| Walt Disney Studios Motion Pictures | Release Date: November 22, 2017 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
45
Mixed:
3
Negative:
0
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Critic Reviews
Coco is packed with terrific original tunes such as “Remember Me” (by Robert Lopez and Kristen Anderson-Lopez of “Frozen”) and “Proud Corazón” (co-written by Adrian Molina, the film’s co-director). But it’s not your average musical, in which characters wail their wants and feelings. That’s a refreshing change.
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At every imaginative juncture, the filmmakers (the screenplay is credited to Pixar veteran Molina and Matthew Aldrich) create a richly woven tapestry of comprehensively researched storytelling, fully dimensional characters, clever touches both tender and amusingly macabre, and vivid, beautifully textured visuals.
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It lacks the delirious inventiveness and irreverence of the best Pixar movies (which for me would be the “Toy Story” trilogy, “The Incredibles,” and the first 10 minutes of “Up”), but there’s always something spacious to look at, and the songs, mostly by Robert Lopez and Kristen Anderson-Lopez, aren’t bad either.
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The vividness of the narrative never quite matches the riotous swirl of color and culture on screen — and neither do the songs, sadly, for how central they are to the story. Instead, Coco settles into something gentler but still irrefutably sweet: a movie that plays safe with the status quo, even as it breaks with it.
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One might argue that Coco could stand to be weirder and more self-indulgent; the alternate reality it creates is entertaining and expansive. But then it wouldn’t be a Pixar film. It is impeccable, time-tested craftsmanship, not experimentation, that drives Coco, both in its most familiar beats and in its most moving moments.
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Yes, the latest Pixar offering involves a journey to the Land of the Dead, which by definition requires people to, you know, die. That's always sad. But there's joy here, particularly in the animation and the cinematography; the Land of the Dead is a beautiful place, which is kind of comforting
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Yes, Coco thrills with its of-the-moment visual invention, but its core elements — dead relatives, family photos, the power of loving memory — couldn’t be more timeless. When Pixar made me cry this time, it wasn’t just for the characters on the screen. It was for the people I remember, and the ones I hope will remember me.
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In any case, it works: Coco’s creators clearly had the perfect ending in mind before they’d nailed down all the other details, and though the movie drags in places, and features a few too many childish gags...the story’s sincere emotional resolution earns the sobs it’s sure to inspire.
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As Miguel unravels the secret behind his family's ban on music and its relationship with de la Cruz, a story emerges that is both newly inventive in the way it deploys the skeletons and absolutely classic in the way it connects remembrance with immortality. Turns out these talking skeletons have a lot to say.
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While Coco brings a lot of sweetness and light with it (and, undoubtedly, a lot of happy tears), not one story beat includes something to startle the adults in the audience into realizing something new. No movie has to do that. But Pixar once was reliably in the business of making indelible cinematic crowd pleasers — and now it feels like it’s settling into something much more routine.
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