Drive

9

JTKelleyAug 10, 2012

A gritty, grisly film, this was one of the best movies (and scripts) I saw in 2011. Gosling does so much with so little dialogue, as nothing is wasted in his performance, with the direction and writing were top-notch. This film was moreA gritty, grisly film, this was one of the best movies (and scripts) I saw in 2011. Gosling does so much with so little dialogue, as nothing is wasted in his performance, with the direction and writing were top-notch. This film was more than worthy of an Oscar nomination.… Expand

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10

Eon2323Apr 4, 2013

The dynamic and visual punch of this film hits hard as we see the Driver make his way through the concrete-laden streets of Los Angeles. The cinematography in this movie is on another level as well is the soundtrack. Nicolas Winding RefnThe dynamic and visual punch of this film hits hard as we see the Driver make his way through the concrete-laden streets of Los Angeles. The cinematography in this movie is on another level as well is the soundtrack. Nicolas Winding Refn formulates an interesting mix of silence and violence throughout the movie that works surprisingly well. The hard-hitting gritty violence fuses exceptionally well with the score courtesy of Cliff Martinez. The flaws presented with the Driver as well throughout the film just resonate with not only the type of person he is but also what this film has become: a real hero.… Expand

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9

cameronmorewoodNov 7, 2012

Drive is how action films should be. It's quiet, elegant, and then it floors you. Ryan Gosling delivers a stone cold and determined performance without saying a word.

1 of 4 users found this helpful13

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10

AllenReviewsMar 28, 2014

Drive is a masterpiece, Its one of the best directed movies, Its beautifully shot and its very well acted, And has deeper meanings that the average viewer might miss, This is my favourite film of all time.

1 of 4 users found this helpful13

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8

CitizenCharlieSep 18, 2011

The driver in Drive is just that, he drives. He has no past and even no name. One would guess prison was a part of his past but that is just a guess. The driver only has two distinguishing characteristics, he is extremely adept behind theThe driver in Drive is just that, he drives. He has no past and even no name. One would guess prison was a part of his past but that is just a guess. The driver only has two distinguishing characteristics, he is extremely adept behind the wheel of a car and he wears a strikingly odd white jacket with an orange scorpion on the back. The scorpionâ… Expand

2 of 9 users found this helpful27

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7

StevieGJDSep 30, 2011

"Modern film noir" may seem internally contradictory, but it aptly describes "Drive," which is at the same time an homage to many of the cliches of film noir, but also so ultra violent that it would not have been made during film noir's"Modern film noir" may seem internally contradictory, but it aptly describes "Drive," which is at the same time an homage to many of the cliches of film noir, but also so ultra violent that it would not have been made during film noir's heyday. Other than the violence, it is straight down the middle film noir. It was definitely worth seeing. But there are some major logical problems with the story (e.g., organized crime bosses who are constantly unguarded and who do all their own dirty work or the main character, who is one step ahead of everybody until the end, when something happens that everyone but him knows is going to happen). Those logical story issues aside, it is a highly stylized film that is really fun to watch. Gosling is great in the movie, and there are great supporting performances by Albert Brooks and Carrie Mulligan. But the music is (with one distinct exception) so annoyingly out of place that it is distracting in a way that one would not have expected from an otherwise well crafted film.… Expand

1 of 5 users found this helpful14

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7

BikerjamesSep 19, 2011

What a strange movie. People just stare at each other for what seems like hours before they speak, if they speak at all. I thought the film was going to be driving and chase scenes, and there were a couple of those, but it is mostly a quasiWhat a strange movie. People just stare at each other for what seems like hours before they speak, if they speak at all. I thought the film was going to be driving and chase scenes, and there were a couple of those, but it is mostly a quasi mob movie. It is VERY slow in parts. It is strange seeing Albert Brooks in a mobster role. Every time he spoke I thought of the father fish in Finding Nemo! All the actors, including Brooks, do a good job, however. There were some great scenes in the movie (the opening drive sequence, the motel shoot-out), and some ridiculous scenes (the mask, some of the dialogue, the music/songs, the elevator kiss, people's reactions to things), but at least the movie is different and not the usual predictable Hollywood fair. Lastly, this is a very violent, gory movie. It goes from very serene to explosive quickly. Overall I recommend it, the good outweighs the bad.… Expand

1 of 8 users found this helpful17

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9

ShiiraOct 13, 2011

This review contains spoilers, click expand to view. A Clippers home game, a job; no problem, because the driver is one of those Dirty Harry types, somebody who compartmentalizes his pleasure from business, just like Clint Eastwood in the 1971 film, where the detective grabs a quick bite to eat at a hamburger joint across from the bank he knows is being robbed. Callahan notices the smoke exhaust fumes coming out of the parked car; he may even see the cigarette butts and matches outside the driver's side window collecting on the pavement, left behind by the chain-smoking autoist. The man at the wheel is nervous. The thieves should have hired a professional, a driver so cool and collected, he can follow a basketball game, first via television in the darkness of his hotel room, then on the radio in the darkness of the streets, before and after the robbery, not even minding that the second man emerging from the building is late. He's unflappable, this driver, with a demeanor that suggests Steve McQueen(in "Bullitt"), going so far as turning up the volume on the game, eclipsing the police radio in loudness, with the fuzz in hot pursuit. It's an affectation of nonchalance that recalls Harry finishing his hot dog while attending to the crime in progress. A bank-robbing outfit is only as good as its driver, and the specialist for these black stick-up men puts their getaway car on its side, but not before he hits the flower stand and a fire hydrant. Crossing the street, still chewing, with his M29 drawn, Harry then delivers that immortal speech to the felon, words that could only exist in the movies. "I know what you're thinking. Did he fire only six shots or only five?" As it turns out, the driver's interest in the fortunes of the L.A. Clippers is ostensible; he doesn't care one bit about how many shots the basketball team fired, but only that the game finishes before he turns into the Staples Center's parking garage, where he and his clients can disappear in the throng of hoop fans returning to their cars. Nevertheless, the sequence is pure cinema, too easy; too according to plan, all because of that pesky "the" attached to the protagonist's name, who at this point, is still an archetype. Played by Ryan Gosling, Driver(the "the" is implied through pastiche) evokes a mute Ryan O'Neal in "The Driver". The next day, we see the driver in uniform, but no, he's not a cop, but a stuntman for the movies, so in a sense, the driver is actually McQueen's double in the Peter Yates film; it's life imitating art, since a stuntman as opposed to a regular person(or an actor) stands a better chance of surviving a high-speed chase without injury. Like "To Live and Die in L.A.", "Drive" has in common with the William Freidkin film, a starving artist who dabbles in fakery. A Secret Service agent, on the trail of a failed painter-turned counterfeiter, burns an unsold canvas with his lighter, whereas the driver, a counterfeit actor, no longer burns rubber just for the cameras, but also in his personal life, where he is now the protagonist of his own crime story. Gosling is paying homage to his seventies-era forerunner, but then there's a diverging point, a vanishing point for the "the" in the character's name. The archetypal driver in the 1978 film, leaves both corresponding females alone, since neither The Player, nor The Connection, are called The Lover. Because of his asexual nature, The Driver never comes across as a real person. When O'Neal's character shows up at the apartment, he doesn't register that the hired allibi(for a casino heist) is beautiful. The woman takes no offense; she's sexless too. The Player just wants to collect her money. Their professionalism feels false, however, when you consider the genre involved: film noir, so the lack of sexual tension between them has a dislocating effect, since the man can't truly be hard-boiled without a hard-on, and the woman, act the part of femme fatale, in the presence of such flaccidity. Casey Mulligan, who is not The Prison Wife, nor The Mother, nor The Waitress, but a combination of all these facets that makes her Irene, puts the driver's preposition on notice the moment when these apartment neighbors share an elevator. The preposition gets eradicated for good in the supermarket parking lot, where Irene's car is on the fritz. "Where should I put this?" Driver asks, about the groceries(read: his thing) that he carries into her flat. Sadly, Irene has a husband in prison, so the real answer is a moot point. When he returns home, Irene becomes an accidental femme fatale, because Driver becomes a byproduct(not merely a replicant) of the exploitation cinema template, therefore prone to death. Every femme fatale has a hidden motive, and here, it exists on the level of narrative; she kills the sports movie, when Driver chooses to help Standard rob a pawn shop, rather than be a racecar driver. Nothing goes according to plan, of course, since there's no "the" in driver.… Expand

0 of 3 users found this helpful03

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7

JUIKEROct 30, 2011

Very stylish filmmaking with lots of aspects that I didn't care for. Gosling plays his character as weirdly smug and the pacing seems deliberately slow in a way that is only annoying. That said, Bryan Cranston is predictably very watchable,Very stylish filmmaking with lots of aspects that I didn't care for. Gosling plays his character as weirdly smug and the pacing seems deliberately slow in a way that is only annoying. That said, Bryan Cranston is predictably very watchable, the plot twists and turns and never flinches from following through to very natural conclusions, and there are great payoffs. Overall, the film favors style over real substance, art over literacy.… Expand

0 of 4 users found this helpful04

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7

jeremypSep 24, 2011

An American film noir (reminiscent of the best of the 50's) that, while well oiled and at times mesmerizing, visits a familiar plot with familiar characters and a familiar building denouement. The violence when it comes half way through isAn American film noir (reminiscent of the best of the 50's) that, while well oiled and at times mesmerizing, visits a familiar plot with familiar characters and a familiar building denouement. The violence when it comes half way through is sudden, brutal, and gory, and unfortunately gets repeated again and again. I would have preferred more car chases.

The ending goes counter to what we are led to believe will happen: the hero, up to then ahead of the violence, turns his back on certain attack, and then we get a long,long teasing shot of him. Is he dead, is he alive? There are many slow mo shots, and the one in an elevator is particularly head shakingly drawn out.

The biggest sin is to give Carey Mulligan little to do except look pained and imprisoned. The second biggest sin is to cram Christina Hendricks into Jeans and leotards, and then to have the camera follow her. I know, I know, it's meant to be realistic. Gosling does his patented terse, coiled spring, maimed persona, and it works.… Expand

0 of 4 users found this helpful04

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10

morgansageOct 2, 2011

One of the best films in the last 10 years. Amazing and a must see for this year. Gosling has a Steve McQueen esc vibe and intensity, with very few words throughout the entire film, but his character is beyond interesting and he is able toOne of the best films in the last 10 years. Amazing and a must see for this year. Gosling has a Steve McQueen esc vibe and intensity, with very few words throughout the entire film, but his character is beyond interesting and he is able to move the plot forward with a few glances to his love interest(Carey Mulligan). Brilliant film and one of the best I've seen in years. Big thanks to everyone who worked on putting this film together. Simply amazing...… Expand

0 of 3 users found this helpful03

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10

ybysaSep 28, 2011

This was the first movie in a long time that kept my interest for hours after I had already left the theatre. The music was tremendous, the pacing of the dialogue was brilliant, and the story was engaging. The violence was a bit over the topThis was the first movie in a long time that kept my interest for hours after I had already left the theatre. The music was tremendous, the pacing of the dialogue was brilliant, and the story was engaging. The violence was a bit over the top and the whole NASCAR sub-plot was necessary but a little far fetched. All in all, great movie. I'd recommend this movie to anyone with patience and without a squeamish stomach!… Expand

0 of 3 users found this helpful03

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8

wishmasterOct 7, 2011

I loved the action scenes, bloody death, a captivating story that gives you options to guess the end, I have to applaud the performances of the cast, especially clear, Gosling and Mulligan (I love her). dramatic and entertaining film thatI loved the action scenes, bloody death, a captivating story that gives you options to guess the end, I have to applaud the performances of the cast, especially clear, Gosling and Mulligan (I love her). dramatic and entertaining film that leaves you stunned and wanting more.!… Expand

0 of 3 users found this helpful03

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10

TokyochuchuSep 14, 2013

Drive is a unique and unforgettable action-drama. The film uses beautiful cinematography, minimal dialogue, subtle acting and shockingly graphic violence to create something truly special. On paper, it should just be a run-of-the-mill actionDrive is a unique and unforgettable action-drama. The film uses beautiful cinematography, minimal dialogue, subtle acting and shockingly graphic violence to create something truly special. On paper, it should just be a run-of-the-mill action B-movie. But ascendant vision has turned it into a dignified, cathartic masterpiece. Drive ranks right up there with the likes of Alien and The Crow in the category of 'movies that should have been bad but are somehow unbelievably great'.… Expand

0 of 1 users found this helpful01

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7

FDT44Feb 11, 2012

Diligent pacing, taut action, and suprisingly potent performances by its leads, impels "Drive" past its predecessors; redolent of a high-strung, 80's-neon adrenaline shot, while bearing an equally raw and prim endowment that looks and feelsDiligent pacing, taut action, and suprisingly potent performances by its leads, impels "Drive" past its predecessors; redolent of a high-strung, 80's-neon adrenaline shot, while bearing an equally raw and prim endowment that looks and feels like an archetype in itself. Although, some will find its blood too loosely shed, the film's art house design is a gilt-edged example of how to aim at a niche, subdue it, and watch it gush with abandon.… Expand

0 of 2 users found this helpful02

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8

DKayOct 15, 2011

Don't take this the wrong way, Marty fans: "Drive" is my Gen Z kid's "Taxi Driver." Gosling has as much balls as anyone in Hollywood today, a DeNiro like set. It's all character here and w/out Gosling's charisma it crashes. So intelligentDon't take this the wrong way, Marty fans: "Drive" is my Gen Z kid's "Taxi Driver." Gosling has as much balls as anyone in Hollywood today, a DeNiro like set. It's all character here and w/out Gosling's charisma it crashes. So intelligent casting. The film's style and pacing is rebelliously flashy and the plot works, even though it's kind of back-seat driver predictable. The shootout at the motel f-in ruled and the music was equally slick. Loved watching it, but I didn't have the long term reflections I'd hoped for in a classic (a la "Taxi"). I was hoping the flashiness would blind me for days, instead, I was done rubbing my eyes at the parking lot.… Expand

0 of 3 users found this helpful03

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10

TheoSSep 23, 2011

The first thing worth mentioning about Drive is the superb cinematography! Every single second has it's purpose, mostly in building Ryan Gosling's character, who doesn't surprise you a bit when he gets his hands dirty. His character gets itsThe first thing worth mentioning about Drive is the superb cinematography! Every single second has it's purpose, mostly in building Ryan Gosling's character, who doesn't surprise you a bit when he gets his hands dirty. His character gets its features using the supporting actors, who perform beautifly (especially Bryan Cranston and Albert Brooks) in unveiling the mystery that is Driver.
There are so many aspects to discus on this film, but I just can't find my words right now. The apparent slow evolution of aspects builds a strong tension between characters which in the end bursts in the most shocking ways. Those long pauses that people mostly complained about are the film's highest qualities as it makes everything seem more believable.
All in all, it's a film that is worth watching over and over, just for the simple fact that it makes you feel apart of the story.… Expand

0 of 2 users found this helpful02

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9

wordy_actionsSep 24, 2011

Minor Spoilers
Usually 'car chases' and 'thought provoking' are phrases that don't occur in the same movie review. Drive, staring Ryan Gosling, is both. Let's start with the most obviously good thing about the movie, which is Ryan Gosling'sMinor Spoilers
Usually 'car chases' and 'thought provoking' are phrases that don't occur in the same movie review. Drive, staring Ryan Gosling, is both. Let's start with the most obviously good thing about the movie, which is Ryan Gosling's performance. Gosling plays an understated character who's motivations are well concealed (at least in the beginning of the movie). Do not go into this movie expecting an action/thriller. This movie is more of a character study of Ryan Gosling's character, whose only referred to as the driver. No name is mentioned during the film. The film has a very strong message about what we should value. It's a strong message, but a somewhat subtle one, and they don't force it on the audience. This movie builds tension well, having long scenes of character development with little dialogue suddenly interrupted by violence. The contrast is startling and exciting, though some of the slowness in the dialogue grows old fast. Fortunately, by the time I was starting to grow bored with the movie it abruptly shifted into its second half, which is much better in my opinion. While the first half mainly dealt with Gosling's relationships with Carey Mulligan's character, her son, and her husband, the second half has Gosling tying up the lose ends of a botched robbery. Needless to say, things become violent. This movie shows the consequences and dangers of caring for someone unconditionally, as well as the rewards for doing so. 8/10. 4/5.… Expand

0 of 3 users found this helpful03

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9

ImUnavailableOct 7, 2011

This slow burner will disappoint those expecting an action packed adventure with huge set pieces and loud explosions. Drive blends arthouse cinema with heavy violence to create a film that is affecting on an emotional level and has a distinctThis slow burner will disappoint those expecting an action packed adventure with huge set pieces and loud explosions. Drive blends arthouse cinema with heavy violence to create a film that is affecting on an emotional level and has a distinct visual flair. Not for everyone but approach it with an open mind.… Expand

0 of 3 users found this helpful03

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10

ZacharyMatsonSep 25, 2011

There's no doubt about it, this is one of the best films of the year. I definitely think this will get a lot of Oscar attention, and if it doesn't then I'll be very shocked. It's not for everyone, if you're more of a mainstream, happy endingThere's no doubt about it, this is one of the best films of the year. I definitely think this will get a lot of Oscar attention, and if it doesn't then I'll be very shocked. It's not for everyone, if you're more of a mainstream, happy ending kind of person, stick to movies like Dolphin Tale. This is very art house style so expect it to be a bit abnormal compared to what you would normally see at a theater. Gosling gives a great performance and Refn directs this film masterfully.… Expand

0 of 3 users found this helpful03

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8

drlowdonJun 9, 2013

Stunt performer and part-time getaway driver a man known only as ‘The Driver’ (Gosling) finds himself falling for his cute next door neighbour Irene. Soon he is forced to protect her by helping her ex-con husband pull off a robbery. Of courseStunt performer and part-time getaway driver a man known only as ‘The Driver’ (Gosling) finds himself falling for his cute next door neighbour Irene. Soon he is forced to protect her by helping her ex-con husband pull off a robbery. Of course things fail to go according to plan and ‘Driver’ finds himself in deep with notorious local gangsters.

From the slick opening scene Drive maintains a well measured narrative pace that only serves to make the movies scenes of action and (graphic) violence all the more powerful. Gosling’s restrained performance alongside ever reliable performers such as Bryan Cranston, Christina Hendricks and Ron Pearlman also further serve to make an effortlessly cool and fantastically watchable film.… Expand

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8

mrxdaveOct 4, 2011

I agree that this movie seems to polarize people. If you don't mind a slower, arty-er movie...with a great 80's feel, and plenty of twists & turns....then you'll love it. If you are expecting tons of action and over-the-top dialogue, then youI agree that this movie seems to polarize people. If you don't mind a slower, arty-er movie...with a great 80's feel, and plenty of twists & turns....then you'll love it. If you are expecting tons of action and over-the-top dialogue, then you are probably going to hate it. I personally loved it. Even so, it's not a "perfect" movie - simply very good.… Expand

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10

RichBlackSep 24, 2011

Irene: What do you do?
The Driver: I drive, for movies.
Irene: Is that dangerous? The Driver: It's only part time. Refn turns his career into a profession, when directing one gut wrenching cinematic experience. Drive is a great way to saveIrene: What do you do?
The Driver: I drive, for movies.
Irene: Is that dangerous?
The Driver: It's only part time. Refn turns his career into a profession, when directing one gut wrenching cinematic experience. Drive is a great way to save 2011's reputation from awful films, filled up with awesome car chases and gory action that will make you jump out of your seat, starting with the very beginning.

A placid looking man works at two things, stunt driving for movies, and escorting robbers in heists. One day his friend Shannon introduces him to Bernie Rose, who wants him for his stock car design. Meanwhile he meets his next-door neighbor Irene, and can't help but fall in love with her. But after helping out Irene and her son, the Driver soon finds out that her husband, Standard, was returning from prison. Soon after arriving, He witnesses Standard being beat up by thugs from his prison, and says that he owes them 10,000 dollars shortly or they'll get to his son and wife. The Driver assuring that he won't let that happen, helps him get that money by doing a heist with him. But then everything goes wrong, leaving it up to the driver to look for the boss of these thugs and make sure Irene and her son are safe.

The score gives the movie a "new age" kind of look to it, but it was so creative, and perfectly matched up with the film, especially "Nightcall" by kavinsky, and "A Real Hero" by College. It also makes me look back at Hobo with a Shotgun, being gory and having that eighties resemblance, even though they're nothing alike. Nicolas Winding Refn is new to me (not seeing his earlier work), but when seeing this, there's no doubt in my mind that this guy can make it to the top.

Ryan Gosling is at his best so far, giving his lead role as the Driver. Albert does an amazing performance also, playing Bernie Rose, and creates the gruesome and grisly turns throughout the movie. All the other actors were also magnificent, such as Ron Perlman (Nino), Carey Mulligan (Irene), Bryan Cranston (Shannon), and Oscar Isaac (Standard). The Part that surprised me the most was probably in his apartment with Blanche, which sets off an amazing and unsettling switch to it. Everything was so mesmerizing that I couldn't even turn away, because every second was worth watching.… Expand

0 of 3 users found this helpful03

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7

Knicksfan7Oct 1, 2011

Ryan gosling is the next superstar actor, hes the young Brad pitt right now, hes got the looks, the muscles, and the acting talent. Hes now proved he can play the comedic role, the action star, and dramatic. Drive was a good film, quiet andRyan gosling is the next superstar actor, hes the young Brad pitt right now, hes got the looks, the muscles, and the acting talent. Hes now proved he can play the comedic role, the action star, and dramatic. Drive was a good film, quiet and silent for about 85% of the duration, but it was good. A bit of a drag at times, a little too quiet but Ryan gosling was superb again. The occasional action was good, pretty bloody at times, and can be a bit disturbing for someone who dislikes bloody scenes or someone with a weak stomach. Overall a good film, decent story, great acting, 7/10… Expand

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7

BullNgOct 8, 2011

Only if there was a little more action in this movie, it would've been a really great movie. But the dude, Ryan Gosling deserve an Oscar nomination, at least !

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10

Gloomy_nesSep 24, 2011

I cannot believe that some people give this movie a 1 or 0, how mindless and full of **** can you be to NOT understand the art and feelings this movie evokes? How can you even say that you fell asleep during this movie? That just means you'reI cannot believe that some people give this movie a 1 or 0, how mindless and full of **** can you be to NOT understand the art and feelings this movie evokes? How can you even say that you fell asleep during this movie? That just means you're an idiot, Im sorry but some of the same people who find this movie boring are the same who enjoy Transformers so much ad support Hollywood throwing out so many mindless movies for idiots who suck it up.… Expand

0 of 2 users found this helpful02

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9

iamtheoneneoSep 30, 2011

great movie, not for everyone i agree and i think the trailer is perhaps misleading BUT it still doesnt stop this movie being a real work of art and something to feast your eyes over.
Yes its slow, yes its gory when action does happen but thegreat movie, not for everyone i agree and i think the trailer is perhaps misleading BUT it still doesnt stop this movie being a real work of art and something to feast your eyes over.
Yes its slow, yes its gory when action does happen but the plot is interesting, the cast do a great job and the atmosphere is dripping throughout.
reminds me alot of collateral for some reason.....quite michael mann esc i guess! Go see but dont expecting it to plod along at 100mph , more like 10mph.… Expand

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10

musicmann1967Sep 25, 2011

Fantastic film.. Definitely caught me by surprise.. At first Goslings silent persona routine seemed a little bit retarded to me.. (my fault, not his).. Then it all snapped into place for me and it was a slam bang, over the top ride. I loveFantastic film.. Definitely caught me by surprise.. At first Goslings silent persona routine seemed a little bit retarded to me.. (my fault, not his).. Then it all snapped into place for me and it was a slam bang, over the top ride. I love these kind of movies. Very very stylized and left of center.… Expand

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9

avatar16Oct 10, 2011

Avec toute la pub faite autour, on ne pouvait rater ce Drive, surtout avec cette palme de la mise en scÃ¨ne. Que les choses soient claires : Drive n'est pas un film comme les autres. Certes, le scÃ©nario peutAvec toute la pub faite autour, on ne pouvait rater ce Drive, surtout avec cette palme de la mise en scÃ¨ne. Que les choses soient claires : Drive n'est pas un film comme les autres. Certes, le scÃ©nario peut s'avÃ©rer classique pour certains. Mais le film excelle par ses acteurs (Ryan Gosling, stupÃ©fiant) et surtout par sa mise en scÃ¨ne (la rÃ©compense et bien mÃ©ritÃ©e). Le problÃ¨me vient quand mÃªme de la mise en scÃ¨ne : une histoire qui inspire le punch, filmÃ©e avec lenteur, ce qui est original et inhabituel. Et c'est lÃ que Drive perdra ou gagnera des fans, malgrÃ©/grÃ¢ce Ã des scÃ¨nes puissantes visuellement. Personnellement, j'y adhÃ¨re. Mais je comprends ceux qui y sont rÃ©ticents. Mais mon avis reste le mÃªme : Drive est un trÃ¨s bon film qui ne laisse en aucun cas diffÃ©rent.… Expand

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9

Las7Sep 22, 2011

I thought it was a very good movie, a lot of really fantastic portraits and emotions relayed through great acting and brilliant camera work . It was very disappointing that it wasn't marketing correctly, once again other people within theI thought it was a very good movie, a lot of really fantastic portraits and emotions relayed through great acting and brilliant camera work . It was very disappointing that it wasn't marketing correctly, once again other people within the cinema ruined the experience for me. This is not Transporter so for the love of god don't go to see this movie if you are expecting something similar.

If you feel that sometimes less is more and enjoy movies which focus on developing realistic charters and show realistic relationships between them this is the movie for you. The violence was a footnote for me a plot device in a way, wasn't too bothered by it.

The supporting cast really were fantastic, I believe one of them would be a front runner in this year's Award Season - I'm not sure about Gosling, the "Driver" was in a lot of ways simply a driving force for the fates of these people all stuck in different situations out of which there is no easy getaway. He remained "nameless" through out the film which really accents over the real story I believe the movie told. To all the supporting cast he was a figure of omnipotence, giving what each craved or deserved but his actions brought grave ramifications.

For me at least this movie lived up to the hype but I don't believe it's Gosling's best work - but that's the way the role is scripted. A definite contender for movie of the year… Expand

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9

FIlmsareawesomeSep 27, 2011

Awesome Movie, I just loved the story of the whole film. Thank God they cast Ryan Gosling and Carey Mulligan, they were pretty much fantastic. The Soundtrack was insanely amazing, everything was awesome, i just really liked the film, goodAwesome Movie, I just loved the story of the whole film. Thank God they cast Ryan Gosling and Carey Mulligan, they were pretty much fantastic. The Soundtrack was insanely amazing, everything was awesome, i just really liked the film, good performances, shows the most important things in every scene, the action keeps it entertaining and it makes you wish for more, and Carey Mulligan is so damn adorable. One of the best films of this year.… Expand

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10

nicechiantiOct 7, 2011

A gripping story told with knowing pace and style... This film renewed my cinemagoing energy which had waned over previous months. Outstanding - I loved every minute of it!

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9

todayorOct 3, 2011

An action movie that manages to be both unique and stylized, callous and gentle. If you want to see something typical, and/or you enjoy the thorough oeuvre of Michael Bay, I suggest you spend your money elsewhere. However, if you enjoy aAn action movie that manages to be both unique and stylized, callous and gentle. If you want to see something typical, and/or you enjoy the thorough oeuvre of Michael Bay, I suggest you spend your money elsewhere. However, if you enjoy a meticulously created film- go right ahead.… Expand

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9

Veritas34May 15, 2012

This movie was great. I love how it was directed and the story that was show was very well written. Gossling played his character top notch. If your are expecting an all out action packed movie this isn't it. This is a story driven movie.This movie was great. I love how it was directed and the story that was show was very well written. Gossling played his character top notch. If your are expecting an all out action packed movie this isn't it. This is a story driven movie. Well worth the watch. This has made it into my top 5 favorite movies.… Expand

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10

nixon31Oct 8, 2011

Its been a long time since I was blown away by a film. This flick has so much more than I expected. I watched it alone and enjoyed every bit of it. The music really makes the movie.

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10

SonyaOct 10, 2011

This review contains spoilers, click expand to view. You don't need to hear grandiloquent dialogues, you don't need to see those tons od special effects, see sex scenes. This movie contains magnitude od emotions, Gosling's unspoken words still occupy your mind. You feel like in a gloomy dream, which not necessarily ends well.. The movie is marvelous. One of the best I've seen lately.… Expand

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10

Bruce9000Nov 5, 2011

Really enjoyed this movie. The opening scene was brilliant and hooked me in straight away. Loved the choice of music thoughtout and the strategic use of silence. Meandered a little bit in the middle, but came home strong. Well acted and theReally enjoyed this movie. The opening scene was brilliant and hooked me in straight away. Loved the choice of music thoughtout and the strategic use of silence. Meandered a little bit in the middle, but came home strong. Well acted and the story was engaging. Really well directed too.… Expand

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8

FilmDilettanteOct 26, 2011

Fast cars, an anti-hero, mobsters, and a love story. Is Drive a date movie? Could be, if you can overlook some brutal violence and a little blood. Otherwise there is enough white knuckle action and romantic yearning to keep you and your dateFast cars, an anti-hero, mobsters, and a love story. Is Drive a date movie? Could be, if you can overlook some brutal violence and a little blood. Otherwise there is enough white knuckle action and romantic yearning to keep you and your date entwined throughout the movie.

Ryan Gosling plays a nameless stunt driver called only "the driver" or "the kid" (referred to hereafter as "Driver") who got his start working for Shannon (Bryan Cranston), a garage owner and supplier of stunt cars to Hollywood studios. Shannon also assists Driver as a capable getaway driver for robberies and heists, but despite this extracurricular income, Shannon and Driver still need funding from mob-connected Bernie Rose (Albert Brooks) to buy a stock car. Based on Driver's superior driving ability, Rose agrees to sponsor the venture despite the skepticism of his business associate Nino (Ron Perlman), a mobster fronted by a pizza parlor. Apart from this, we know little about Driver except that he lives a solitary existence fixing carburetors in his apartment down the hall from Irene (Carey Mulligan). Because Irene's husband is in prison, she is coping on her own with raising a son and keeping food on the table. Driver is happy to come to the rescue of our damsel in distress while keeping a gentlemanly distance, but soon it is clear they are attracted to one another. Just as this relationship begins to gather momentum, Irene learns that her husband (Oscar Isaac) is being released from prison in a week, and then the real trouble begins.

Despite the compelling driving and fight sequences, this is one of Gosling's more understated performances since Lars and the Real Girl. He speaks little, keeping an enigmatic, tight-lipped smile throughout most of the film. He thaws only for Irene and her son, and it is then we see Driver is lonely and wistful for love and domesticity. However, Driver is a man of contradictions, and despite his double life as a criminal, he displays honor as he backs away in the spirit of Lancelot, watching his Guinevere from afar, and coming to the rescue of her ill-fated husband when it appears to be the only path to assure Irene's safety from his prison connections. In the end, however, Driver must make the ultimate sacrifice to save her.

Among these good performances is also an appearance as a heist accomplice by Christina Hendricks of Mad Men, but but even with interesting characters, intriguing plot twists, gripping fight scenes and exciting car chases, Driver occasionally threatens to veer off into the contrived. Director Nicholas Winding Refn manages to get it back on track and keep us in our seats. It also helps to remember this is a screenplay based on a neo-noir work of pulp fiction by James Sallis, and you will forgive all if you watch it in that spirit. For these reasons, I can easily rate Drive an eight.

This review also appeared at www.filmdilettante.com.… Expand

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9

moviekretikOct 28, 2011

Film Noir meets Hammer Hardened Hero Maker meets Gangster Heavy Metal - as exploit of one of the reviewer in the imdb.com. Believe me when i say this.......it is the coolest damn action flick i've seen in quiet some time. It's not your basicFilm Noir meets Hammer Hardened Hero Maker meets Gangster Heavy Metal - as exploit of one of the reviewer in the imdb.com. Believe me when i say this.......it is the coolest damn action flick i've seen in quiet some time. It's not your basic shoot em' picture. It has this slight 'noire' edge to it that makes it shine much brighter than the rest.

The film is an electric mixture of beautiful, lingering cinematography, a pulsating soundtrack, lean dialogue and short bursts of graphic, bloody violence. It's tense and involving- almost impossible not to get immersed in. Nicolas Winding Refn is a Director to definitely keep a tab on.

Definitely the best of 2011 so far!… Expand

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9

Qad24Nov 4, 2011

Director should expect many Oscarï»¿ nominations: Best Cinematography, Best Sound and maybe even Best Picture. Who Knows?Well what can i say? Its one of the best movie I have ever seen so go see it .....

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9

RenegadeNormanNov 16, 2011

If you see a trailer for this film and expect it to be another pile of Hollywood action crap, you are already wasting your time. "Drive" is more noir and art house than a Hollywood movie. Ryan Gosling's character isn't a BAMF you wanna' be,If you see a trailer for this film and expect it to be another pile of Hollywood action crap, you are already wasting your time. "Drive" is more noir and art house than a Hollywood movie. Ryan Gosling's character isn't a BAMF you wanna' be, but more of a complex character that is hard to figure out if you ever got to know him in real life. Go see this film if you want something that is both different and intelligent. The highlights include the acting, the synthpop/electro soundtrack, and it's B-movie violence (which isn't for everyone if you don't like graphic violence)… Expand

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10

iAGRNov 16, 2011

Great movie! Especially when I got to see it free - pfft, I would never pay to see a movie unless it's absolutely necessary. Shoutout to Piratebay! As for the movie, it was amazing. The plot, the acting, just everything. What annoyed me wasGreat movie! Especially when I got to see it free - pfft, I would never pay to see a movie unless it's absolutely necessary. Shoutout to Piratebay! As for the movie, it was amazing. The plot, the acting, just everything. What annoyed me was how slowly the movie progressed, it doesn't kick off until half-a-way or so, but still worthy of watching.… Expand

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10

StevenFMar 20, 2013

Drive ditches the dramatic flash and the over the top action for a smooth, small but fine piece of cinema that surprised me after it ended, leaving a smile ear to ear.
Ryan Gosling stars in a very unique lead role, this guy barely says aDrive ditches the dramatic flash and the over the top action for a smooth, small but fine piece of cinema that surprised me after it ended, leaving a smile ear to ear.
Ryan Gosling stars in a very unique lead role, this guy barely says a word the entire film, seriously, like five or six sentences this man speaks, but its his actions which, in this case, speak louder than words.
Gosling plays an unnamed driver, who is a Hollywood stunt driver by day, and a hired getaway driver by night. He leads a very lonesome and care free life, that id until he meets Irene (Carey Mulligan) who lives in the same apartment block as him, he soon takes on a job from Irene's convicted husband, Standard, after a man Standard owes money to threatens Irene and her son.
Bryan Cranston clocks in a small yet very different (from Walter White) role as mechanic Shannon, who the driver works for, he sets the driver up with a job offering his services to Bernie (Albert Brooks) and Nino (Ron Perlman), mob bosses.
Drive will not appeal to everyones style or taste, but it is certainly a different sort of film that is difficult not to appreciate, slow paced, yes, but with good reason, why should it go out and copy all the the action flicks with no brain, this film has plenty of brain and thought-provoking scenarios, the first scene involving a getaway, most films would go with the high speed car chase along the highway, Drive, on the other hand, deals in the low key affair of evading where possible, flicking the lights off and pulling in behind another parked car etc.
The film makes no attempt to bel flashy and go for glitz, and this is truly a welcome change to a familiar concept, Gosling is a cold yet calculating anti-hero, never attempting to break form his routine life, he is simplistic in his delivery but willing to get his hands dirty when the time comes.
There are moments in the film that are just silence, and silence is golden, as these scenes truly outline the capability of of these young stars, Irene never seems to be truly sure of the driver, yet trusts him at every turn, and Shannon sees him as a son, again never really knowing just what he is capable of, it plays with the human insecurity of trusts, and hits it head on with the unnerving stare of the driver.
A grounded yet sophisticated crime film, with all the realism and gritty scenarios of LA, Drive is certainly one of the most underrated films to appear in the last several years, and is a truly powerful story of power and love.… Expand

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9

JollyG87Dec 15, 2011

This movie hit me upside the head on so many different levels. I'm still not sure where to begin. Perhaps I should start talking about the beautiful cinematography, or maybe the shocking bursts of violence that wonderfully compliment theThis movie hit me upside the head on so many different levels. I'm still not sure where to begin. Perhaps I should start talking about the beautiful cinematography, or maybe the shocking bursts of violence that wonderfully compliment the movie's quieter moments. But then what about Gosling's performance, and the way the script paints a blank canvas for him to work his magic? The man has very little dialogue, but with a simple look and nod we know everything we need to about him. Yeah, we'll start there. The movie rests on Gosling. He makes for a compelling "Mad Max" sort of character where he's soft spoken, but piss him off and he's a man capable of extreme violence. Albert Brooks is also terrific against type as a stone cold gangster. But really what made me love this movie was its unique style. I've never seen anything like it. The music was refreshingly unique and the way the movie shifts from a gentle calm to an extreme level of brutality is a work of art and frankly, it's sheer movie making magic. This is a film I will never forget for years to come.… Expand

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8

DiegoSanRoblesDec 16, 2011

This is a lean & mean action thriller, nostalgic for cinemaâ

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7

bcoolFeb 21, 2012

this movie is definitely one of the better films in 2011, but I really think it's overhyped. The violence is good, but the romantic subplot is so unbelievable and annoying. The whole movie is too mannered, too calculated to look cool.

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8

akb_rOct 19, 2012

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8

SuperMetaBoyMar 10, 2012

A lack of character development and a predictable yet difficult to follow plot spoil an otherwise beautifully shot noir thriller. This isn't your typical action flick - the tempo is slow and, despite the title suggesting otherwise, there areA lack of character development and a predictable yet difficult to follow plot spoil an otherwise beautifully shot noir thriller. This isn't your typical action flick - the tempo is slow and, despite the title suggesting otherwise, there are very few actual car chase scenes - but stick with it and you'll find it difficult not to become enamoured by it.… Expand

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10

jzmeApr 30, 2013

An amazing, beautiful, dreamlike movie. So good that it pinned me down to my seat and got me captivated the whole time. Personally, everything was perfect, from the music tracks, script, story line, acting & ending. It's like a roller coasterAn amazing, beautiful, dreamlike movie. So good that it pinned me down to my seat and got me captivated the whole time. Personally, everything was perfect, from the music tracks, script, story line, acting & ending. It's like a roller coaster ride, you get anxious, scared, shocked, sad, touched and happy all at once. What a journey! Ryan Gosling and the rest of the casts were simply amazing. They were just so real and into characters. I believed everything that's happened. A non cliche, different & outstanding movie. A must watch for all!… Expand

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10

beingryanjudeAug 25, 2014

A unique demonstration of entertainment through art, thrills and a whole lot of killer acting. Drive is an epic emotional tale that manages to take its audience on a ride much more memorable than most. Aside from exemplary direction fromA unique demonstration of entertainment through art, thrills and a whole lot of killer acting. Drive is an epic emotional tale that manages to take its audience on a ride much more memorable than most. Aside from exemplary direction from Nicolas Winding Refn, Ryan Gosling finds himself at his best as well.… Expand

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10

A_NorthernerMar 27, 2012

I had high hopes for Ryan Gosling's performance on the basis of a possible (yet not forthcoming) Oscar nod and it did not disappoint. The powerfully understated performance as the loner who finds happiness with the family next door isI had high hopes for Ryan Gosling's performance on the basis of a possible (yet not forthcoming) Oscar nod and it did not disappoint. The powerfully understated performance as the loner who finds happiness with the family next door is fantastically delivered. A man who seems to consider the necessity of each and every word he speaks, the scenes where Gosling and Carey Mulligans relationship develops through the briefest of exchanges and longest of stares are particularly mesmerising with director Nicholas Refn stretching the scenes of the silence to the absolute limit before with the viewer feeling awkward. Refn manages illustrate the intimacy between the characters without the need for a lazy gratuitous sex scene, a scene which would have been considered mandatory in other films.
The driver (Gosling) begins to come out of his shell as the film progresses and initially hints at his violent capabilities when provoked by a former criminal associate with a loud mouth. This character becomes more prevalent as he strives to protect Irene from danger brought on through his own actions of goodwill.

The film is stylish and has a retro feel to it, assisted with the excellent of soundtrack of synth-heavy electro-pop. Yes, the actual car action pieces are few and far between, but in the end the driving only serves as the backdrop to the central story of the film. The film is builds up suspense in places, and maintains this through the finals scenes to the ending. Excellent.… Expand

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10

DezuuuJul 31, 2013

Incredibly stylish, brilliant acting and a strong plot. Unique, yet recognizable. It has some very memorable scenes and a great soundtrack, and is truly the best film of 2011.

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9

AutiTakahashiApr 23, 2013

One scene that defines the stylish and disciplined vigor of "Drive" transpires inside a slim, narrow elevator. Our heroes enter the elevator; the doors slam shut. By the time they open again, we have been taken through a hint of suspense, aOne scene that defines the stylish and disciplined vigor of "Drive" transpires inside a slim, narrow elevator. Our heroes enter the elevator; the doors slam shut. By the time they open again, we have been taken through a hint of suspense, a moment of intimacy, and finally, a burst of ultra-violence. That the movie was able to depict and contain three different moods in a limited space and time astounds me. This is the rare kind of movie that fully values its existence, using every second of its running time for its benefit.

"Drive" stars Ryan Gosling, the Oscar-nominated actor who was given more international appreciation in his previous work as Jacob Palmer in "Crazy, Stupid, Love". Here, a name eludes him as promotions only refer to his character as "Driver". The inquisitive effect of a screen name like Driver reminds us of Edward Norton's character in Fight Club, who was only identified in the credits as "Narrator". Both evoke the same aura of ambiguity, although the Gosling character is more subtle and composed.

Driver's professional and personal life is centered around cars. He occupies the role of a stunt driver for the movies. He also works as a mechanic, fixing cars when he's not flipping them on set. Beyond that, he also participates in robberies by agreeing to be the getaway driver. Driving seems to keep Driver occupied. He hardly ever speaks. Ask him a question, and his words halt after the answer is given. There are not more than two instances in the entire film where he speaks three sentences in a row. His quiet nature strays away from conventional personalities and takes us to a person so perplexing, even his fellow characters join the audience in trying to understand him.

Read more here: http://localmoviereview.com/drive-movie-review/… Expand

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9

moviebuff_420May 12, 2012

Stylish,Violent,Fast Paced and Entertaining.With a great cast and Stunning performance by Ryan Gosling this movie lives up to expectations. A classic crime Thriller movie reminding of old hero type characters and villain. Carey Mulligan is soStylish,Violent,Fast Paced and Entertaining.With a great cast and Stunning performance by Ryan Gosling this movie lives up to expectations. A classic crime Thriller movie reminding of old hero type characters and villain. Carey Mulligan is so charming,Bryan Cranston is great ,Ron Perlman is good as always but the best in Supporting role is Albert Brooks with his heart wrenching performance. one of the best action movie of 2011.… Expand

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10

EmptyFilmStockMay 25, 2012

So, letâ

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10

iKevinJun 2, 2012

Driving, a cult film and majestic, so I can categorize this piece of art is perfect, action, mystery, music, everything ... Nicolas, you've got a very good movie, never forget this, and everything is very, very exciting!

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9

5hassayJul 9, 2012

(I've rated this on more of a personal level, and this review is written as such.) An emotional, quiet but surprising movie. A slow movie for a large part, but instead of being a downside, it is rather integral to the overall experience.(I've rated this on more of a personal level, and this review is written as such.) An emotional, quiet but surprising movie. A slow movie for a large part, but instead of being a downside, it is rather integral to the overall experience. Acting was convincing. The soundtrack was beautiful and emotionally moving. The viewer is left emotionally touched after watching. The overall story is fairly entertaining, but isn't too special, but the movie really shows itself on an "emotional" level. Again, the soundtrack plays a large part. Lastly, the viewer likely will either like it or dislike it.… Expand

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10

axelkochDec 29, 2012

A perfect motion picture. It's not about a serial killer, it's about a mysterious man who gets involved into a crime that makes him to a (very brutal) serial killer. This guy seems abstracted, somewhat even retarded, but Ryan Gosling playsA perfect motion picture. It's not about a serial killer, it's about a mysterious man who gets involved into a crime that makes him to a (very brutal) serial killer. This guy seems abstracted, somewhat even retarded, but Ryan Gosling plays him condignly human. These moments when he stares into blankness are stunning, just because of the beautiful cinematography and the awesome soundtrack (this is one of the best movie scores of all time, for what it's worth). Drive captivates you ab initio and doesn't even stop after the movie is finished. It makes you think about beguilement and the craziness of people and that gets exhibited radically explicit. But on the other hand the movie isn't specialized on character sketches or telling long rigmaroles, it only shows you what is absolutely necessary. Oscar nominations for cinematography, production design, score, original song and maybe also editing would have been just. And not to forget the acting, which is also great and absolutely fits the film. I personally love Drive and I can't find anything that disappoints me with this movie.… Expand

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10

OneSamTwoCupsApr 25, 2013

Commonly mistaken as a testosterone-driven film by the trailer, Drive is a beautifully crafted art house film that creates a genre of it's own. Although it takes place in modern day, Drive gives off a very strong 80s vibe. The soundtrack, theCommonly mistaken as a testosterone-driven film by the trailer, Drive is a beautifully crafted art house film that creates a genre of it's own. Although it takes place in modern day, Drive gives off a very strong 80s vibe. The soundtrack, the cinematography, and Ryan Gosling make this one of the best movies to ever come out in the last ten years. Drive is definitely a movie most art and film students will be studying in the near future. Be careful though, if you expect a Transporter style movie, you will come up short.… Expand

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10

Jailhouse_McGeeJan 30, 2013

"Drive" is style over substance, but it's great style! The plot is not to complex, but the cinematography, camera, score, atmosphere, pacing and actors are absolutely fantastic. Every scene is so intense, you practically feel the movie."Drive" is style over substance, but it's great style! The plot is not to complex, but the cinematography, camera, score, atmosphere, pacing and actors are absolutely fantastic. Every scene is so intense, you practically feel the movie. "Drive" is perfectly edited and paced, building up tension out of thin air. If it escalates, it really escalates, and makes you jump out of your seat. A stylish, dense, violent crime drama you just have to see. The second the credits rolled, I wanted to watch it again.… Expand

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9

JamesCannonFeb 3, 2015

One of the best movies of the decade so far. Rehn director of the pusher trilogy, takes his grittiness and combines it with techno pop flare to create this bloody neon dream scape. Take its cue from another great movie about a man on theOne of the best movies of the decade so far. Rehn director of the pusher trilogy, takes his grittiness and combines it with techno pop flare to create this bloody neon dream scape. Take its cue from another great movie about a man on the edge of the law, Thief, this movie says so much with out saying much. From the perfect beginning sequence to the movie to the great Albert Brooks as the villain, this movie has so many great ideas its amazing. While I will admit it isnt perfect. Im still not a huge Gosling fan and Perlmen's character never really gels right, but this movie is a beast. 9 out of 10… Expand

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10

QwertyPJMJan 5, 2015

Effortlessly cool with some of the best directing in the last 10 years, Drive is a film to go back to again and again. Similar to the also excellent 'Nightcrawler', in this film LA is normal during the day, yet seedy and dirty at night.Effortlessly cool with some of the best directing in the last 10 years, Drive is a film to go back to again and again. Similar to the also excellent 'Nightcrawler', in this film LA is normal during the day, yet seedy and dirty at night. Potentially the most stylised film I've watched, Drive drags you through a story of betrayal, greed and love that grabs attention throughout. The tension throughout is palpable and is constantly rising, with a main character in 'The Driver' is who expertly portrayed by Ryan Gosling in his best ever role. A true delight.… Expand

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8

Compi24Nov 28, 2012

"Drive" proves to be a brutal drama, featuring a great performance from Ryan Gosling and carrying a uniquely slick and quiet, yet fierce atmosphere.

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7

Nesbitt10Jan 2, 2013

"Drive" seamlessly shifts from first into fourth gear, just a bit slow out of the gate, and never quite kicks into fifth. "Drive" is the story of a Hollywood stunt driver (Ryan Gosling) by day, who offers his specialized abilities as a"Drive" seamlessly shifts from first into fourth gear, just a bit slow out of the gate, and never quite kicks into fifth. "Drive" is the story of a Hollywood stunt driver (Ryan Gosling) by day, who offers his specialized abilities as a getaway driver-for-hire in the criminal underworld by night. He finds himself a target after agreeing to aid the husband of his beautiful neighbor, Irene (Carey Mulligan). When the job falls apart, the only way he can keep Irene and her son alive is to do what he does best-Drive.
"Drive" is a fine action/thriller film that is light on the storyline and dialog (which isn't necessarily a bad thing), and heavy on highly-stylized action scenes with intense moments of violence. Ryan Gosling is fantastic as usual, but I cannot get past Albert Brooks part as a complete miscast. Perhaps expectations were too high going into the viewing, because outside of Ryan's performance, I just don't think there is anything really special here.… Expand

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9

worleyjamersDec 6, 2012

Stylish and unique! One of the absolute best films of 2011. Robbed in virtually every category at the Oscars last year. A cult film that's sure to be a modern classic in time.

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9

WiesyJan 18, 2013

This movie is one of the best movies of 2011 i've ever seen. There is a good story and very good cast.
I give drive a nine because I found the beginning very slowly, But it is a nice movie :-)

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10

CmeNOWsoFLYiiDec 15, 2012

No complications, simple & been done plenty of times. The basic plot is the same as loads of films yet this stands head over heals better than them all. It's beautiful yet violent, Gsling in magnificent & has proved himself to be one ofNo complications, simple & been done plenty of times. The basic plot is the same as loads of films yet this stands head over heals better than them all. It's beautiful yet violent, Gsling in magnificent & has proved himself to be one of Hollywoods best & brightest & could eventually be in the same league as De Niro & co. this film is a classic & one of my all time favourites.… Expand

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9

b-radDec 20, 2012

Drive pulls off a successful blend of intense violence and an artistic style of filmmaking. Not your average action flick.

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9

llapollollDec 17, 2012

Conciseness is often a form of skill, and "Drive" is the epitome of that. Take a movie like the Godfather, cut it in half, make it more coherent and artistic and this is what you get. "Drive" is the greatest crime movie ever made, it hangs onConciseness is often a form of skill, and "Drive" is the epitome of that. Take a movie like the Godfather, cut it in half, make it more coherent and artistic and this is what you get. "Drive" is the greatest crime movie ever made, it hangs on the edge of presenting a story so black and white, yet contains elements conveying the complexity of the characters. Too much use of dialogue makes a film seem scripted, and an obviously structured piece of media, "Drive" removes those cliches, and in offering much less, gives so much more. The lack of speaking allows you to fill in the pieces using common sense as the characters are so empathetic and so human. The casting itself mirrors that of the dialogue, no A-list celebrities are used, but we see familiar talented faces; this gives us the same sense of distancing that the dialogue gave us, but just enough there's a previous connection built to help us relate. One could go on and on about the soundtrack as well, the best I've heard in almost any movie. While almost being an action movie, "Drive" busts out stunts and intense action scenes to change the pace, however it's not blatant mainstream action at all, violence is far and few between, but so hard hitting it makes your stomach queasy, reminding you of the brutality people can live in real life. The simplicity of the movie is its strongest quality; and it doesn't need to be marked as "artsy" or "European", "Drive" is a breath of fresh air being a like a basic painting that allows your imagination to interpret it your own way like true art does.… Expand

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9

TuozeApr 3, 2013

One of the best movies I have watched. It offers everything from romance to car chases and brutal violence. I mean how much can you ask from motion picture? I have watched this two times now.

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8

sanyrubJan 18, 2013

Do you know that feeling when you barely know anything about the film you are going to watch because nobody has told you anything and because from the trailer you don´t know what to expect, if greatness or mediocrity... and then theDo you know that feeling when you barely know anything about the film you are going to watch because nobody has told you anything and because from the trailer you don´t know what to expect, if greatness or mediocrity... and then the result is an excellent film? Do you know that feeling? This is what happens with Drive. From the first minute I knew I was going to like it. With just the first 10 minutes (some car scenes and the credits) I was in. I loved it. Perfect pace. Great performances. Funny how these films with quiet characters say more than many other films with lots of dialogue. Ryan Gosling is perfect in the film. I give it a 8/10… Expand

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10

nowayout233Jan 22, 2013

ryan´s performance is the best. In my opinion this is the best thriller drama of 2011. the movie is slow but it's exciting and tense and the chemistry between Carey and Ryan is the best

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10

CtheTavApr 8, 2013

This film oozes 80's from the very beginning with great music and titles setting the tone of the film and telling you this is gonna be a great looking film. The direction is amazing in every way the romance seems genuine, there is clearThis film oozes 80's from the very beginning with great music and titles setting the tone of the film and telling you this is gonna be a great looking film. The direction is amazing in every way the romance seems genuine, there is clear tension on screen when the plot calls for it. The driving scenes wouldn't look out of place in a hollywood blockbuster and the physical scenes are brutally graphic with fantastic use of slow motion in each used to great effect. I felt the direction and the driver character are intertwined; very reserved for the most part then losing control for brief periods of time. The entire film is just great not needing to have constant exposition or explanation and simply having characters share a look instead. The story is devilishly simple yet so enthralling whilst not necessarily having to speed the plot along to the resolution too fast.
Rating 10 out of 10
It is in this films nature to be fantastic… Expand

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10

crookomasterApr 9, 2013

'Drive' puts aside fairy-tale plots, and excessive CGI and in-turn replaces them with 'real' characters, and a real-life, believable story; and still succeeds. Accompanied by an incredible soundtrack, 'Drive' is a movie as close to perfect,'Drive' puts aside fairy-tale plots, and excessive CGI and in-turn replaces them with 'real' characters, and a real-life, believable story; and still succeeds. Accompanied by an incredible soundtrack, 'Drive' is a movie as close to perfect, that you are ever likely to see.… Expand

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9

MadIvanoApr 25, 2013

One of the stylistically greatest films of all time. The cinematography, colors, theme and music fit together to create a picture that could be easilly summed up in one word: Mirage. With the style being the movies biggest asset and the manyOne of the stylistically greatest films of all time. The cinematography, colors, theme and music fit together to create a picture that could be easilly summed up in one word: Mirage. With the style being the movies biggest asset and the many memorable scenes the biggest flaw are the characters. None of them are given much focus exscept for Ryan Goslings character. We are supposed to interpret them ourselves but it feels like they simply fall short and could have been given more screen time. Also worth mentioning is the Tarantino-esque violence, it's simply awesome to watch.… Expand

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10

MrThehammer171May 7, 2015

everything about this movie is fantastic the acting, the story, the way its played out, the score, everything about this movie is just perfect they couldn't have done it any better I cant wait to see christphers next work

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8

UtopianStuffMay 28, 2013

Drive is an extremely artsy semi noir movie that entertains to no end. I loved the move, its plot was amazing and its actors were flawless. The only thing I can take away from this movie is its ultra violence which at points seemsDrive is an extremely artsy semi noir movie that entertains to no end. I loved the move, its plot was amazing and its actors were flawless. The only thing I can take away from this movie is its ultra violence which at points seems unessassary. But all in all, the movie is exciting as hell and a truly amazing thrill ride. If you don't like violent movies however, you may want to pass on this one. I loved it!… Expand

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10

Take-it-from-meMay 28, 2013

I have noticed (and take it from me, I have been listening) that the people who dislike this film prefer movies such as 'the fast and furious' or even the usual stallone or van damn movie. They deem those movies to be true action flicks. II have noticed (and take it from me, I have been listening) that the people who dislike this film prefer movies such as 'the fast and furious' or even the usual stallone or van damn movie. They deem those movies to be true action flicks. I disagree. This film is paced to leave each hit painful and the soundtrack keeps the watcher engulfed in the world of the driver. A great film, I have seen it enough times to be sure it deserves a ten.… Expand

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10

ORCSandDRAGONSJul 10, 2013

This film is a classic for me already. Gosling is superb here and he doesn't even speak that much throughout the whole movie. He makes an impact with emotion not words. The opening scene has to be one of the best I've seen in a movie in aThis film is a classic for me already. Gosling is superb here and he doesn't even speak that much throughout the whole movie. He makes an impact with emotion not words. The opening scene has to be one of the best I've seen in a movie in a LONG time. The soundtrack is also great. Overall this movie has something magical about it and that kind of magic is missing from most films today.… Expand

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9

flavJul 13, 2013

The movie is silent however shows intense scenes throughout it without many words. Ryan Gosling, Bryan Cranston, and the grandpa from weeds is in it, i forgot his name lol Great Movie!

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9

askewglassesAug 28, 2013

This review contains spoilers, click expand to view. I first heard about this movie at the beginning of 2012 and have wanted to see it ever since. And after seeing it, my expectations were fulfilled entirely. The romance between the driver and his neighbour is rather touching, and it really made wish for a happy ending. The driving scenes are just as good as they get, high speeds, crashes, it's got everything. But what I didn't quite expect was how this movie could go from touching to disturbing in an instant. But that just makes it that much more of an interesting film. The music was also very good and made it feel as it was almost an 80s action or crime movie. A touching, gory, action-packed movie that I believes deserves more credit than its earned.… Expand

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10

lazatoyMay 7, 2016

Drive is one of the most interesting films I've ever seen.
It could be an action film, since it has the premise, but, instead, the director and writer do the right things to avoid that outcome, crafting one deep, and sometimes brutalDrive is one of the most interesting films I've ever seen.
It could be an action film, since it has the premise, but, instead, the director and writer do the right things to avoid that outcome, crafting one deep, and sometimes brutal experience throughout.

I think about the best part of this movie is that it's devoid of any filler, because everything has a meaning, and can be interpreted in many different ways. I also don't think it hurts to mention the cinematography here is excellent, the acting is perfect (esp. from Gosling), and the writing that this film relies on is brilliantly written.

Is it for everyone? No, but I can still see a lot of people having a somewhat enjoyable time. If you're an action buff, you will need to set your expectations right, because this movie is mostly devoid of any action!
Also, if you're one of the people that say this movie isn't very "good" because there was no action, please, please, re-watch it.… Expand

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8

epiclucaAug 21, 2014

Whilst this movie is gripping from start to finish, the almost unbearable silence of Ryan Gosling's character does bring the movie down. He's mysterious, he gets the job done and speaks no word of it, but sometimes movies need dialogue. WithWhilst this movie is gripping from start to finish, the almost unbearable silence of Ryan Gosling's character does bring the movie down. He's mysterious, he gets the job done and speaks no word of it, but sometimes movies need dialogue. With boring character names such as "Standard" and "Irene" and a straightforward plot, there isn't much for them to talk about. However with a fantastic soundtrack and tantalizingly gory fight scenes, the movie is enjoyable to watch.… Expand

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9

johnnymnecNov 30, 2014

This movie was among the best I have ever seen. Not because it develops a carefully crafted story around a man with no name, have some good action scenes here and there or the acting is great. It has all this but most importantly, theThis movie was among the best I have ever seen. Not because it develops a carefully crafted story around a man with no name, have some good action scenes here and there or the acting is great. It has all this but most importantly, the atmosphere is fantastic. The representation of darker Los Angeles, great soundtrack in the background combined with glaring visuals makes it an instant classic.… Expand

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10

fiora95Jan 10, 2014

"You have five minutes. " Gosling is simply the best nowadays, in cinema. This movie is good made. The story is witty and brilliant one. Very very nice film. Everybody has to watch it. Everybody has to wath Drive!!

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9

googolendtimesMay 2, 2014

"Drive", from Danish director Nicolas Winding Refn, feels like a love letter to film noir and crime thrillers of years past. It is an unabashedly entertaining thrill ride, free of pretensions. Refn displays an astonishing talent behind the"Drive", from Danish director Nicolas Winding Refn, feels like a love letter to film noir and crime thrillers of years past. It is an unabashedly entertaining thrill ride, free of pretensions. Refn displays an astonishing talent behind the camera. The way in which he executes violence is brilliant; the film features more than its fair share of noirish gore, both audaciously stylized and subdued. There is enough substance to match the style. Ryan Gosling, Carey Mulligan and Albert Brooks give high grade performances; Gosling proffers his character with a uniquely laconic charisma, Mulligan is softly poignant and Brooks is a chilling evocation of ruthless cunning and dastardly cowardice as the antagonist. Its storyline accomplishes being sleek and aloof, yet also quite involving; this is largely, in my opinion, down to the nostalgic feeling with which Refn instills proceedings, lending the film an eerily tender heart amid its thrills and gore. I loved "Drive". I'd definitely recommend it.… Expand

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7

JorjiCostavaApr 20, 2014

A decent, ultraviolent film. The plot was a bit confusing, but Gosling's acting is excellent and the fim features great car chases and heartfelt moments. Still a bit boring though.

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8

heeldavidNov 22, 2014

Forget about Mr. Sexiest Man Alive, forget about the good looking boy from The Notebook. This Is Ryan Gosling at his best, his performance in Drive is intelligent and very underappreciated. They casted this film very well for the supportingForget about Mr. Sexiest Man Alive, forget about the good looking boy from The Notebook. This Is Ryan Gosling at his best, his performance in Drive is intelligent and very underappreciated. They casted this film very well for the supporting roles, Nicholas Winding Refn is one of Europe's most underrated filmmakers. Some people complain about the violence but I think that it made the film look more realistic… Expand

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9

TheBinarySurferMar 9, 2014

Watched this for the first time recently. An absolute masterpiece, music, setting, story, script, dialogue (wonderfully and deliberately understated) and the 'action' scenes have a very Michael Mann (Collateral-Heat).

Don't get me wrong:Watched this for the first time recently. An absolute masterpiece, music, setting, story, script, dialogue (wonderfully and deliberately understated) and the 'action' scenes have a very Michael Mann (Collateral-Heat).

Don't get me wrong: this film bears little resemblance to either movie except for it's approach to dialogue. For example the chase scene at the start features a whole 3 lines of dialogue, but the suspense is incredible. This movie really understands that to build tension you don't need the world at stake or ever-bigger explosions: it's all about perspective, pauses and consequences.

Also the film is filled with symbolism and metaphor that is mostly quite subtle and cues you in as to the character's emotional state: for example the Scorpion on the back of his 'working' jacket ties into the old parable about that creature and the Frog. There's also this wonderful moment in the elevator just prior to a brutal, violent murder where you can just see the character start to come apart visibly. The violence is brutal, almost B-movie (ish) but all again for a purpose there are no 'gratuitous' violent scenes: all serve a purpose.

Gosling is perfectly cast in this, and the art / style direction is meticulous and poignant at every turn: nothing, NOTHING is done accidentally in this movie or 'just because'. I found myself re-watching 2 more times after the first, seeing it with new eyes and picking up on all the little bits. All the critic awards and accolades it won it deserves and more. I for one will be closely watching the future projects of all involved.

Almost forgot: the soundtrack is incredible. Some will rail against the 80's feeling it has to it, but again it's both perfectly fitting to what happens on-screen and furthermore all the song lyrics tie into the characters. The writing of the 'bad guys' was great also: little is done 'just because', they feel like people with their own problems and issues, and don't simply go after the Driver because 'they're evil' or any such nonsense that we've come to expect from cinema.

My ONLY criticism is this: the chase scenes are fantastic, but they are just too short / not enough of them. I'm not expecting them to turn it into a massive long scene, and I wouldn't want them to compromise quality for quantity, but a few more seconds apiece would be great.… Expand

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10

Meth-dudeJan 31, 2015

Probably one of the best movie I have ever seen.Ryan Gosling is a great actor and he proves it in this movie.There is not a lot of action and this is not one of the best story for a movie but it was really good.

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9

ManToastMay 22, 2014

To me Drive is the sort of unique movie I prefer, but I realise that not everyone is of the same opinion, as many who saw this film in cinemas were expecting more intense action.

Prior to its release the film was said to be the idealTo me Drive is the sort of unique movie I prefer, but I realise that not everyone is of the same opinion, as many who saw this film in cinemas were expecting more intense action.

Prior to its release the film was said to be the ideal combination of art house and action but audiences were torn, either hating its lack of thrills or loving its iconic simplicity. I personally think the ‘80s retro tone caters perfectly to the iconic style the director was clearly going for, but that doesn’t change the fact that this film was mistakenly advertised as a blood-pumping thriller. There are only two car chases and a handful of deaths which is surprisingly low for a supposed thriller lasting an hour and a half. In reality its slow pacing, artistic camera visuals and iconic aesthetic make it an artsy neo-noir throwback.

This is all the more enhanced by its ideally suited features and symbolic nature. The soundtrack for instance is almost completely ethereal Electro, feeding that ‘80s retro theme throughout and showing that paced visuals combined with correctly selected music can work equally as well as lengthy dialogue, adapting the film’s tone to the state of the characters onscreen as a means of unconventional storytelling.

Despite the lack of dialogue however, the characters and the relations between are interesting and not without proper progression. Gosling’s character as a simple but violently deadly driver was strangely appealing but unnerving as the movie goes on. I thought the most refreshing relationship in the film was the relationship between Gosling’s character and the love interest’s son. Even with the Driver’s apparent lack of depth as a person, he is shown to greatly care about his neighbour and her son and willing to risk his life for them. Whilst caring for the love interest is nothing particularly unique, the fact that this film focuses a little more on the protagonist caring for a boy is surprising at the least, especially considering the movie’s neo-noir aim. It gives me the impression that the director really wanted to make a film as iconic and gritty as it is uniquely soothing.

The fact that this film was not the extreme action-packed thrill ride it was advertised to be was annoying for many at release but perfectly fine by me, as what we got instead was a visually appealing tale of vengeance and grit, tailored for fans of the neo-noir genre.… Expand

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8

MarickJun 21, 2015

It is a very classic film for those years. Frames are beautiful and the story ok .

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7

borderlinefilmsFeb 5, 2015

This review contains spoilers, click expand to view. Can't Make a Brain Omelete

Cheap-night Tuesday and the theatre is mostly empty. This won't have the legs to run two weeks. People walk out. Some can't wait to leave. This ain't no disco. This ain't no date movie. The worst piece of garbage I ever saw, someone mutters. Cold, brutal violence madly erupts from a sluggish plot. This ain't no party. This ain't no Notebook. Not a lot of so-called entertaining violence here. You can't cheer on the brutality. It's not fun. It's ugly and disgusting and still unreal. This ain't no fooling around. And when the driver, Goseling, an anti-social psychotic, maniacally stomps on the hit-man in the elevator to the song "Skull Crushing", then we see, as does his turned-on/horrified woman friend, just how compulsive, abject and contagious the violence is. This is a revenge movie without the romantic heroics. This is an insult to mindless escapism and to intelligence alike. And, although it delivers some interesting imagery and exceptional acting, it is ultimately a swollen-headed exercise in futility. Disingenuous and undignified. It could have been fa-fa-far better.… Expand

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9

DenisManuSep 6, 2014

Drive is marvelous!A truly misunderstood and meticulously crafted film full of incredibly lovable moments.With a beautiful soundtrack that captures the powerful emotions and the fantastic screenplay,this movie is nothing more than a masterpiece.

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8

heathermJan 27, 2015

This was a really interesting movie that covered a lot of territory genre-wise. It felt like it was part-romance, part-chase movie, part mob-movie, and the last part was an intense revenge plot. We ended in a very different place than whatThis was a really interesting movie that covered a lot of territory genre-wise. It felt like it was part-romance, part-chase movie, part mob-movie, and the last part was an intense revenge plot. We ended in a very different place than what I was expecting, which was satisfying. The use of silence was amazing, as neither Ryan Gosling nor Carey Mulligan were talkative characters, but they still managed to communicate so much during their scenes together.… Expand

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7

CameraBounceGodFeb 22, 2015

This review contains spoilers, click expand to view. Fresh in my mind....I like how it almost seemed like the robber running out with the money would have to climb that fence....not sure why....Nice how the beginning chase isn't long and he walk right past them casually.....once again great song to end on and pretty cool overall feel to it....sorry that's all i h ave to say for now...- JRA… Expand

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8

VinceRocks123Apr 17, 2015

A raw performance by Ryan Gosling that will strip you away from his other heartthrob personality, Drive is a graphic tale of crime and redemption and responsibility of those around you with a stylish atmosphere that almost matches that ofA raw performance by Ryan Gosling that will strip you away from his other heartthrob personality, Drive is a graphic tale of crime and redemption and responsibility of those around you with a stylish atmosphere that almost matches that of Ridley Scott's Blade Runner but not that close.

Nicholas Winding Refn does a great job mushing his previous directing talent as shown in Bronson and makes a much stylish LA neo-noir drama of the modern age with lots of stellar driving and action sequences as well as a dark comeback performance by Albert Brooks… Expand

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10

EdwardGregoryApr 19, 2015

This review contains spoilers, click expand to view. As the camera scuds between twinkling skyscrapers in downtown LA, credits of the hottest pink light up a widescreen sky of the blackest velvet and a Euro-electro score pulses, pulses, pulses.

This, immediately, is the world of ’80s Michael Mann movies, of A-game Walter Hill pictures, of William Friedkin’s style-drenched neo-noir To Live And Die In LA.

Post-credits, Drive hits the ground cruising as Ryan Gosling’s wheelman glides through an asphalt jungle in a classic Motor City machine, toothpick jutting from clenched teeth.

On the radio, a basketball game blips and burbles – a seemingly incidental detail that will prove key to the action. Driver (for that is the only name he’s given) works the gear shaft and feeds the wheel; his knuckles flex, his leather gloves creak.

Composed and confident, laconic and iconic, he’s about to prove he’s the best getaway driver in town…

Night and the city

Long considered a talented maverick whose spiky sensibility could never fit into square old Hollywood, Danish filmmaker Nicolas Winding Refn (The Pusher Trilogy, Bronson) has here made an explosive action movie that got Cannes critics whooping in the aisles.

But don’t be fooled: a Cannes critic’s guilty ‘mainstream’ pleasure is a multiplex viewer’s art movie, and any jolting violence is cushioned by lush, low-key longueurs comprised of geometric cityscapes, abstract tableaux, striking camera angles, calibrated light and shadow, reflective surfaces, empty corridors and terse, economic exchanges full of syncopated beats.

There is, of course, a girl, and she even lives next door. Irene (Carey Mulligan) cares for her young son (Kaden Leos) while her husband (Oscar Isaac) does time. Driver, naturally, finds himself not only gravitating towards her but breaking all of his own rules to protect her.

It is for Irene, circuitously, that he takes on a pawn-shop heist that goes inevitably wrong, and she is the baggage that weighs down our previously unburdened, unemotional crim as he feels the heat around the corner.

Clichéd? Sure, only Refn and screenwriter Hossein Amini, adapting James Sallis’ book, play out the de rigueur romantic sub-plot in unexpected ways: Driver and Irene communicate largely in silence, their bond forged through shifting gazes and meaningful half-smiles (DoP Newton Thomas Sigel maps the human face as closely as downtown LA); and the film’s most swooningly romantic flourish precedes its most violent set-piece.

Star vehicle

It’s this clashing of moods and subverting of stereotypes that sets Drive’s engine purring, with Refn swerving between blazing daylight and silky night, between staple set-ups and offbeat outcomes, between familiar faces and surprising character traits (funnyman Albert Brooks ices blood as a Hollywood producer/ gangster), between glimmering helicopter shots and tyre-squealing ground-level chases, between crushed skulls and synth pop, between classic movies and Refn’s unique worldview.

It makes for a film both archetypal and fresh and, as such, it’s hard to put a pin through. Gosling wasn’t kidding when he described Drive as a mix of Blue Velvet and Purple Rain…

The cast is strong, from Mulligan’s serenely stoical princess (Drive can be read as an urban fairytale) to Bryan Cranston’s mechanic/fixer to Ron Perlman’s intimidating henchman.

But it is Gosling, along with Refn’s meticulous, dynamic direction, that is the star of the show, his tight-lipped turn evoking the cool charisma of Steve McQueen in Bullitt or Alain Delon in Le Samouraï.

Dressed in aviator shades, driving gloves and a satin racing jacket emblazoned, tellingly, with a scorpion, his Driver may be a blank-faced cut-out deprived of the barest hint of backstory, but he’s an intriguing, mesmerising blank-faced cut-out – the kind of amoral, dysfunctional anti-hero that so often becomes a poster boy.

Might he register as this generation’s Man With No Name, their Travis Bickle? Perhaps that’s going too far, but Gosling’s Hollywood-stuntman-by-day, getaway-driver-by-night is the stuff of fantasy, and his mysterious dispensation towards dishing Gaspar Noé levels of violence is exactly what got the Cannes viewers cheering.

Next up for Refn and Gosling is a re-run of 1976 action-sci-fi flick Logan’s Run. A $200m blockbuster? Just don’t expect it to play by studio rules…… Expand

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10

EddyGregsApr 19, 2015

By day, ‘Driver’ (Gosling) is a Hollywood stunt man, but by night he makes his real money in the criminal underworld as a top-flight getaway driver. When pretty but very married next-door neighbour Irene (Mulligan) is menaced by hoods, heBy day, ‘Driver’ (Gosling) is a Hollywood stunt man, but by night he makes his real money in the criminal underworld as a top-flight getaway driver. When pretty but very married next-door neighbour Irene (Mulligan) is menaced by hoods, he steps in to protect her and her little boy, only to find himself in an escalating conflict between the local thugs and the Mafia.

Refn’s skills are not limited to artfully conceived bloodletting: an opening sequence in which our hero practises his trade, transporting a pair of thieves from their place of business to safety, dodging, parking and reversing, is a masterclass of cutting in which the precision of the editing matches that of the driving (and actually it’s far more exciting than the more conventional car chase later in the movie). Meanwhile Newton Thomas Sigel’s sheeny cinematography delivers gorgeous chopper shots of the neon-flecked night-time streets of LA and moody renderings of asphalt car parks, race-tracks and diners. The cumulative and exhilarating sensation is that Walter Hill or William Friedkin made an urban noir sometime back in 1986 and somehow you missed it (and it’s easily as good as The Driver or To Live And Die In LA).

stylish, ultra-violent fun one of the best films ever made!… Expand

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10

FilmMasterApr 21, 2015

By day, ‘Driver’ (Gosling) is a Hollywood stunt man, but by night he makes his real money in the criminal underworld as a top-flight getaway driver. When pretty but very married next-door neighbour Irene (Mulligan) is menaced by hoods, heBy day, ‘Driver’ (Gosling) is a Hollywood stunt man, but by night he makes his real money in the criminal underworld as a top-flight getaway driver. When pretty but very married next-door neighbour Irene (Mulligan) is menaced by hoods, he steps in to protect her and her little boy, only to find himself in an escalating conflict between the local thugs and the Mafia.

The only thing to say is that Drive feels like some kind of masterpiece---it's as pure a version of the essentials as you're likely to see.

Our hero is nameless; as played by the ever-impressive Ryan Gosling, this tightly contained Hollywood stunt driver, sometimes called "the kid" by garage boss Bryan Cranston, is a closed book. All you really need to know about him comes in his first conversation with a married neighbor (Mulligan): "I drive," he states, the barest hint of a flirtation.

hen not strapped into his crash car, the guy also moonlights as a getaway wheelman---the film is about the moment when his luck begins to run out, via some bad company (Brooks, a stunningly potent villain) and a melting heart. Danish director Nicolas Winding Refn (Bronson) has taken the opportunity to work in America and pushed it to delirious limits; his effort, a foreigner's impassioned take on '80s-synth-scored romance and highway mayhem, plays like the work of a student graduating with highest honors.

One of the best films ever made!… Expand

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Drive

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