| Ascot Elite Entertainment Group | Release Date: August 31, 2018 | CRITIC SCORE DISTRIBUTION | ||
|
Positive:
6
Mixed:
12
Negative:
5
|
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Critic Reviews
RogerEbert.comAug 31, 2018
Watching unpleasant characters onscreen isn't always a fun experience, so casting Reeves and Ryder is genius. They're both full-on movie stars: charismatic, wildly photogenic, the whole nine yards. But they're also good actors, and they make these two neurotic misanthropes quite engaging.
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The Observer (UK)May 14, 2019
The script, by writer-director Victor Levin (Survivor’s Remorse, Mad About You) comes on like a rom-com David Mamet freight train; its verbal turns are so wildly overwritten that all the actors can really do is hold on to the wheel well, racing through reams of ratatat dialogue. But Ryder and Reeves surrender to it gamely, and sprinkle a sort of movie-star pixie dust over the too-muchness of the text.
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Destination Wedding barely holds together as a coherent film. It’s too callous for coos, too chipper to examine the dark corners of the soul. Yet it works as a valentine to old-fashioned star power — two modern legends, older if no wiser, daring the audience to somehow love them for all their faults, and on that level, somehow succeeding.
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Keanu Reeves and Winona Ryder may have worked together in the past (most notably in “Bram Stoker’s Dracula”), but Destination Wedding, a painfully indulgent anti-romantic comedy about a pair of miserable misanthropes who bond over their shared contempt of the universe, forces their screen chemistry well beyond any reasonable limits of tolerance.
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All right, then, let’s rip off the Band-Aid: Destination Wedding is torture. And not just because this would-be romantic comedy is grating, cheap-looking and a mighty drag: it also turns two seasoned, likable actors into characters you’ll want to throttle long before the credits roll.
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