| Concorde Filmverleih | Release Date: January 19, 2018 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
8
Mixed:
13
Negative:
3
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Critic Reviews
The PlaylistJan 19, 2018
Gudegast does provide a good amount of grimy atmosphere to his L.A. setting, and the action sequences keep you involved even as the running time starts to get gruelling. But, at 140 minutes, Den of Thieves gets too caught up in its own indulgences, and that’s a crime it can’t escape.
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Movie NationJan 17, 2018
IndieWireJan 20, 2018
Den of Thieves is such a dumb misunderstanding of the genres in which it plays, such a loud, interminable shart of unmitigated machismo, such a heavy-handed rip-off of Heat and The Usual Suspects and even Ocean’s Eleven (and maybe even The Fast and the Furious, but for scumbags) that it feels anachronistic on arrival, the kind of melodramatic, pulpy studio action flick that doesn’t get made anymore because it shouldn’t.
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Between the candy of the Federal Reserve robbery itself — which features a marvelous running bit about the process of delivering Chinese food in a government-surveilled building — and the merry nonsense of Butler chugging Pepto-Bismol during a strategy session, Den of Thieves earns a nice spot in the watch-forty-minutes-on-a-rainy-day canon.
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Gudegast, a first-time director who wrote the script to Den of Thieves (and who has probably watched Michael Mann's "Heat" more than once) attempts to comment on humanity's complexities. But all he does with his soulless, hollow characters is make a solid case that men are violent sleazes.
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Clocking in at two hours and 20 minutes, it seems intended to have been a crime epic in the vein of Michael Mann’s “Heat,” about two men of talent and spirit who happen to be on opposite sides of the law. And it’s sort of like that, if you can imagine a Michael Mann picture that has been set on fire and dropped from an airplane.
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