Come Play
Focus Features | Release Date: October 30, 2020 CRITIC SCORE DISTRIBUTION
58
METASCORE
Mixed or average reviews based on 21 Critic Reviews
Positive:
9
Mixed:
11
Negative:
1
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Critic Reviews

Critic scorePublicationBy date
88
Chicago Sun-TimesRichard RoeperOct 28, 2020
There’s a terrifically entertaining sequence late in the film that plays like an homage to a certain element of the original “Poltergeist,” and a thrilling and nerve-wracking extended final sequence that will put you on the edge of the proverbial seat. Read full review
80
The Hollywood ReporterDavid RooneyOct 28, 2020
The director doesn't rely on cheap jump scares or trick editing. Instead, he builds and sustains suspense throughout the well-paced thriller with controlled camera movement, malevolent lighting, unsettling music and jagged, staticky sound. Read full review
75
Original-CinJim SlotekOct 29, 2020
The horror film Come Play, the feature debut of writer/director Jacob Chase, is in many ways derivative. But it’s derivative of some pretty effective predecessors. Read full review
75
Chicago TribuneMichael PhillipsOct 29, 2020
A pre-teen on the autism spectrum, lonely and isolated, becomes the online prey of an unwanted stranger, a monster from another realm. That’s Come Play in one sentence. The results unfold more like a collection of reference points to previous film than a film unto itself. Read full review
75
The Globe and Mail (Toronto)Barry HertzOct 28, 2020
Come Play’s themes, characters and story are too strong to lump the film in with the wave of sub-tier horror flooding the market this month. Read full review
75
The A.V. ClubA.A. Dowd Oct 28, 2020
Writer-director Jacob Chase, making his feature debut, expanded Come Play from an inventive short film. The result is involving, but a little pat as drama; you see the strings, even when it’s successfully pulling the ones attached to your heart. As a horror movie, though, it’s often diabolical fun: a PG-13 funhouse ride of peekaboo jolts. Read full review
70
Los Angeles TimesKatie WalshOct 29, 2020
The story is deceptively simple. However, built around a universal quandary of our tech-obsessed modern world, underpinned with a folkloric tale that appeals to our most primal child selves — yearning for acceptance and connection — it has a heavy metaphorical resonance. Read full review
70
Arizona RepublicBill GoodykoontzOct 28, 2020
Horror movies are notoriously tough to end well — how can the last act match the lead-up? But credit Chase with coming up with an ending that fits the mood of the rest of the film without selling out the audience emotionally. Read full review
63
Washington PostMichael O'SullivanOct 28, 2020
Despite the subtext of screen addiction, it is still essentially a by-the-book monster movie, despite some better-than-average jump scares and clever rendering of Larry, who for the most part can be seen only through the camera lens of a cellphone or tablet device. Read full review
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