| Summit Entertainment | Release Date: September 30, 2016 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
39
Mixed:
12
Negative:
1
|
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Critic Reviews
The GuardianSep 13, 2016
When all hell breaks loose, Berg stages the action horribly well, capturing the panic and gruesome mayhem without the film ever feeling exploitative. It’s spectacularly constructed, yet it doesn’t forget about the loss of life, ensuring that, despite thin characterisation, the impact is felt.
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When disaster strikes, about an hour into the movie, we’re put in the uncomfortable position of admiring the fiery spectacle that Berg has created with sophisticated visual effects, cinematography and editing, while being aware that unspeakable real-life suffering has been packaged for mass entertainment. Berg does a good job of maintaining a thoughtful balance between those somewhat uneasy stances.
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As entertainment, it works in the most rote way: the star power of Wahlberg, Russell, and Kate Hudson, who plays Mike’s worried wife; Malkovich’s predictable sliminess; the minor pleasure of seeing the good guys get out; the slight kick of watching something big crumble and burn while knowing that it’s only a special effect, real-world basis be damned.
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That Berg and writers Matthew Carnahan and Matthew Sand stick strictly to the day of that explosion and subsequent fire that sank the Deepwater Horizon certainly presents a narrative opportunity, but the lack of any resonance to larger issues is troubling (the end-credit coda is woefully thin).
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