Rim | Release Date: November 19, 2004
8.1
USER SCORE
Universal acclaim based on 61 Ratings
USER RATING DISTRIBUTION
Positive:
53
Mixed:
5
Negative:
3
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10
BrianMMay 19, 2007
This and 2046 speak very loudly to a certain group of people. If you haven't been there, I wouldn't expect you to understand. To those it have, it's powerful stuff.
1 of 1 users found this helpful
10
TNgoDec 7, 2005
Just wonderful! I especially loved its meditation on time.
0 of 0 users found this helpful
9
KennyC.Aug 26, 2008
I was so hypnotized by its beauty the first time I saw it in the cinema that I paid to watch it again for the next 2 days. And for the next 17 years, I continued watching this movie again and again, first on VHS, then VCD and now DVD. And I I was so hypnotized by its beauty the first time I saw it in the cinema that I paid to watch it again for the next 2 days. And for the next 17 years, I continued watching this movie again and again, first on VHS, then VCD and now DVD. And I never cease to be mesmerized by it. Expand
0 of 0 users found this helpful
10
RGJul 24, 2006
one of the best movies i have ever seen and he keeps getting better with each i m not sure how that is possible every second of thsis movie is dripped in dealing with time and mix of emotions.
0 of 0 users found this helpful
9
mubagreenSep 12, 2011
when i watched the film ,it makes me to feel that oh you are watching something special.its an unusual movie. iam deeply impressed by the director kar wai wong who made this inexplicable movie. the characters in the film make us emotionallywhen i watched the film ,it makes me to feel that oh you are watching something special.its an unusual movie. iam deeply impressed by the director kar wai wong who made this inexplicable movie. the characters in the film make us emotionally attached to them ,even after we watched the film..... Expand
0 of 0 users found this helpful00
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7
tugrulSep 7, 2011
Can not tie unconnected stories into a central theme. "Birds without legs" imagery is forced. Narrative is Inconsistent (use of several inner voices, addressing the audience). Caricature eccentric mother, a girl starting with a dramaticCan not tie unconnected stories into a central theme. "Birds without legs" imagery is forced. Narrative is Inconsistent (use of several inner voices, addressing the audience). Caricature eccentric mother, a girl starting with a dramatic effect but ending up as a meek character...
Promises something but clearly over-valued.
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9
RobertBroganSep 30, 2015
Days of Being Wild delivers as expected: a highly aesthetic and enjoyable film. You can feel the humidity of melancholy summer nights and sense the fatalistic but untragic vibe the characters give off. This is quintessential HK cinema andDays of Being Wild delivers as expected: a highly aesthetic and enjoyable film. You can feel the humidity of melancholy summer nights and sense the fatalistic but untragic vibe the characters give off. This is quintessential HK cinema and easy to recommend. Expand
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8
ahmedaiman9999Oct 23, 2018
As much as it also has a twisty, and hazy plot as the other Wong Kar-wai's movies that I've seen so far, Days of Being Wild's narrative feels more controlled. Even the seemingly unfocused nature of its storyline can be justified this time, asAs much as it also has a twisty, and hazy plot as the other Wong Kar-wai's movies that I've seen so far, Days of Being Wild's narrative feels more controlled. Even the seemingly unfocused nature of its storyline can be justified this time, as its despicable protagonist, Yuddy, is a nihilistic character.

The same goes with the tech aspect. The expressive beauty of this movie doesn't often stem from the hypnotic colors, and numbing lights like Chungking Express, or Fallen Angels, instead it comes from the demonstrative use of tight framing that also provided us with some astonishingly good-looking shots.

Yuddy is an extremely obnoxious character that you can't emphasize with. That said, I didn't hate him, simply because I found the fact the woman who raised him refuses to reveal his real mother's name so agonizing. To top it all, Rebecca Pan, who played his adoptive mother, gave such a provocative performance that I couldn't help hate her character so much that I kinda rooted for Yuddy.

The realistic method most scenes are shot with made me connect with every character on the screen, even if their actions may sometimes feel implausible. Unfortunately, this wasn't enough to make me convinced one hundred percent. I found two central characters' feelings and doings far from being reasonable. As these two characters are seen very much from the outside, and lacking real depth, at least to justify their actions.

The editing is pretty exquisite, and also indicative. However, it was quite messy and distracting near the end. It deprived me from being fully satisfied. Some scenes could have been so heartbreaking, but they ended up being jumbled and muddled up. On the other hand, the ending itself is quite devastating, and has all the movie's emotional impact.

I think this movie features the best use of music among the other two Wong Kar-wai's movies that I've watched. Besides that it's so moving, it expresses Yuddy's emotions and feelings, nay his psyche.

(8/10)
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