| Focus Features | Release Date: May 20, 2022 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
32
Mixed:
12
Negative:
2
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Critic Reviews
ColliderMay 19, 2022
A New Era shows that Downton Abbey doesn’t have to sacrifice joy to also explore sorrow and pain. Amongst charming tales of Hollywood and French getaways, A New Era delves into loves lost, missed opportunities that leave its mark on our lives for years, and how one will be remembered long after they’re gone.
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Screen RantApr 25, 2022
First and foremost, this remains a film for the fans. As such, Downton Abbey: A New Era is a triumph. After several tumultuous years, returning to a well-known universe with beloved characters is a balm and anyone who has followed along with the Crawleys will find plenty of enjoyment within the film.
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SlashfilmApr 25, 2022
The subtitle refers not only to the twilight of the 1920s but to a changing of the guard in this entertainment franchise as well. In that sense, maybe Downton Abbey isn’t really giving its fans what they want, but what they have always needed to accept in this epic saga: that time doesn’t stand still.
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The PlaylistMay 13, 2022
Despite its pedigree, “Downton Abbey” remains the fanciest of soaps — the kind that Martha Stewart and Oprah Winfrey use — but it’s still a soap. There’s drama and dalliances, and it would all seem so silly if it weren’t for its setting, cast, and budget. Some plot elements are so ludicrous that they earn giggles, but Fellowes makes it so purely enjoyable that it’s hard to complain too much.
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IndieWireApr 26, 2022
"A New Era” doesn’t feel like a cash-grab, but a true continuation. Lush settings, well-appointed sets, and an eye-popping wardrobe only add to the magic, and good luck not happily sinking into two hours of confectionary entertainment. (The endless jokes about the film industry somehow only add to the zip of it all.)
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Downton Abbey: A New Era starts out as a wistful return to the familiar before shedding its skin and letting the series’ nauseating ugliness come frothing to the surface. It goes from funny and charming to jaw-droppingly grim at the drop of a hat — a wild tonal whiplash that’s absolutely worth a watch. It’s a concentrated dose of Downton Abbey.
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Director Simon Curtis and writer Julian Fellowes deliver the dual comedies of errors with cheer, sprightly/stately music and the lightest of drama. The scenery, both at Downton and in France, is worthy of Rick Steeves’ Europe. If this is a goodbye (and there are plenty of signals that it is, barring unexpectedly huge box office), it ends on a note of smiles, tears and no hard feelings.
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