Destroyer

Annapurna Pictures | Release Date: December 25, 2018

5.8	USER SCORE Mixed or average reviews based on 80 Ratings

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netflicFeb 4, 2019

I greatly respect Nicole Kidman as an actress and got used to high quality of movies she is starring in. That was the reason for me to go and see "Destroyer", a crime drama.

Kidman plays LAPD detective with dark past, tired and nearlyI greatly respect Nicole Kidman as an actress and got used to high quality of movies she is starring in. That was the reason for me to go and see "Destroyer", a crime drama.

Kidman plays LAPD detective with dark past,
tired and nearly destroyed, emotionally and physically.

There are two timelines with 17 years in between, and the movie jumps back and forth showing young detective Erin allowing a gang she infiltrated into to rob a bank. That robbery, going bad, destroyed all her life that followed.

Kidman is a great actress, and plays well but I do not think that role of a bad cop was a good match for her. Besides, the movie was so long and not impressive otherwise that it was not worth it going to theater to watch this film.… Expand

1 of 2 users found this helpful11

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JLuis_001Feb 2, 2019

In the last 5 years Nicole Kidman has have a career with quite diverse roles in dark films like The Killing of a Sacred Deer and indie films like The Family Fang, Lion and How to Talk to Girls at Parties and also roles like Queen Atlanna inIn the last 5 years Nicole Kidman has have a career with quite diverse roles in dark films like The Killing of a Sacred Deer and indie films like The Family Fang, Lion and How to Talk to Girls at Parties and also roles like Queen Atlanna in the recent Aquaman.
And now in Destroyer she's unrecognizable, delivering one of the best roles of her career but unfortunately the script is not so well built and the narrative devices used by its director Karyn Kusama aren't the greatest and her final work is rewarded and to some extent more salvageable because of the work of her protagonist. And I say this because of having employed an actress who had not committed as Kidman perhaps this film wouldn't have worked in the same way.

Is it worth it? Yes, but in this case it does more because of the acting work of Nicole Kidman than for Kusama's direction.… Expand

1 of 2 users found this helpful11

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amheretojudgeFeb 18, 2019

Style That Kills.

Destroyer Kusama is overthinking and over chewing the content that apparently she has taken granted for. More or less fumbling on narrating a productive story, the film is one big moot point. This non-linear screenplayStyle That Kills.

Destroyer

Kusama is overthinking and over chewing the content that apparently she has taken granted for. More or less fumbling on narrating a productive story, the film is one big moot point. This non-linear screenplay barely has something to say let alone be something new. With effortful twists and turns, all the hokum that it sweats for, protrudes an unstable unnerving ride where no one is happy at the beginning of it nor thrilled at the end of it. And the one big revelation that the makers crave for, most probably, disappears amidst provocative tear jerking episodes which writers claims here to be a drama.

This thriller genre feature has barely any thrills to he relied upon. The behemoth antics that it relies upon is a bourgeois attempt of carrying out the rudimentary procedure of "investigation". The storytelling focuses on "who" or "why" of it, while it should have kept its eyes upon "how" of it. Since Kidman is on the driver's seat for the most part of it, the chills of the close calls gets lost into pretentious loud background score.

Take her first invasion for example, Whitford playing DiFranco, catcher her by the nerves and yet it is so bizarrely executed that Kidman's performance brings out nothing but pity from us. Another such antic that it roots for, is the "bank robbery gone wrong" scene. Now, not only is it poorly choreographed but the execution isn't clean enough to map out the entire sequence for us to nod agreeably. Followed by a chase scene, the cat fight between Kidman and Maslany is the only action that you are about to get.

What it majorly lacks on these big moments is confidence to pull it off with conviction, while ironically the rest of the part is over confident about its material it passes on. Nicole Kidman cloaking as Erin Bell with a make-up for transformation that may not make her scarier but surely makes her a grimmy old boxer in a twelfth round that can both take and throw a punch. What's fascinating is the tug of war between the script and Kidman. Everytime the film flies high through cheesy conversations and melodramatic moments, Kidman pins it down to the ground with her gritty practical nuances that makes it more appealing.

The testament of her brilliant performance lies on her body language, the way she drives a car, the way she reloads a gun and the way she pulls her man to kiss, she literally carries off the film all on her own. Sebastian Stan as her love angle doesn't come off impressive or expressive as it was aspired, the energy of their chemistry is all controlled by Kidman. Aforementioned, the non-linear narration does charm you at the end of the line, but with eerie camera work and inessential slow motion shots it shucks away the earned integrity. Plus, after the pockets are emptied, you are left with an unsatisfactory feeling which will always haunt you and on that very note, it probably is a Destroyer.… Expand

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RaduAJan 25, 2019

I got out of the cinema after 40 minutes. Maybe it's not for my tastes ... but my friends did not like it ... at all.

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qbaseMar 25, 2019

H χρονικά σπαστή αφήγηση και η «στεγνή» ερμηνεία της Κίντμαν κερδίζουν τις αρχικές εντυπώσεις, αλλά όσο η ιστορία αρχίζει να συνδέει με σαφήνεια παρόν και παρελθόν οι σεναριακές κοινοτοπίες αδυνατίζουν υπερβολικά τη δραματική ένταση. ΟιH χρονικά σπαστή αφήγηση και η «στεγνή» ερμηνεία της Κίντμαν κερδίζουν τις αρχικές εντυπώσεις, αλλά όσο η ιστορία αρχίζει να συνδέει με σαφήνεια παρόν και παρελθόν οι σεναριακές κοινοτοπίες αδυνατίζουν υπερβολικά τη δραματική ένταση. Οι χαρακτήρες γίνονται σχήματα, τα μηνύματα απλοποιούνται και όποιος έχει δει τρία φιλμ νουάρ έχει δει και το φινάλε του εκδικητικού ξεσπάσματος της Έριν...… Expand

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FazhaMay 31, 2019

This movie seems more like a showcase for Kidman's transformative acting abilities (although it was way too jarring with the obvious makeup and wig) than a movie concerned with story and plot.