation of ruthless cunning and dastardly cowardice as the antagonist. Its storyline accomplishes being sleek and aloof, yet also quite involving; this is largely, in my opinion, down to the nostalgic feeling with which Refn instills proceedings, lending the film an eerily tender heart amid its thrills and gore. I loved "Drive". I'd definitely recommend it.… Expand
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7
JorjiCostavaApr 20, 2014
A decent, ultraviolent film. The plot was a bit confusing, but Gosling's acting is excellent and the fim features great car chases and heartfelt moments. Still a bit boring though.
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8
heeldavidNov 22, 2014
Forget about Mr. Sexiest Man Alive, forget about the good looking boy from The Notebook. This Is Ryan Gosling at his best, his performance in Drive is intelligent and very underappreciated. They casted this film very well for the supportingForget about Mr. Sexiest Man Alive, forget about the good looking boy from The Notebook. This Is Ryan Gosling at his best, his performance in Drive is intelligent and very underappreciated. They casted this film very well for the supporting roles, Nicholas Winding Refn is one of Europe's most underrated filmmakers. Some people complain about the violence but I think that it made the film look more realistic… Expand
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9
TheBinarySurferMar 9, 2014
Watched this for the first time recently. An absolute masterpiece, music, setting, story, script, dialogue (wonderfully and deliberately understated) and the 'action' scenes have a very Michael Mann (Collateral-Heat).

Don't get me wrong:Watched this for the first time recently. An absolute masterpiece, music, setting, story, script, dialogue (wonderfully and deliberately understated) and the 'action' scenes have a very Michael Mann (Collateral-Heat).

Don't get me wrong: this film bears little resemblance to either movie except for it's approach to dialogue. For example the chase scene at the start features a whole 3 lines of dialogue, but the suspense is incredible. This movie really understands that to build tension you don't need the world at stake or ever-bigger explosions: it's all about perspective, pauses and consequences.

Also the film is filled with symbolism and metaphor that is mostly quite subtle and cues you in as to the character's emotional state: for example the Scorpion on the back of his 'working' jacket ties into the old parable about that creature and the Frog. There's also this wonderful moment in the elevator just prior to a brutal, violent murder where you can just see the character start to come apart visibly. The violence is brutal, almost B-movie (ish) but all again for a purpose there are no 'gratuitous' violent scenes: all serve a purpose.

Gosling is perfectly cast in this, and the art / style direction is meticulous and poignant at every turn: nothing, NOTHING is done accidentally in this movie or 'just because'. I found myself re-watching 2 more times after the first, seeing it with new eyes and picking up on all the little bits. All the critic awards and accolades it won it deserves and more. I for one will be closely watching the future projects of all involved.

Almost forgot: the soundtrack is incredible. Some will rail against the 80's feeling it has to it, but again it's both perfectly fitting to what happens on-screen and furthermore all the song lyrics tie into the characters. The writing of the 'bad guys' was great also: little is done 'just because', they feel like people with their own problems and issues, and don't simply go after the Driver because 'they're evil' or any such nonsense that we've come to expect from cinema.

My ONLY criticism is this: the chase scenes are fantastic, but they are just too short / not enough of them. I'm not expecting them to turn it into a massive long scene, and I wouldn't want them to compromise quality for quantity, but a few more seconds apiece would be great.… Expand
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10
Meth-dudeJan 31, 2015
Probably one of the best movie I have ever seen.Ryan Gosling is a great actor and he proves it in this movie.There is not a lot of action and this is not one of the best story for a movie but it was really good.
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9
ManToastMay 22, 2014
To me Drive is the sort of unique movie I prefer, but I realise that not everyone is of the same opinion, as many who saw this film in cinemas were expecting more intense action.

Prior to its release the film was said to be the idealTo me Drive is the sort of unique movie I prefer, but I realise that not everyone is of the same opinion, as many who saw this film in cinemas were expecting more intense action.

Prior to its release the film was said to be the ideal combination of art house and action but audiences were torn, either hating its lack of thrills or loving its iconic simplicity. I personally think the ‘80s retro tone caters perfectly to the iconic style the director was clearly going for, but that doesn’t change the fact that this film was mistakenly advertised as a blood-pumping thriller. There are only two car chases and a handful of deaths which is surprisingly low for a supposed thriller lasting an hour and a half. In reality its slow pacing, artistic camera visuals and iconic aesthetic make it an artsy neo-noir throwback.

This is all the more enhanced by its ideally suited features and symbolic nature. The soundtrack for instance is almost completely ethereal Electro, feeding that ‘80s retro theme throughout and showing that paced visuals combined with correctly selected music can work equally as well as lengthy dialogue, adapting the film’s tone to the state of the characters onscreen as a means of unconventional storytelling.

Despite the lack of dialogue however, the characters and the relations between are interesting and not without proper progression. Gosling’s character as a simple but violently deadly driver was strangely appealing but unnerving as the movie goes on. I thought the most refreshing relationship in the film was the relationship between Gosling’s character and the love interest’s son. Even with the Driver’s apparent lack of depth as a person, he is shown to greatly care about his neighbour and her son and willing to risk his life for them. Whilst caring for the love interest is nothing particularly unique, the fact that this film focuses a little more on the protagonist caring for a boy is surprising at the least, especially considering the movie’s neo-noir aim. It gives me the impression that the director really wanted to make a film as iconic and gritty as it is uniquely soothing.

The fact that this film was not the extreme action-packed thrill ride it was advertised to be was annoying for many at release but perfectly fine by me, as what we got instead was a visually appealing tale of vengeance and grit, tailored for fans of the neo-noir genre.… Expand
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8
MarickJun 21, 2015
It is a very classic film for those years. Frames are beautiful and the story ok .
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7
borderlinefilmsFeb 5, 2015
This review contains spoilers, click expand to view. Can't Make a Brain Omelete

Cheap-night Tuesday and the theatre is mostly empty. This won't have the legs to run two weeks. People walk out. Some can't wait to leave. This ain't no disco. This ain't no date movie. The worst piece of garbage I ever saw, someone mutters. Cold, brutal violence madly erupts from a sluggish plot. This ain't no party. This ain't no Notebook. Not a lot of so-called entertaining violence here. You can't cheer on the brutality. It's not fun. It's ugly and disgusting and still unreal. This ain't no fooling around. And when the driver, Goseling, an anti-social psychotic, maniacally stomps on the hit-man in the elevator to the song "Skull Crushing", then we see, as does his turned-on/horrified woman friend, just how compulsive, abject and contagious the violence is. This is a revenge movie without the romantic heroics. This is an insult to mindless escapism and to intelligence alike. And, although it delivers some interesting imagery and exceptional acting, it is ultimately a swollen-headed exercise in futility. Disingenuous and undignified. It could have been fa-fa-far better.… Expand
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9
DenisManuSep 6, 2014
Drive is marvelous!A truly misunderstood and meticulously crafted film full of incredibly lovable moments.With a beautiful soundtrack that captures the powerful emotions and the fantastic screenplay,this movie is nothing more than a masterpiece.
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5
cyberdamnJun 6, 2019
This review contains spoilers, click expand to view. Should be named "Fighting Beta: a cuckold story". The first third(?) of this movie is good so far but the rest of it (except the moment Driver leaves in the very end) destroys the impression… Expand
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8
heathermJan 27, 2015
This was a really interesting movie that covered a lot of territory genre-wise. It felt like it was part-romance, part-chase movie, part mob-movie, and the last part was an intense revenge plot. We ended in a very different place than whatThis was a really interesting movie that covered a lot of territory genre-wise. It felt like it was part-romance, part-chase movie, part mob-movie, and the last part was an intense revenge plot. We ended in a very different place than what I was expecting, which was satisfying. The use of silence was amazing, as neither Ryan Gosling nor Carey Mulligan were talkative characters, but they still managed to communicate so much during their scenes together.… Expand
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7
CameraBounceGodFeb 22, 2015
This review contains spoilers, click expand to view. Fresh in my mind....I like how it almost seemed like the robber running out with the money would have to climb that fence....not sure why....Nice how the beginning chase isn't long and he walk right past them casually.....once again great song to end on and pretty cool overall feel to it....sorry that's all i h ave to say for now...- JRA… Expand
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8
VinceRocks123Apr 17, 2015
A raw performance by Ryan Gosling that will strip you away from his other heartthrob personality, Drive is a graphic tale of crime and redemption and responsibility of those around you with a stylish atmosphere that almost matches that ofA raw performance by Ryan Gosling that will strip you away from his other heartthrob personality, Drive is a graphic tale of crime and redemption and responsibility of those around you with a stylish atmosphere that almost matches that of Ridley Scott's Blade Runner but not that close.

Nicholas Winding Refn does a great job mushing his previous directing talent as shown in Bronson and makes a much stylish LA neo-noir drama of the modern age with lots of stellar driving and action sequences as well as a dark comeback performance by Albert Brooks… Expand
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10
EdwardGregoryApr 19, 2015
This review contains spoilers, click expand to view. As the camera scuds between twinkling skyscrapers in downtown LA, credits of the hottest pink light up a widescreen sky of the blackest velvet and a Euro-electro score pulses, pulses, pulses.

This, immediately, is the world of ’80s Michael Mann movies, of A-game Walter Hill pictures, of William Friedkin’s style-drenched neo-noir To Live And Die In LA.

Post-credits, Drive hits the ground cruising as Ryan Gosling’s wheelman glides through an asphalt jungle in a classic Motor City machine, toothpick jutting from clenched teeth.

On the radio, a basketball game blips and burbles – a seemingly incidental detail that will prove key to the action. Driver (for that is the only name he’s given) works the gear shaft and feeds the wheel; his knuckles flex, his leather gloves creak.

Composed and confident, laconic and iconic, he’s about to prove he’s the best getaway driver in town…

Night and the city

Long considered a talented maverick whose spiky sensibility could never fit into square old Hollywood, Danish filmmaker Nicolas Winding Refn (The Pusher Trilogy, Bronson) has here made an explosive action movie that got Cannes critics whooping in the aisles.

But don’t be fooled: a Cannes critic’s guilty ‘mainstream’ pleasure is a multiplex viewer’s art movie, and any jolting violence is cushioned by lush, low-key longueurs comprised of geometric cityscapes, abstract tableaux, striking camera angles, calibrated light and shadow, reflective surfaces, empty corridors and terse, economic exchanges full of syncopated beats.

There is, of course, a girl, and she even lives next door. Irene (Carey Mulligan) cares for her young son (Kaden Leos) while her husband (Oscar Isaac) does time. Driver, naturally, finds himself not only gravitating towards her but breaking all of his own rules to protect her.

It is for Irene, circuitously, that he takes on a pawn-shop heist that goes inevitably wrong, and she is the baggage that weighs down our previously unburdened, unemotional crim as he feels the heat around the corner.

Clichéd? Sure, only Refn and screenwriter Hossein Amini, adapting James Sallis’ book, play out the de rigueur romantic sub-plot in unexpected ways: Driver and Irene communicate largely in silence, their bond forged through shifting gazes and meaningful half-smiles (DoP Newton Thomas Sigel maps the human face as closely as downtown LA); and the film’s most swooningly romantic flourish precedes its most violent set-piece.

Star vehicle

It’s this clashing of moods and subverting of stereotypes that sets Drive’s engine purring, with Refn swerving between blazing daylight and silky night, between staple set-ups and offbeat outcomes, between familiar faces and surprising character traits (funnyman Albert Brooks ices blood as a Hollywood producer/ gangster), between glimmering helicopter shots and tyre-squealing ground-level chases, between crushed skulls and synth pop, between classic movies and Refn’s unique worldview.

It makes for a film both archetypal and fresh and, as such, it’s hard to put a pin through. Gosling wasn’t kidding when he described Drive as a mix of Blue Velvet and Purple Rain…

The cast is strong, from Mulligan’s serenely stoical princess (Drive can be read as an urban fairytale) to Bryan Cranston’s mechanic/fixer to Ron Perlman’s intimidating henchman.

But it is Gosling, along with Refn’s meticulous, dynamic direction, that is the star of the show, his tight-lipped turn evoking the cool charisma of Steve McQueen in Bullitt or Alain Delon in Le Samouraï.

Dressed in aviator shades, driving gloves and a satin racing jacket emblazoned, tellingly, with a scorpion, his Driver may be a blank-faced cut-out deprived of the barest hint of backstory, but he’s an intriguing, mesmerising blank-faced cut-out – the kind of amoral, dysfunctional anti-hero that so often becomes a poster boy.

Might he register as this generation’s Man With No Name, their Travis Bickle? Perhaps that’s going too far, but Gosling’s Hollywood-stuntman-by-day, getaway-driver-by-night is the stuff of fantasy, and his mysterious dispensation towards dishing Gaspar Noé levels of violence is exactly what got the Cannes viewers cheering.

Next up for Refn and Gosling is a re-run of 1976 action-sci-fi flick Logan’s Run. A $200m blockbuster? Just don’t expect it to play by studio rules…… Expand
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10
EddyGregsApr 19, 2015
By day, ‘Driver’ (Gosling) is a Hollywood stunt man, but by night he makes his real money in the criminal underworld as a top-flight getaway driver. When pretty but very married next-door neighbour Irene (Mulligan) is menaced by hoods, heBy day, ‘Driver’ (Gosling) is a Hollywood stunt man, but by night he makes his real money in the criminal underworld as a top-flight getaway driver. When pretty but very married next-door neighbour Irene (Mulligan) is menaced by hoods, he steps in to protect her and her little boy, only to find himself in an escalating conflict between the local thugs and the Mafia.

Refn’s skills are not limited to artfully conceived bloodletting: an opening sequence in which our hero practises his trade, transporting a pair of thieves from their place of business to safety, dodging, parking and reversing, is a masterclass of cutting in which the precision of the editing matches that of the driving (and actually it’s far more exciting than the more conventional car chase later in the movie). Meanwhile Newton Thomas Sigel’s sheeny cinematography delivers gorgeous chopper shots of the neon-flecked night-time streets of LA and moody renderings of asphalt car parks, race-tracks and diners. The cumulative and exhilarating sensation is that Walter Hill or William Friedkin made an urban noir sometime back in 1986 and somehow you missed it (and it’s easily as good as The Driver or To Live And Die In LA).

stylish, ultra-violent fun one of the best films ever made!… Expand
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10
FilmMasterApr 21, 2015
By day, ‘Driver’ (Gosling) is a Hollywood stunt man, but by night he makes his real money in the criminal underworld as a top-flight getaway driver. When pretty but very married next-door neighbour Irene (Mulligan) is menaced by hoods, heBy day, ‘Driver’ (Gosling) is a Hollywood stunt man, but by night he makes his real money in the criminal underworld as a top-flight getaway driver. When pretty but very married next-door neighbour Irene (Mulligan) is menaced by hoods, he steps in to protect her and her little boy, only to find himself in an escalating conflict between the local thugs and the Mafia.

The only thing to say is that Drive feels like some kind of masterpiece---it's as pure a version of the essentials as you're likely to see.

Our hero is nameless; as played by the ever-impressive Ryan Gosling, this tightly contained Hollywood stunt driver, sometimes called "the kid" by garage boss Bryan Cranston, is a closed book. All you really need to know about him comes in his first conversation with a married neighbor (Mulligan): "I drive," he states, the barest hint of a flirtation.

hen not strapped into his crash car, the guy also moonlights as a getaway wheelman---the film is about the moment when his luck begins to run out, via some bad company (Brooks, a stunningly potent villain) and a melting heart. Danish director Nicolas Winding Refn (Bronson) has taken the opportunity to work in America and pushed it to delirious limits; his effort, a foreigner's impassioned take on '80s-synth-scored romance and highway mayhem, plays like the work of a student graduating with highest honors.

One of the best films ever made!… Expand
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10
MovieManiac83Apr 24, 2015
As the camera scuds between twinkling skyscrapers in downtown LA, credits of the hottest pink light up a widescreen sky of the blackest velvet and a Euro-electro score pulses, pulses, pulses.

This, immediately, is the world of ’80s MichaelAs the camera scuds between twinkling skyscrapers in downtown LA, credits of the hottest pink light up a widescreen sky of the blackest velvet and a Euro-electro score pulses, pulses, pulses.

This, immediately, is the world of ’80s Michael Mann movies, of A-game Walter Hill pictures, of William Friedkin’s style-drenched neo-noir To Live And Die In LA.

Post-credits, Drive hits the ground cruising as Ryan Gosling’s wheelman glides through an asphalt jungle in a classic Motor City machine, toothpick jutting from clenched teeth.

On the radio, a basketball game blips and burbles – a seemingly incidental detail that will prove key to the action. Driver (for that is the only name he’s given) works the gear shaft and feeds the wheel; his knuckles flex, his leather gloves creak.

Composed and confident, laconic and iconic, he’s about to prove he’s the best getaway driver in town…

Night and the city

Long considered a talented maverick whose spiky sensibility could never fit into square old Hollywood, Danish filmmaker Nicolas Winding Refn (The Pusher Trilogy, Bronson) has here made an explosive action movie that got Cannes critics whooping in the aisles.

But don’t be fooled: a Cannes critic’s guilty ‘mainstream’ pleasure is a multiplex viewer’s art movie, and any jolting violence is cushioned by lush, low-key longueurs comprised of geometric cityscapes, abstract tableaux, striking camera angles, calibrated light and shadow, reflective surfaces, empty corridors and terse, economic exchanges full of syncopated beats.

There is, of course, a girl, and she even lives next door. Irene (Carey Mulligan) cares for her young son (Kaden Leos) while her husband (Oscar Isaac) does time. Driver, naturally, finds himself not only gravitating towards her but breaking all of his own rules to protect her.

It is for Irene, circuitously, that he takes on a pawn-shop heist that goes inevitably wrong, and she is the baggage that weighs down our previously unburdened, unemotional crim as he feels the heat around the corner.

Clichéd? Sure, only Refn and screenwriter Hossein Amini, adapting James Sallis’ book, play out the de rigueur romantic sub-plot in unexpected ways: Driver and Irene communicate largely in silence, their bond forged through shifting gazes and meaningful half-smiles (DoP Newton Thomas Sigel maps the human face as closely as downtown LA); and the film’s most swooningly romantic flourish precedes its most violent set-piece.

Star vehicle

It’s this clashing of moods and subverting of stereotypes that sets Drive’s engine purring, with Refn swerving between blazing daylight and silky night, between staple set-ups and offbeat outcomes, between familiar faces and surprising character traits (funnyman Albert Brooks ices blood as a Hollywood producer/ gangster), between glimmering helicopter shots and tyre-squealing ground-level chases, between crushed skulls and synth pop, between classic movies and Refn’s unique worldview.

It makes for a film both archetypal and fresh and, as such, it’s hard to put a pin through. Gosling wasn’t kidding when he described Drive as a mix of Blue Velvet and Purple Rain…

The cast is strong, from Mulligan’s serenely stoical princess (Drive can be read as an urban fairytale) to Bryan Cranston’s mechanic/fixer to Ron Perlman’s intimidating henchman.

But it is Gosling, along with Refn’s meticulous, dynamic direction, that is the star of the show, his tight-lipped turn evoking the cool charisma of Steve McQueen in Bullitt or Alain Delon in Le Samouraï.

Dressed in aviator shades, driving gloves and a satin racing jacket emblazoned, tellingly, with a scorpion, his Driver may be a blank-faced cut-out deprived of the barest hint of backstory, but he’s an intriguing, mesmerising blank-faced cut-out – the kind of amoral, dysfunctional anti-hero that so often becomes a poster boy.

Might he register as this generation’s Man With No Name, their Travis Bickle? Perhaps that’s going too far, but Gosling’s Hollywood-stuntman-by-day, getaway-driver-by-night is the stuff of fantasy, and his mysterious dispensation towards dishing Gaspar Noé levels of violence is exactly what got the Cannes viewers cheering.

The only thing to say is that Drive feels like some kind of masterpiece---it's as pure a version of the essentials as you're likely to see.… Expand
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